Shooting slow motion footage is a lot of fun. If you want to pull it off properly, you’ll need a really good slow motion camera. In this article, we’re going to look at what we think is the best slow motion camera. We’ll cover the pros and cons of each camera and give you advice along the way.

We’re going to be looking a selection of industry standard slow motion cameras. The quality and price is going to cover the whole scenario of lifestyles, from entry budget (usually called prosumer) all the way to realistic affordable professional cameras.

If you want some fun videos that show the potential of the quality of shots and slow motion footage have a look at the SlowMo guys on YouTube:

These gents have explored the full use of objects and environment, experimenting with slow motion video capture. If nothing else, it is really fun to watch and showcases the slow motion effect for video or film production.

Best Slow Motion Camera Models

I have chosen the latest camcorders and high-speed Cameras capable of video and slow motion features, for good to high quality results. In this section I will review the models and there features, looking at performance and footage quality, as well as reliability.

1. Sony RX100 VII

Design and Ergonomics

The Sony RX100 VII, belonging to Sony’s highly acclaimed RX100 series, continues to impress with its compact form factor without compromising on features.

A pocketable marvel, it easily slides into one’s jeans or jacket pocket, making it an ideal travel companion for enthusiasts and professionals alike.

The solid metal construction feels premium in hand, and though the camera’s small size might be a concern for users with larger hands, Sony has managed to design the grip in such a way that it remains manageable.

The 180-degree tiltable LCD screen is a boon for vloggers and selfie enthusiasts, and the inclusion of a pop-up electronic viewfinder (EVF) is nothing short of a masterstroke for those shooting in harsh sunlight.

Performance and Features

Sony’s RX100 VII is a powerhouse in terms of performance.

Featuring a 20.1 MP 1-inch stacked CMOS sensor paired with the BIONZ X image processor, it ensures that the images produced are sharp, detailed, and vibrant.

The standout feature, however, is its autofocus system.

Borrowing tech from their flagship A9, the RX100 VII boasts 357 phase-detection and 425 contrast-detection autofocus points, ensuring lightning-fast and accurate focusing.

The camera’s ability to shoot at 20 frames per second without blackout is another impressive feat, making it suitable for capturing fast-moving subjects.

On the video front, it’s no slouch either. Capable of recording 4K footage with full pixel readout and no pixel binning, videographers can expect detailed and crisp videos.

Add to this the Super Slow Motion mode, which can capture up to 960 frames per second, and you have a camera that punches well above its weight.

Image Quality and Optics

When it comes to image quality, the RX100 VII shines brightly. The images produced exhibit excellent dynamic range, sharpness, and color accuracy.

The Zeiss Vario-Sonnar T* 24-200mm lens provides a versatile range, from wide-angle to telephoto, ensuring that users won’t often miss a shot due to lens constraints.

The lens maintains sharpness across its zoom range, which is commendable.

While the maximum aperture of f/2.8-4.5 isn’t the brightest in the series, it’s a reasonable trade-off for the extended zoom range. In low light, the camera holds its own, producing images with minimal noise up to ISO 3200.

The built-in Optical SteadyShot image stabilization is effective, aiding in reducing blurriness in handheld shots, especially at longer focal lengths.

In conclusion, the Sony RX100 VII is a testament to how much technology can be packed into a compact body.

It’s a perfect choice for those looking for DSLR-like performance without the bulk.

Whether you’re a street photographer, a vlogger, or just someone looking to capture high-quality memories, the RX100 VII is more than capable of meeting and even exceeding expectations.

Sony RX100 VII Premium Compact Camera with 1.0-type stacked CMOS sensor (DSCRX100M7)
  • 20. 1MP 1. 0 Type stacked CMOS sensor, Zeiss Vario Sonnar T 24 200 millimeter F2. 8 F4. 5 large...
  • 0. 02 sec. High AF speed, 357 point focal plane Phase detection AF and 425 point contrast detection...
  • Up to 20 fps blackout free shooting, using up to 60 times/sec. AF/AE calculations. Diopter...
  • AI based real time tracking for stills and movies, and touch tracking. Real time eye AF for human...
  • 4K video with us log3 and Interval Shooting. Microphone jack and vertical position data recording....

2. Panasonic Lumix GH5S

Design and Build Quality

Panasonic’s Lumix GH5S, a sibling to the renowned GH5, is crafted with videographers in mind, and its design underscores this focus.

The robust magnesium alloy body ensures that the camera can withstand rigorous shooting conditions, ideal for filmmakers on the move.

Weather-sealing is another notable feature, safeguarding the camera from dust, splashes, and cold temperatures.

The layout remains familiar to those acquainted with the GH5, with strategically placed controls allowing for seamless changes while shooting.

The camera’s substantial grip makes it comfortable to hold for extended periods, while the 3.2-inch vari-angle touchscreen, which can swivel and tilt, is a gift for videographers often struggling with awkward angles.

The OLED electronic viewfinder, though not the highest in resolution, delivers a clear and bright preview of the scene.

Features and Performance

The Lumix GH5S touts a 10.2MP Multi Aspect Micro Four Thirds sensor, distinctively designed for enhanced low-light performance.

While this might seem a regression compared to the 20.3MP GH5, this decision pays off in spades when shooting in dim conditions.

The camera impresses with an expanded ISO range that reaches 204,800.

Autofocus, powered by the Depth from Defocus (DFD) system, is swift and precise, though it might occasionally falter in extremely low light.

Burst shooting enthusiasts will appreciate the 12fps rate, albeit with the focus locked on the first frame. Video, the GH5S’s forte, is where the camera truly shines.

Capable of internal 4K recording at 60/50p in 4:2:0 8-bit and 30/25/24p in 4:2:2 10-bit, it stands out as a filmmaker’s delight.

The addition of V-LogL and Hybrid Log Gamma profiles are further icing on the cake.

Image and Video Quality

In the imaging department, the GH5S delivers crisp and vibrant photos, though it primarily stands out for its low-light performance.

Reduced noise at higher ISO settings ensures that the camera is reliable for shooting in challenging light.

The reduced resolution may not make it the top choice for those wanting to do extensive cropping, but the detail retained in each shot is commendable.

In the video realm, the GH5S is a beast.

The 4K footage, especially in the 10-bit mode, provides extensive room for post-production adjustments.

Color grading, corrections, and other tweaks are made easier due to the richer color data.

The absence of in-body image stabilization (IBIS), a notable feature in the GH5, means videographers might need to invest in gimbals or rely on lens stabilization.

In wrapping up, the Panasonic Lumix GH5S cements its place as a top-tier choice for videographers seeking a compact mirrorless solution.

While photographers, especially those looking for higher resolution, might lean towards the GH5, the GH5S stands unmatched in its video capabilities within its class.

Panasonic LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black)
  • PROFESSIONAL PHOTO AND VIDEO PERFORMANCE: 10.2-megapixel Micro Four Thirds sensor and a...
  • RUGGED SPLASH or FREEZEPROOF DESIGN: Durable magnesium alloy body withstands heavy use out in the...
  • UNLIMITED IN-CAMERA RECORDING OF C4K: Capable of internal SD card capture of 60p50p 8-bit, 30p25p24p...
  • ANAMORPHIC VIDEO MODE: 4K Anamorphic professional video production interchangeable lens camera...
  • CONNECTIVITY AND PORTS: TC In or Out or Synchro Terminal (via included BNC cable), 3.5mm mic jack...



What Are Slow Motion Cameras?

Slow motion cameras, also known as high-speed cameras, are devices that record video at a higher frame rate than normal to create slow-motion videos.

They were first invented in 1965 by John Underwood and Michael Arick who created the SloMo camera for filming automotive crashes.

Since then there have been many advancements made in regards to slow motion capabilities of these types of cameras including ones that can produce live streams with no lag time or skipping frames and even ones that are capable of recording sound from up to 100 meters away.


3. Sony A7S III

Ergonomics and Design

Sony’s A7S series has always been held in high regard by videographers, and the A7S III continues this legacy while addressing many of the concerns voiced about its predecessors.

The body is robust, built with a combination of magnesium alloy and weather-sealing to withstand the challenges of outdoor shooting.

At the rear, the fully articulating 3-inch touchscreen is a marked improvement, enabling flexibility when filming or photographing from awkward angles.

Despite being dense with features, the layout is intuitive.

Buttons are tactile and easily accessible, and Sony’s decision to enlarge the grip was a welcomed change, making it more comfortable for prolonged use.

The inclusion of dual CFexpress Type A card slots ensures faster write speeds, crucial for 4K recording.

Features and Performance

Internally, the A7S III sports a 12.1MP Exmor R CMOS sensor, optimized for video performance and low-light shooting.

The BIONZ XR processor, touted as being 8 times more powerful than the BIONZ X, ensures swift operations and reduced rolling shutter.

The camera’s ISO range is impressive, spanning from 80-102,400, and is expandable to 40-409,600.

One area where the A7S III truly shines is its autofocus. With 759 phase-detection points covering 92% of the image area, the speed and accuracy are exceptional, even in dimly lit scenarios.

Video is, without a doubt, the star of the show.

The A7S III supports 4K recording at up to 120p, with 10-bit 4:2:2 internal recording.

Furthermore, the camera can output 16-bit raw video over its HDMI port, a feature that will delight many professional videographers.

Image and Video Quality

For stills, the A7S III may not be the first choice for those who desire large prints due to its 12.1MP sensor.

However, the images produced are crisp, with excellent dynamic range and remarkable low-light capabilities.

The camera’s noise control at higher ISOs is noteworthy, enabling photographers to push the boundaries of night photography.

In the realm of video, Sony has outdone themselves.

The 4K footage is exceptionally detailed, and with the 10-bit color depth, color grading in post becomes a more seamless task.

The camera’s in-body stabilization ensures that footage remains smooth even when shooting handheld.

For those concerned about overheating, an issue prevalent in some high-resolution video cameras, the A7S III has proven to be resilient even during extended recording sessions.

To summarize, the Sony A7S III stands as a testament to Sony’s commitment to addressing user feedback.

It excels in areas where its predecessors fell short, particularly in the realms of usability and video features.

While it may not be the primary choice for stills photographers due to its resolution, it’s undeniably one of the best mirrorless options for videographers on the market today.

Sony NEW Alpha 7S III Full-frame Interchangeable Lens Mirrorless Camera
  • 12.1MP1 Exmor R sensor, optimized for 4K, sensitivity and speed.Bluetooth : version 5.0
  • New BIONZ XR processing engine delivers 8x more processing power2
  • Low noise images with ISO up to 409,6003 and 15 plus stop dynamic range4
  • Up to 4K 120p5 10-bit 4:2:2 and full pixel readout in all rec. modes
  • Up to 4K 120p5 in XAVC S (AVC), XAVC HS (HEVC) and XAVC S-I (All-I)

Serious Slow Motion Cameras

These next cameras we list here take things up a notch. If you’re beginning to get serious about slow motion, these are worth a look.

These specialist pieces of kit called high speed cameras, fun at anything from 500 to 3000 frames per seconds (fps), which offer slow motion at surprisingly high clarity HD resolution And, because of the increased frame rate, playback is super smooth.

4. Canon EOS-1D X Mark III

Build and Ergonomics

When you first lay hands on the EOS-1D X Mark III, you instantly recognize Canon’s dedication to delivering a professional-grade camera.

The body, constructed from magnesium alloy, exudes ruggedness and feels ready to take on any challenging shooting environment.

This durability is complemented by extensive weather-sealing, safeguarding the camera against adverse conditions.

The heft is considerable, but the ergonomic design ensures it sits comfortably in hand. Canon has made notable tweaks in button layout, making operations smoother.

The inclusion of the Smart Controller, a touch-sensitive optical point, is a game-changer, allowing rapid and intuitive AF point selection.

Features and Performance

Internally, the Mark III boasts a new 20.1MP full-frame CMOS sensor, paired with the DIGIC X image processor. This combination ensures impeccable speed.

The camera can shoot up to 20 fps in live view mode with the electronic shutter and 16 fps when using the mechanical shutter, making it a beast for action and sports photography.

The ISO range of 100-102,400, expandable to 50-819,200, offers vast flexibility in diverse lighting situations.

Autofocus sees massive improvements with the implementation of Deep Learning technology.

The camera can detect and track subjects (including faces and eyes) with startling accuracy, thanks to its 191-point AF system.

On the video front, the Mark III is no slouch. It offers 5.5K raw video recording at 60p, and 4K at 60p, giving videographers a plethora of high-resolution options to work with.

Image Quality and Video Capabilities

Stills captured with the Mark III are nothing short of breathtaking.

The level of detail retained, even in challenging lighting, is impressive.

Color rendition is vibrant yet true to life, and the dynamic range ensures highlights and shadows are well-preserved.

Low light performance is stellar, with noise being expertly managed even at higher ISO levels. For action photographers, the camera’s ability to maintain focus on fast-moving subjects and deliver sharp, well-exposed shots consistently is a dream come true.

Turning to video, the 5.5K raw footage offers videographers a great deal of latitude in post-production.

The detail captured in this mode is exquisite, and the Dual Pixel CMOS AF ensures subjects remain tack sharp even in dynamic scenes.

The 10-bit 4:2:2 Canon Log provides a wide dynamic range, making color grading a more flexible and creative process.

In conclusion, the Canon EOS-1D X Mark III is a powerhouse, cementing its place as one of the top choices for professionals globally.

Whether you’re capturing the decisive moment in sports, venturing into wildlife territories, or crafting cinematic video masterpieces, the Mark III promises not just to deliver but to astound.

Canon EOS-1D X Mark III DSLR Camera | with CFexpress Card & Reader Bundle kit | 20.1 MP Full-Frame CMOS Image Sensor | DIGIC X Image Processor | 4K Video | and Dual CFexpress Card Slots, Black
  • High Image Quality with New 20. 1 Megapixel Full-frame CMOS Sensor Combined with Newly Designed low...
  • New DIGIC X Image Processor with an ISO range of 100-102400; Expandable to 50-819200 .
  • New 191-point AF System Capable of Tracking the Subjects Head and Face using Deep Learning...
  • Dual Pixel CMOS AF for Fast and Accurate Auto Focus using up to 3869 Manual AF Positions and up to...
  • Use the EOS Utility Webcam Beta Software (Mac and Windows) to turn your Canon camera into a...

5. Sony FS5 II

Design and Build Quality

The Sony FS5 II, upon first glance, strikes a balance between compactness and professional usability.

Ideal for filmmakers on the go or those working in tight spaces, the FS5 II’s lightweight and modular design is one of its standout features.

The camera’s ergonomic grip, rotating handgrip, and adjustable viewfinder allow for flexibility and comfort during extended shoots.

Made with robust materials, the camera feels sturdy in hand and seems designed for the rigors of daily professional use.

Notably, the inclusion of the ND (Neutral Density) filter wheel, which allows for rapid adjustments to changing lighting scenarios, is a testament to Sony’s commitment to functionality and user-centric design.

Technical Features and Performance

The heart of the FS5 II is its Super 35 sensor, which ensures exceptional image quality, broad dynamic range, and impressive color accuracy.

When paired with its high frame rate capabilities – up to 240fps in Full HD without any buffering – it becomes evident that this camera is tailored for filmmakers looking to capture smooth slow-motion sequences.

The FS5 II supports both 4K and HD recording, with the ability to output 4K RAW with the use of an external recorder.

Sony’s signature S-Log2 and S-Log3 are present, offering maximum flexibility in post-production color grading.

Another applaudable feature is the electronic variable ND filter system, which provides precise control of exposure and depth of field.

Image and Video Quality

Images produced by the Sony FS5 II are characterized by their sharpness, vibrant colors, and broad dynamic range.

In 4K, the details are crisp, and there’s an organic feel to the footage that cinematographers would appreciate.

In high frame rate modes, slow-motion footage is buttery smooth, with minimal artifacts.

The camera’s dual-native ISOs, 800 and 3200, ensure clean footage even in less than ideal lighting conditions.

Low-light performance is commendable, with noise being minimal and manageable up to higher ISOs.

With S-Log profiles, filmmakers can push their creative boundaries, extracting maximum dynamic range and crafting their desired look in post-production with relative ease.

All in all, the Sony FS5 II is a compelling option for filmmakers and videographers looking for a versatile and compact camera system without compromising on features or image quality.

Its mix of professional-grade features, ergonomic design, and competitive pricing makes it a notable contender in its segment.

Whether you’re an independent filmmaker, a documentary shooter, or a content creator, the FS5 II has the tools to bring your vision to life.



Advantages of Using Slow Motion Cameras

• Slow motion cameras create films with “true” cinematic quality.

• Admire the beauty of both the high speed and low speed world.

• No heavy equipment is needed.

• Increase your production value of video.



Design and Physical Features

Stepping away from the traditional bulky form factors that cinema cameras often embrace, the RED KOMODO presents a compact, boxy design that is immediately eye-catching.

Weighing in at just 2.1 pounds, this cube-shaped camera is both lightweight and rugged, offering surprising flexibility for filmmakers.

The design allows the KOMODO to be easily rigged on gimbals, drones, or even handheld setups, bringing RED’s cinema-quality capabilities to more varied shooting scenarios.

The inclusion of a 2.9-inch touchscreen at the top facilitates on-the-fly changes, although the screen size might be a tad limiting for some.

Constructed with a robust aluminum alloy, the KOMODO feels ready for the rigors of professional filmmaking.

Technical Capabilities and Performance

At the heart of the RED KOMODO is a 19.9MP Super 35mm global shutter sensor.

This is a significant departure from the rolling shutters seen in many digital cinema cameras, providing benefits like the elimination of jello effect in fast-paced shots.

The KOMODO offers 6K recording at up to 40 fps and 4K at up to 60 fps, ensuring filmmakers have a range of options for their projects.

RED’s signature REDCODE RAW format is present, allowing for 16-bit RAW recording which provides immense flexibility in post-production.

Another standout feature is the camera’s autofocus capability – a rarity in cinema cameras, especially from RED.

The Phase Detection AF, while not as fast as some mirrorless cameras, is competent, especially when paired with RF mount lenses.

Image Quality and Output

RED’s reputation for exceptional image quality is upheld by the KOMODO. The 6K footage is incredibly detailed, with fantastic dynamic range and excellent color science.

The global shutter ensures that fast-moving scenes or those with a lot of camera movement remain artifact-free.

While the camera does offer a range of resolutions and codecs, it shines brightest when recording in REDCODE RAW.

This format, while storage-intensive, offers unparalleled flexibility in color grading, allowing filmmakers to extract every ounce of quality from their footage.

The KOMODO’s low-light performance is admirable, with noise being well controlled even at higher ISOs.

In conclusion, the RED KOMODO is a formidable entry into the compact cinema camera segment.

Offering a blend of RED’s renowned image quality with the flexibility of a more compact form factor, it caters to a wide range of filmmakers, from indie creators to professionals seeking a B-camera for their larger RED setups.

With the KOMODO, RED has once again reinforced its position at the forefront of digital cinema technology.

7. Panasonic Lumix S1H

When delving into the realm of slow-motion cinematography, we can’t overlook the Panasonic Lumix S1H.

It’s a powerhouse when it comes to high-resolution video capture and has features that make it stand out in a crowded market.

The Lumix S1H shoots 4K video at up to 60 fps, but its standout feature lies in its ability to record full HD video at an impressive 180 fps.

This capability allows us to achieve extraordinarily smooth slow-motion footage with fine detail the human eye often misses.

Boasting V-Log/V-Gamut profiles, the S1H delivers a high dynamic range and broad colors that are synonymous with Panasonic’s Varicam – known for its use in cinema production.

This means we can match the S1H’s footage with professional cinema cameras when color grading, giving us greater flexibility in post-production.

Notable as well is the camera’s 24.2-megapixel full-frame sensor which ensures superb image quality even in low light conditions.

Its dual native ISO minimizes noise and maximizes dynamic range, ensuring our slow-motion scenes maintain clarity and depth regardless of lighting challenges.

The ergonomic design of the Lumix S1H is another hallmark that facilitates handheld shooting.

It’s rugged yet intuitive, with a user interface that promotes efficient operation in fast-paced shooting environments.

Key Features of the Panasonic Lumix S1H Include:

  • 4K 60 fps and Full HD at 180 fps for detailed slow-motion,
  • V-Log/V-Gamut with a dynamic range of 14+ stops,
  • 24.2-megapixel full-frame sensor,
  • Dual native ISO technology.

By incorporating these advanced features, the Lumix S1H not only meets but often exceeds the requirements of filmmakers who require versatility alongside high-performance slow-motion capabilities.

8. Sony RX10 IV

When scouting for the best slow-motion camera, Sony’s RX10 IV dramatically enters the scene.

It’s a powerhouse that covers all bases for high-speed shooting, revealing the nuanced layers of action-packed scenes.

The RX10 IV offers staggering slow-motion capabilities – up to 960 fps at lower resolutions.

This feature sets it apart, making it an invaluable tool for filmmakers wanting to capture the fleeting moments that the human eye misses.

Even though being a bridge camera, its versatility is unmatched.

With a 24-600mm f/2.4-4 zoom lens and a 1-inch 20.

1MP sensor, the RX10 IV delivers crisp images and astounding quality video footage.

Features that entice filmmakers include:

  • Fast AutoFocus with 315 phase-detection points
  • 4K video recording without pixel binning
  • 24 fps continuous shooting with full AF/AE tracking

Perfect for handheld shooting, the RX10 IV is engineered with optical image stabilization.

That steadiness is crucial when the action speeds up and even more critical during post-production for slow-motion sequences.

For those who venture into wildlife documentaries or sports events, the RX10 IV has a silent electronic shutter.

It captures the thrill of the chase without disrupting the scene.

Our exploration of the RX10 IV’s offerings continues as we jump deeper into its user-friendly operations.

The camera’s intuitive controls ensure filmmakers can concentrate on their subject, not the settings.

9. GoPro HERO9 Black

When we look for rugged and compact options for high-speed filming, the GoPro HERO9 Black often comes to mind.

It’s a powerhouse in a small package, ideal for filmmakers who venture into extreme situations.

The GoPro HERO9 Black takes slow-motion capabilities seriously with features tailored for action-packed sequences.

It offers:

  • 1080p resolution at up to 240 fps
  • 2.7K recording at up to 120 fps
  • 4K shooting that retains serious detail even when slowed down

Beyond its slow-motion prowess, this camera includes HyperSmooth 3.

0 stabilization technology.

This leads to incredibly smooth footage, which is a must for high-octane scenes.

Portability is another strong point of the HERO9 Black.

It fits just about anywhere, from a pocket to the side of a helmet.

Our adventures are never hindered by bulky equipment with this powerful tool at our disposal.

Durability is a given with the GoPro brand, and the HERO9 Black is no exception.

It’s waterproof without a case up to 33 feet, ensuring we capture those mesmerizing underwater sequences with ease.

This camera doesn’t disappoint with its TimeWarp 3.

0 feature either.

It enables the capture of time-lapse scenes that can be slowed down to real-time with just a tap.

Our creative options are boundless with such versatility.

The GoPro HERO9 Black is an essential addition for filmmakers who demand quality slow-motion in the toughest of conditions.

Its combination of high fps options, stabilization, and compactness provides unmatched convenience.

10. Canon EOS R5

When stepping up our game in the realm of slow-motion video, the Canon EOS R5 is a powerhouse we can’t ignore.

It delivers up to 120 frames per second (fps) at 4K resolution, ensuring crisp, detailed footage even in the most motion-intensive scenes.

The R5 isn’t just about the high frame rates.

It also boasts a full-frame sensor which is a game-changer for depth of field and low light performance.

In terms of stabilization, the Canon EOS R5 has a state-of-the-art in-body image stabilization (IBIS) system.

This tech promises to keep our shots steady without the need for external gimbals.

With dual card slots that support both CFexpress and SD UHS-II cards – the R5 ensures that our data is not only secure but also recorded at a blazingly fast speed suitable for high-resolution slow-mo.

Here’s why the Canon EOS R5 is an attractive option for filmmakers:

  • 8K RAW video capture for unparalleled post-production flexibility
  • Up to 120 fps in 4K for stunning slow-motion clarity
  • Dual Pixel CMOS AF II providing intelligent tracking and focusing

This camera is a testament to Canon’s commitment to professional filmmaking capabilities.

The R5’s autofocus performs admirably in tracking fast-moving subjects which is a must when framing the perfect slow-motion shot.

It’s clear that with the Canon EOS R5, we’re looking at a formidable tool for filmmakers who require top-tier slow-motion performance without compromise.

From intense action sequences to the subtle play of emotions on an actor’s face, the R5 captures it all in breathtaking detail.

11. Blackmagic URSA Mini Pro 4.6K G2

The Blackmagic URSA Mini Pro 4.

6K G2 is a powerhouse in the realm of professional high-speed cinematography.

With its Super 35mm 4.

6K sensor, this camera captures stunning slow-motion footage at up to 300 frames per second in HD, which is a significant boost for capturing the subtleties of motion that are often missed at lower frame rates.

What sets the URSA Mini Pro G2 apart is its versatility and professional features.

It supports a wide range of codecs including Blackmagic RAW and ProRes, meaning it easily fits into different post-production workflows.

The camera boasts multiple recording media options, such as CFast cards and SD cards, providing flexibility in how we capture and store our footage.

It features user-friendly controls and an intuitive touch screen interface, designed to streamline our filming process.

The URSA Mini Pro G2 also offers built-in ND filters, giving us greater control over exposure and depth of field without the need for external accessories.

Crucial to our work in the field is the camera’s durable build and long battery life.

It is designed to withstand rigorous use, a fact that makes it highly favored among filmmaking professionals:

  • Strong magnesium alloy body
  • Extended battery performance In terms of connectivity, the URSA Mini Pro G2 does not disappoint. It is equipped with a full suite of connections, including 12G-SDI out, HD-SDI monitoring, XLR audio inputs, and a USB-C expansion port for recording to external drives. This level of connectivity ensures we’re prepared for any scenario, from location filming to studio productions.

A quick glance at the URSA Mini Pro G2’s highlights:

  • Up to 300 fps in HD
  • Super 35mm 4.6K sensor
  • Interchangeable lens mount
  • Blackmagic RAW and ProRes codecs
  • ND filters with 2, 4, and 6 stop options
  • 12G-SDI outputs and USB-C expansion

While the camera’s dynamic range and color fidelity contribute to its reputation, it’s the high-speed capabilities that truly make the URSA Mini Pro 4.

6K G2 an asset for filmmakers intent on capturing life’s fleeting moments with clarity and precision.

12. Nikon Z7 II

Moving onto another impressive contender in the realm of high-speed imaging, we bring attention to the Nikon Z7 II.

While it’s often hailed for its remarkable still photography prowess, it’s also a formidable player for slow-motion video capture.

The Nikon Z7 II allows us to shoot full-frame 4K UHD video at up to 60p.

For slow-motion, it offers 120p in Full HD which enables us to step into a world where every detail is laid bare in a graceful slow dance of pixels.

Capturing slow-motion footage with the Z7 II doesn’t just mean a reduction in speed.

It’s about retaining the exquisite detail and dynamic range that Nikon is renowned for, ensuring that each frame is as crisp and color-rich as the last.

Key features of the Nikon Z7 II that stand out for filmmakers include:

  • Dual EXPEED 6 image processors for increased image processing power
  • In-body image stabilization ensuring smoother footage
  • High-resolution 45.7-megapixel sensor creating detailed and sharp images even in slow motion

With the addition of N-Log and 10-bit HDMI out, the Z7 II offers us more flexibility in color grading and post-production workflow.

Coupled with its high-resolution EVF, focusing in high-speed scenarios is made easier, a crucial advantage when precision is key.

Overall, the Nikon Z7 II is not just a still shooter’s dream but also a considerable option for filmmakers exploring the art of slow motion.

It’s a testimony to Nikon’s commitment to versatility and quality in the hybrid arena of modern cameras.

We find the Nikon Z7 II to be a reliable tool that bridges the gap between vivid stills and dynamic moving images.

13. Fujifilm X-T4

For those seeking a fusion of portability and performance, the Fujifilm X-T4 stands out as a formidable option in the world of slow-motion video.

This powerhouse doesn’t just impress on paper; its practical application in the field is remarkable, making it a favorite among videographers and content creators alike.

Leveraging its capability to capture high-frame-rate video, the X-T4 allows us to shoot Full HD videos at an impressive 240 frames per second.

This means we can record moments with the utmost detail and then slow them down dramatically during the editing process to accentuate the emotion or action within a scene.

The X-T4 isn’t merely about slow-motion; it’s also a tool crafted for visual storytellers who require reliability and flexibility.

With features like in-body image stabilization and a fast and accurate autofocus system, it ensures that our footage remains steady and sharp, even when shooting at the spur of the moment.

We’ve found that the following specs particularly enable the X-T4 to cater to our dynamic filmmaking needs:

  • 26.1-megapixel X-Trans CMOS 4 sensor
  • In-body image stabilization (IBIS)
  • Up to 240fps at Full HD for super slow-motion
  • Vari-angle LCD touchscreen

These robust features are complemented by Fujifilm’s revered film simulation modes, offering us a creative palette to color our stories directly within the camera.

From cinematic landscapes to action-packed sequences, the X-T4 adapts to our environment, offering tools that enhance creative control.

Multifaceted and adept at conquering various filming scenarios, the Fujifilm X-T4 allows us to realize our vision without the constraints of bulky equipment or elaborate setups.

It’s a testament to Fujifilm’s commitment to integrating professional features into compact bodies, enabling us to bring to life content that resonates with our audience.

Whether we’re capturing the subtleties of human expressions or the raw power of nature in motion, the X-T4 stands ready as a trusted companion on our cinematic journey.

14. Sony A9 II

The Sony A9 II stands out in the realm of slow-motion video capture.

Its 20 frames per second burst with no blackout offers seamless transition from filming to stills.

Even though being a powerhouse for still photography, it doesn’t skimp on video capabilities.

High frame rate options allow for the creativity filmmakers need.

We can’t dismiss the A9 II’s autofocus system – one of the fastest and most reliable on the market.

It ensures that even at high speeds, the subject remains sharp and in focus.

Its full-frame sensor is a boon for low-light situations.

Capturing clean, noise-free footage is a given, even when the lights dim.

The A9 II provides flexibility in post-production with its impressive dynamic range.

Filmmakers can push their color grading further without losing detail.

Optical stabilization comes in handy when shooting handheld.

Our footage turns out smooth and professional.

We’ve seen the A9 II’s prowess not only in controlled environments.

It’s also a top performer in the unpredictable world of outdoor filming.

Here are some of the Sony A9 II features that make it a strong contender:

  • 20fps continuous shooting
  • Advanced autofocus system
  • Full-frame sensor for superior low-light performance
  • High dynamic range for post-production flexibility
  • Optical stabilization for smooth footage

Capturing action scenes or subtle expressions in slow motion requires capability and reliability.

The Sony A9 II delivers on both counts, making it a valuable tool in our filmmaking arsenal.

General Features Of The Technology

As standard, you’re going to be on the lookout for HD 1080p quality images minimum. Although, these days, most support 4K resolution, which is 3840 x 2160.

The difference is 1080p is the number of pixels left to right (horizontal) and moving forward 4K resolution measures horizontal pixel resolution.

4K gets its name having about four times the number of pixels as standard HD, so has quickly become or is becoming the professional standard. Remembering the fact that this is a technology driven market and their are may companies pushing innovation all all areas.

Mega Pixels

Not only does this measurement determine the resolution quality of the image, but the also the number of image sensors, which tracks the light levels returning off objects in the image.

Typically, a CMOS sensor is used to track RBG variations. But, on a basic level, the more the better.

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Lithium-ion Battery Life (3 Hours Average)

Battery life for these cameras vary from 1 to 3 hours. The more demanding the ‘bells and whistles of the camera and HD video units the less use time, due to the demands from the hardware.

Lithium-ion battery life is limited by the technology, so you will find variation in the standard battery lifespan across the whole spectrum of the video and camera models featured here.

Professionals usually get around this by carrying multiple batteries. Seems obvious and common sense, but worth mentioning here.


This feature adds another dimension to your creative repertoire. A must for all snorkel or scuba drivers, especially in the wake of the Blue Planet series by David Attenborough that has brought a lot of attention to underwater videography.

Guarantee and Accessories

Some kits are bundled with tripods, bags and extended warranty. These usually provide great value for money and worth keeping an eye out for, especially during special offers.

Best Slow Motion Camera – Summary & Thoughts

Slow motion work is tricky and takes a skilled practitioner to pull it off in an effective manner.

Whilst we endorse the use of slow motion work and feel it adds dynamism to projects, you have to be careful not to overuse it. There’s nothing worse than watching a video that overuses slow motion. It stops being dynamic at that point and is rendered cliche. Don’t be one of those guys!

So if you’re looking for the best slow motion camera, the cameras in this list will suit you well. Pay special attention to your budget and the kind of project requirements that you have. You don’t necessarily need to splash out on an FS7 if the CamPark 4K Action might do the job that you need.

In Summary, if you’re just starting out and want a fun, compact camcorder, with slow motion options CamPark has a price that is extremely difficult to beat, with the a7S or the FS7 being the best all round camera offering for multiple purposes.

However, just on price a loan the Chronos 1.4 with its large viewer screen, high fps specification and variety of features stands out as the high speed, slow motion camera for specialist project needs.

We hope this article on our favorite slow motion cameras has helped you out. We hope you enjoy shooting slow motion – just don’t go crazy with it!

Did we miss out your top slow motion camera? Got a recommendation that you think beats all these? Let us know in the comments below.

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