As originally conceived by Paramount engineers Robert H. Gottschalk and William C. Garity, VistaVision was intended as a large-format alternative to other widescreen systems such as Cinerama or Cinemascope that had been developed in the early 1950s.

However, the high cost of converting theaters (and creating new prints) for these processes eventually led studios.

Let’s jump into what Vistavision is and how it changed the cinematic climate as we know it.


What Is vistavision?

VistaVision is a higher resolution, widescreen variant of the 35mm motion picture film format which was created by engineers at Paramount Pictures in 1954.

As a response to a general desire in Hollywood for higher definition, finer grain and more widely available special effects techniques, VistaVision was created to be used with existing lenses and cameras, but with the addition of an 8-perforation 35mm horizontal pulldown.

The resulting negative has twice the area, and thus double the resolution, of standard 35mm film. Because it has more perforations, VistaVision cameras can run at faster speeds than standard 35 mm cameras.

For optical reasons, when doing widescreen compositions matted to standard 35 mm frames, a 1.5x anamorphic lens is used in conjunction with the taking lens.

This also means that standard spherical lenses can be used instead of expensive anamorphic lenses.



What Is Vistavision?

Vistavision is a large format film used for photography and motion pictures. It is an 8-perforation, 35mm wide film which runs horizontally through the camera.

It is also known as 35/65mm or simply 65mm, although the latter should not be confused with regular 65mm film.

Vistavision was created in 1954 by engineers at Paramount Pictures, led by Leon Shamroy.

The process was announced in August of that year but not used until filming began on White Christmas (1954) in November.

The film was used to shoot some scenes in Cecil B. DeMille’s The Ten Commandments (1956), then became more widely employed in the 1960s.

Is Vistavision Anamorphic?

Is Vistavision anamorphic? That’s a question that crops up in forums and chat rooms regularly.

TropiKode replied: “I asked this on the Red User Forum, and they said that it is not but that it can be if you use a custom setting…”.

It’s hard to believe this is correct, so I thought I’d put it out there to see what others think. I wonder if the people at Red have tried using Vistavision for anamorphic shooting or whether they are basing their opinion on some of the other video formats included in Red One.


If Vistavision isn’t anamorphic, then anyone wishing to shoot anamorphic will need to use one of the other video formats included in the camera and post-process into 2x squeeze.

I recently bought a Vistavision anamorphic lens set (1.33x) for my Blackmagic Cinema Camera that I am building a rig for. And I want to make sure whether this particular lens set will work with my camera or not.

Is Vistavision Anamorphic?

The answer is yes, it is. However, you will need an adaptor ring and a follow focus system to make it work with your camera. The adaptor ring will screw into the front of the lens and will be attached to the Blackmagic Cinema Camera’s hot shoe mount.

The ring has a male 49mm threading, so you can attach your follow focus system to the ring and then attach it to the lens.

What Is The Basic Concept Behind Vista Vision?

Vista Vision is an eye care clinic in Mesa, AZ that uses the WaveLight EX500 excimer laser as its primary laser to correct a wide range of vision problems. It is one of only four clinics in Arizona to offer this option to its patients and the only clinic in the East Valley.

Treatments can be used to correct nearsightedness, farsightedness, astigmatism, presbyopia (age-related farsightedness), and even dry eyes. However, if you have cataracts or other issues that require the removal of the lens, you will likely need a different procedure.

If you have questions about whether Vista Vision can help you or whether you are an appropriate candidate for treatment with the WaveLight EX500 excimer laser, Dr. Jones would be happy to discuss it with you. Make an appointment today at 480-830-5000.

What Is The Basic Concept Behind Vista Vision?

Vista Vision is an eye care clinic in Mesa, AZ that uses the WaveLight EX500 excimer laser as its primary laser to correct a wide range of vision problems. It is one of only four clinics in Arizona to offer this option to its patients,

The basic concept behind Vista Vision is that it helps you improve your vision. It was initially developed by Tom Karadza, the founder of VisualVista, a company that produces several products designed to improve your vision. The idea is to help you improve your overall vision by giving you exercises that will gradually work on helping you achieve a 20/20 vision.

To this end, the program has been developed with the aid of an ophthalmologist. In fact, it has been approved by the FDA. It is also available in Europe and Canada, and it comes with a money-back guarantee.

There is a lot to like about this product if you are looking for ways to enhance your vision without spending a lot of money or needing to see an ophthalmologist or optometrist.

What Was The First Vistavision Movie?

The first film projectors were mechanical devices. They used a spinning metal disc to show the image. The speed of the disc made the image look blurry, so a series of lenses magnified the image and changed its size.

Towards the end of the 19th century, inventors began using electricity to power their projectors. These machines would heat one film frame and then show it on the screen. After it cooled off, they’d repeat this process with the next frame.

This was called “flickering” or “fading.” Projectionists would trigger a lightbulb behind the screen at just the right moment to make the frames change faster, creating an illusion of smooth movement.

The inventors didn’t stop there: they were determined to create a projector that could show movies without flickering. They developed a device called an Eidophor (light-tor). It projected images onto a mirror instead of a screen and then reflected them into viewers’ eyes.

This allowed images to move more smoothly, but it didn’t reduce flickering entirely.

They are still around and in good working order if you can get your hands on one!

What was the first Vistavision movie? The information is not available to the public.

Description: The first Vistavision movie was fascinating for its time. This new filming process created more opportunities for movie producers, as it allowed them to create more complex scenes.

Description: When the first Vistavision movie came out, there were many changes in the filming process. This new filming technique changed how movies were produced and enjoyed by people worldwide.

What Is The Meaning Of Cinemascope?

Cinemascope is a film format created by Twentieth Century Fox, later adopted as a standard by the industry.

A cinemascope film uses an anamorphic lens that projects the same aspect ratio as human vision.

When you watch a cinemascope movie on your TV or computer, it will appear as if you were watching it in the theater. The effect of watching a cinemascope movie on your TV or computer screen is stunning.

Have we captured your curiosity? Here’s our video on the origins, history, and legacy of CinemaScope:

The history of cinemascope goes back to 1927 when William Fox decided that he wanted to make movies that were more realistic than what was being offered at the time.

He was tired of repeatedly seeing the same old, boring movies with the same storylines and characters.

So how did William Fox come up with the idea for cinemascope? A friend of his, a photographer named Billy Bitzer, had just invented a new process called “VistaVision,” which allowed images to be taken with a broader lens.

This meant that everything in these images would look breathtaking compared to anything else out there at the time. 

What is the Meaning of Cinemascope?

Cinemascope is a widescreen film format. Widescreen means that the picture is expanded horizontally to cover a broader area of the film. The picture is typically two to two-and-a-half times wider than it is high.

Taller than standard TV and computer screens, widescreen pictures are often viewed using an anamorphic lens (a lens that compresses the image by squeezing it). This widens the picture, giving you a more extensive and enjoyable viewing experience.

Vistavision Camera

No doubt, you’ve already heard about the Vistavision Camera. Many people talk about it because they’re excited to purchase one and try it out. I know that some of you are still trying to figure out if the Vistavision Camera is right for you or not.

If you’re wondering, just wait until you read my review! I’m going to give you a detailed breakdown of this product to decide whether or not you think it’s the right fit for your needs.

What Is Vistavision?

Vistavision is a relatively new camera company that focuses on creating high-quality cameras to help individuals capture their memories as they happen. The cameras are simple to use, produce high-quality pictures, and incredibly portable.

Let me start by saying that the camera itself is very lightweight but has an ideal weight. It comes in at around two pounds and is made from mostly plastic, but with a little bit of metal here and there.

The buttons are all located on the camera’s top and have been designed exceptionally well. I was impressed with how intuitive they were because I could pick up using the camera quickly without challenges.

Vistavision Camera Description: Your online source for quality cameras, mobile phones, home and office electronics, computers, tablets, and accessories. Find everything from digital cameras to computer parts, projectors, and more!

Description: Vistavision is an authorized reseller of major brands such as Sony, Nikon, Olympus, Samsung, etc. We provide fast delivery of the best products at affordable prices.

Description: Our company has been in business for over 10 years, serving the needs of professionals in all industries. Our staff is dedicated to providing you with the best product and service possible.

We strive to provide you with a positive experience from our first contact through delivery. We want you to be 100% happy with your product; in the rare event of an issue with your purchase, we will work directly with you to resolve it.

Vistavision Camera Characteristics

The Vistavision was manufactured and sold by the Vistamax corporation, located in Chicago, Illinois. The camera can take black and white or color photos with a fixed focus. The Vistavision camera has a built-in flash powered by two C batteries. The flash can be adjusted from below the lens.

The shutter release button is located directly on top of the lens. This camera does not have an automatic exposure setting; it must be set by hand. The film for this camera has to be purchased separately, and it takes a special kind known as Type 620 film. The type of film used in this camera is different from other brands of cameras and cannot be used in other types of cameras.

This camera has a plain body made of metal, with no notable decorations or embellishments. It comes in a variety of colors such as red, blue, silver, and gold; however, there are no patterns or designs on this model of the Vistavision camera, unlike the models produced in previous years, which featured designs such as hula girls and palm trees.

The most prominent feature of this model of the Vistavision camera is its huge flash that dominates the top half of the body and makes up about

The Polaroid Corporation produced the Vistavision camera in 1972. It was based on the SX-70 camera but included a built-in light source. By using a xenon flash tube and integrating it into the camera’s design, Polaroid eliminated the need for a separate flash unit and battery pack.

Towards the end of its production run, due to the popularity of the SX-70, Polaroid offered several models of Vistavision cameras that took SX-70 film as well as their proprietary film. Other models included a more compact version without light integration called the Vistamatic and a model that accepted Polaroid’s square format film.

Most modern Vistavision cameras are black. Light integration technology is still used today with digital cameras and other devices.

Famous Vistavision Movies

Vistavision was created by Technicolor and used in Hollywood movies during the 1970s, 1980s, and early 1990s. Though it was intended to compete with Eastman’s Super 8 film format, it ultimately failed to do so.


Vistavision film had a higher resolution than Super 8 but slightly less than standard 35 mm. The film had a speed of ISO 125/22°. With an aperture of f/1.6 and shutter of 1/60 sec. handheld scenes would be shot at 200 ASA (ASA stands for ‘International Standardization Organization’, the predecessor of today’s ISO). With an aperture of f/2.8, handheld scenes would be shot at 100 ASA; usually resulting in underexposed images when not using a tripod.

The emulsion speed could be pushed up to 6400 ASA with an EI of just 64 (compared to 25600 ASA on Ilford HP5 Plus) without significant loss of quality but also without being able to use normal daylight (a professional tungsten light source was needed).

Visually, a Vistavision movie has a softer focus than a film shot in Super 35. This is because the image used for the 70mm blowup was not optically printed; it was made from a chemical transfer process similar to that used to make color television prints.

This softer focus can be used for artistic effect (as in “The Exorcist”) or to hide defects in the matte work. Other effects are possible, too: “Star Wars” had shots in which graininess was added optically and scenes in which the soft focus was combined with heat haze, giving an unreal, hyper-real look. (p. 170).

The Origins Of Vista Vision

The origins of Vista Vision date back to 1930 when the film was first created. It was designed to improve the wildly popular Fox Grandeur film format, which was introduced in 1929.

Paramount Studios and Technicolor developed the Vista Vision film format. It was produced by placing a three-channel soundtrack along one edge of the 35mm film and recording it via a special sound stripe reader attached to the projector.

The original Vista Vision films were shot at 24 frames per second, with a much wider frame than normal at 1.32:1 (opposed to the standard 1.37:1 ratio). The films were then projected using a special lens system that produced an image 68% larger than normal, making them appear brighter and more detailed than other films at the time.

Twentieth Century Fox originally shot all of their movies with this format until 1953. Still, it eventually fell out of production due to the development of new widescreen formats such as CinemaScope and Panavision that were better suited for color films.

In 1983, however, Steven Spielberg used Vista Vision for his film “E.T.: The Extra-Terrestrial”, which helped spark renewed interest in the format from other filmmakers.

The story of Vista Vision is a study of how an innovative idea can change the world.

American Optical Company invented the technology in the mid-1950s. At the time, movie theaters had been using 35 mm film for years to show movies on the big screen. But Kodak’s introduction of 16 mm film and its popularity with amateur filmmakers made 35 mm film seem like it was destined to become obsolete.

An American Optical engineer, William Frieseke (known as “Captain Video” because he had worked on early television development), saw a potential niche market for 35 mm film. So, after he retired from his job at Kodak, he approached the owners at American Optical, and together they developed VistaVision.

Frieseke produced sample footage by filming parts of John Wayne’s movie The High and the Mighty (1954).

The VistaVision process offered several advantages over other systems: It used less light than standard 35 mm cameras; it produced sharper images; it could be used with slower film stock (and thus could be used in dimmer theaters), and it could be converted to 3-D.

Despite these advantages, however, VistaVision never became popular with filmmakers. Its bulky cameras and projectors were expensive, and its aspect.

The Rise And Fall Of Vista Vision

This is the story of the rise and fall of VistaVision. It will start with a bit of history. I think it was in 1948 that Paramount Pictures released “So This Is New York.” In this film, there was a sequence shot with a VistaVision camera. Paramount’s Special Effects department did the filming.

This was not used for sound filming because, at that time, only one company, Western Electric, owned the patents for sound on film, and no other company could use this process. However, the VistaVision process produced a large negative from which large prints could be made.

This same year, Paramount released “The Fighting Coast Guard,” again using their VistaVision camera to make a dramatic aerial sequence shot on location in Puerto Rico.

In 1954 Vista Vision cameras were used by Disney Studios to make “20,000 Leagues Under The Sea.” This film had many excellent underwater scenes, which were made possible by the new high-speed lens developed by Dr. Max Berek of Panavision, which was adapted to fit the VistaVision camera.

One side note here: An interesting thing happened during the underwater filming of “20,000 Leagues Under The Sea.” The viewfinder on the VistaVision camera became fogged up while they were shooting an underwater scene.