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An eBook that takes you from the beginning of starting your video production business, through to intermediate topics and more advanced video business information.
This training is our flagship course on starting & growing a profitable video company. 25+ hours of video training as I take you by the hand from the beginning of starting & growing your video company.
The Filmmaker's Ultimate Toolkit is a comprehensive collection of 20 databases packed with essential contact details for every aspect of film and video production.
The ultimate database of marketing strategies & tactics tailored for video production company growth. Unlock a treasure trove of effective marketing insights, from client acquisition hacks to brand-building techniques.
Jonas Mekas stands as one of the most singular voices in cinema, a visionary whose films transcend traditional narrative structures to create an intimate, poetic chronicle of life and memory. Born in Lithuania in 1922, Mekas’s journey through the 20th century was marked by displacement,
Anna Muylaert’s The Second Mother (2015) is a quietly explosive examination of class and family in contemporary Brazil. Far from a didactic social critique, the film unspools its tensions through intimate, domestic encounters, revealing how deeply entrenched social hierarchies persist beneath the veneer of cordiality.
Sebastián Silva stands as one of Chile’s most compelling contemporary voices in cinema, weaving narratives that probe the social fabric of his country with an unflinching gaze. Emerging in the late 2000s, Silva has cultivated a filmography deeply embedded in the exploration of social justice,
Opening Night (1977) stands as one of John Cassavetes’ most introspective and psychologically complex works, a film that probes the fragile psyche of an aging actress facing the inevitable decay of identity, creativity, and public adoration. Centered on Myrtle Gordon, played with heartbreaking intensity by
Hiroshi Teshigahara occupies a distinct place in postwar Japanese cinema, crafting a body of work that challenges conventional storytelling through bold visual experimentation and profound philosophical inquiry. His films resist facile categorization, blending surrealist imagery with existential themes to probe questions of identity, alienation, and
Tales from the Crypt (1972), directed by Freddie Francis, stands as a darkly atmospheric entry into British horror cinema that deftly marries Gothic sensibilities with the anthology format. Emerging at a time when the horror genre was exploring new boundaries, the film is both a
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