Blackmagic Design’s newest camera, the URSA Mini Pro, is a lot of fun. It’s a true cinema camera.
They’ve done quite a bit of work to make it comfortable to use, and they’ve added some excellent features like built-in waveform and vectorscope monitors, global shutter, and relayoutable 4K 12-bit RAW images.
blackmagic ursa mini pro
What Is The blackmagic ursa mini pro?
The Blackmagic Ursa Mini Pro is a professional 4K digital film camera with an active Micro Four Thirds lens mount.
It has been designed for both the professional motion picture and television production industries, and supports the entire range of cinema lenses with native sensor sizes up to Super 35mm.
Blackmagic Design’s Ursa Mini Pro digital film camera features a full size 5″ 1920 x 1200 high resolution display, dual native ISO of 800 and 5000, 12G-SDI output, Canon EF lens mount, built in SD card recorder and is capable of recording to high speed fast CFast cards and SSDs.
The built in SSD recorder means you can record 4K ProRes or RAW files direct to an SSD without having to buy an external recorder.
What Is The Blackmagic URSA Mini Pro?
The camera records to compact flash media in 12-bit CinemaDNG RAW or Apple ProRes 422 HQ (HQX) formats.
t can also record in several flavors of lossless compressed 8-bit RAW to SD cards (RAW-to-XQ), an interesting hybrid that gives you the same image quality as uncompressed RAW but uses much less card space.
Files are recorded with a standard ISO setting of 800 with a 14 stops of dynamic range using the full sensor area.
The Blackmagic Design URSA Mini Pro has the same sensor and lens mount as their 4K production camera, the URSA. It’s a Super 35 sized CMOS sensor with dual native ISO ratings of 800 and 5000 depending on how its mounted.
This is a significant upgrade over the original URSA camera because it allows users to shoot in bright sunlight.
A single CFast 2.0 card can record over one hour of 4K Apple ProRes 422 (HQ) video or over 30 minutes of RAW Cinema DNG footage at 23.98 frames per second when recording at 200 Mbps.
When recording with a 2x speed CFast 2.0 card you can record over 90 minutes of 4K Apple ProRes 422 (HQ) video or over 45 minutes of RAW Cinema DNG footage at 23.
Blackmagic URSA Mini Pro Cinematic Super 35 12k Sensor
Blackmagic URSA Mini Pro is a camera designed specifically for filmmakers. It’s meant to be used by filmmakers not only as a camera but also as a tool to help create their films. Blackmagic calls it “The World’s First Super 35 Sensor Digital Film Camera”.
Truly, it’s professional grade. The sensor is designed in such a way that it gives you cinematic images that are visually pleasing and sharp. It’s 4.6K sensor can capture images at 12-stops of dynamic range with true “log-style” raw image processing.
With its built-in SSD recorder, you can record directly to your media of choice, whether that’s SSDs or an external HDD. An amazing feature about this camera is the lens mount which is compatible with both EF and PL mounts!
This allows you to attach practically any cinema or photographic lens onto the camera body. And because it has dual native ISO support, you can choose to shoot your film in either 800 or 5000 ISO! With its modular design, easily interchangeable lenses and accessories, you can use Blackmagic URSA Mini Pro for all sorts of different things! With its variety of connections — audio XLR inputs and outputs, 3D LUTs, timecode and more — it’s an
Blackmagic URSA Mini Pro Shoot In 12k, Edit On A Laptop
I’m really excited about this camera, as it has a sensor that captures over 12K resolution. I’m looking forward to using it for many projects. I’ll also be using the Blackmagic Design Desktop Video Utility for Mac to capture ProRes HQ files with the camera. I wrote about this recently in an article on the blog, but I’ll cover it here again:
What are the benefits of ProRes HQ?
With ProRes HQ you get the best image quality possible from the URSA Mini Pro. It’s a 12-bit codec and doesn’t need any further processing in post. This means your files are smaller than with other codecs like ProRes 422 (which is only 10-bit) and you can do more with your images in post, such as grading and effects etc.
I’m shooting in 12K RAW+ProRes HQ because when doing greenscreen keying or compositing, it’s always best to have more information than less. You want to be able to pull out as much detail as possible from your footage when adding graphics or motion elements and you don’t want your footage to look soft because of a compression algorithm or so called “sharpening”. Shooting in ProRes HQ will give us better results straight off the card .
Blackmagic Raw Fueled Image Capture
Blackmagic Design has released a new beta version of the free Blackmagic Raw video recording software, which is available to download from the Blackmagic Design website. Although the release notes for version 1.1.1 seem pretty cursory at this stage, the update does appear to be a significant improvement to what was already a very capable piece of software that supports a wide range of camera formats, including Redcode raw and Arri’s OpenEXR format.
Trying to download the software (which is available as a Mac application only at this time) produced an error message with some fairly generic troubleshooting advice: “Try again later or go to www.blackmagic-design.com/support.”
I suspect that means there are issues with the new software, but having checked out the Blackmagic Design website, it looks like it hasn’t been updated since February 2012 anyway, so perhaps that’s all in preparation for whatever else is coming next.
The beta software does support Blackmagic Cinema Camera footage as well as Red Epic and Scarlet footage shot in REDCODE raw and Apple ProRes 422 files from an AJA Cion and an Atomos Ninja. Unfortunately, it appears not to support Canon 5D Mark III clips recorded in Canon’s Cinema RAW Light format as well as
Blackmagic URSA Mini Pro Optimized For Fast Flexible Post Production
From the moment it arrives on set, the Blackmagic URSA Mini Pro can be used for fast and efficient post production. Its high-performance SSDs provide super fast data transfer speeds so you can keep up with the demands of today’s non-linear editing systems.
The removable 4.6K image sensor can be quickly removed from the camera body and replaced with a EF or PL lens mount, or left in place and recording to affordable SD cards. You can then choose to shoot in CinemaDNG RAW at 4.6K 2.4:1 or downscale to HD for faster editing sessions.
The global shutter of the image sensor means there is no line skipping when shooting moving subjects and it also supports an electronic rolling shutter mode that is ideal for fast shooting situations such as sport and action.
The Blackmagic URSA Mini Pro also features a built in 10-bit, 3G-SDI output so you can connect directly to professional monitors including DaVinci Resolve Studio’s new high resolution 7″ 4K large screen color corrector to use its advanced waveform, histogram and false color grading tools.
You can even connect two HDMI monitors for additional viewing options. You get full remote control of every feature of DaVinci Resolve Studio.
Blackmagic URSA Mini Pro Generation 5 Color Science
The Blackmagic URSA Mini Pro Generation 5 Color Science uses the same new large format sensor as the Blackmagic URSA Broadcast camera. This means that you get the same stunning super wide dynamic range of 16 stops, and with MFT lenses you can use apertures up to T8.0 with no crop factors
The Blackmagic URSA Mini Pro Generation 5 Color Science also has better low light sensitivity with four times the sensitivity of HD so it can shoot in extremely dark conditions and still get results with incredible image quality.
You can also record full 4K 60 fps with just one single click in Blackmagic RAW or Apple ProRes which is perfect for getting perfect slow motion shots from your video footage. With built-in 12G-SDI and support for Ultra HD 50p recording, you can even output live to an external monitor or recorder! The Blackmagic URSA Mini Pro Generation 5 Color Science also features built in waveform monitors and vector scope for accurate exposure control and color grading.
Ursa Mini Pro 12k Data Rate Calculator
If you’re wondering how long it will take to transmit data from point A to point B, this tool will help. Description:This calculator determines the time to transfer data from an Ursa Mini Pro (or other camera) to a computer via FireWire. The calculator provides a table for different file sizes, frame rates, and bitrates.
The calculator also provides dB gain information for specific distances. Description:Distance (m): File Size (mb): Frame Rate (fps): Bitrate (mbps):
Explanation of Data
The distance is the distance between the camera and the computer. The file size is how large the data file is that needs to be transferred. The frame rate is how fast you are adding new frames of data. The bitrate is how quickly you are transferring the data file from the camera to your computer.
To get the time it would take to transfer a data file from an Ursa Mini Pro to a computer with an i7 processor you can use this equation:
Time = ((Distance • 0.393) • 60 • File Size • 0.0004342933) / ((Frame Rate • 1000) / 8)
For example if you are transferring a 2 GB video file at 30 frames per second over 100
Blackmagic URSA Mini Pro Revolutionary Lightweight, Portable Design
The Blackmagic URSA Mini Pro is the most advanced camera we’ve ever developed, and it’s really something else. A lightweight, portable, high-resolution camera that’s ideal for shooting in tight spaces like car interiors or even handheld!
Taming the Beast!
The Blackmagic URSA Mini Pro can shoot up to 4K resolution at 60 frames per second, making it perfect for high-end television productions. The larger sensor makes it possible to get incredible shallow depth of field and also allows you to use longer lenses than you can with cameras with smaller sensors.
The Blackmagic URSA Mini Pro is an incredibly compact camera that you can take absolutely anywhere — whether you’re shooting a corporate interview or an epic feature film.
The Blackmagic URSA Mini Pro is a professional digital film camera that’s capable of producing the highest quality images. It has native support for 12-bit raw recording, so you’ll be able to capture all of the detail recorded on any of the world’s best film stocks.
You can even record on multiple media cards and switch between them during recording without missing a beat! Flexibility The Blackmagic URSA Mini Pro features a modular design that makes it really convenient for a wide range of productions—from commercials, music
Blackmagic URSA Mini Pro Interchangeable Lens Mounts
If you’re looking for a camera that can shoot both 4K and HD, you should look at the Blackmagic URSA Mini Pro. This camera is compact, portable and has a wide range of interchangeable lens mounts.
You can choose from PL, B4, Canon EF or Nikon F lens mounts to get the exact camera you need You’ll know if this is the right camera for you if you have a desire to shoot in a variety of situations and need to be able to change lenses quickly depending on your needs. I
f you’re thinking about getting into filmmaking or video production, it’s important that you start with a versatile camera that can grow with your needs over time. It’s easy to rely on one type of camera, but being able to switch up your equipment will allow for a variety of shots and angles.
Remember that versatility is key in filmmaking as well as most other types of photography. If you want an interchangeable lens mount, then the URSA Mini Pro is certainly worth considering. The design allows for a number of different lenses to be used depending on what type of shot you’re trying to accomplish. For example:
A long lens may be required when shooting wildlife or sports events from far away.
Blackmagic URSA Mini Pro Built In Precision Nd Filters
One of the most exciting features of the Blackmagic URSA Mini Pro is it’s built in precision neutral density filters. When you combine this filter with the shallow depth of field that a large sensor camera design has, you can create some stunning shots.
Trying to capture video footage in bright daylight and still have a heavily exposed image is one of the most difficult challenges that cinematographers face. This is why you see so many videos shot at night and a lot of videos shot indoors with hard lights that totally eliminate any sense of atmosphere.
The new sensor on the Blackmagic URSA Mini Pro has 16 stops of dynamic range which gives you an incredible amount of latitude to work with when you are shooting in bright sunlight To help balance out the exposure you can dial-in up to 10 stops of ND filtration on the lens to darken down your exposure by 10 f-stops.
There are two types of ND filters available that will help you achieve the look you want when working outdoors.
You can use a rotating filter holder which holds 4 x 4 ND filters or use a rotating turret which holds 6 x 6 ND filters. The filter holder rotates 360 degrees so if you are using several different filters on your lens and decide to change from one ND
Blackmagic URSA Mini Pro Usb-C For Direct Recording To External Disks
Blackmagic Design today announced the URSA Mini Pro 4.6K, a revolutionary new camera that can record directly to external media, including SSDs and HDDs. The URSA Mini Pro 4.6K is the first camera of its kind to be able to directly connect to an SSD or HDD using the USB-C connector for 4K RAW, 3G-SDI and 12G-SDI output without any additional hardware or cables.
The Blackmagic URSA Mini Pro takes everything that was great about the original URSA Mini and adds even more features geared towards professional productions . The quality of images from this Blackmagic Design camera are phenomenal, especially when you consider that it is a tapeless design with direct recording to external disk drives and no internal recording!
With the ability to record 4K RAW at up to 60 fps and ultra high resolution 3G-SDI output, the Blackmagic URSA Mini Pro has all the features needed for Hollywood feature film production, episodic television production, live sports production and more! This camera is truly a game changer in the broadcast industry!
The Blackmagic URSA Mini Pro records directly to externally mounted disks with support for Ultra HD resolution up to 3840 x 2160 at 30 fps
Blackmagic URSA Mini Pro High Resolution Monitoring And Camera Control
The Blackmagic URSA Mini Pro is the latest addition to Blackmagic Design’s line of professional digital film cameras. The Mini Pro is designed to provide an affordable “all-in-one” solution for high end productions while also offering modular flexibility that makes it possible to use multiple cameras in one shoot.
Touring a filming location before a shoot can be helpful, but on a low budget production you may need to find ways to make sure that everything will work as expected once you are ready to start rolling cameras. Camera monitoring lets you see exactly what the lens sees on set and provides critical control over exposure and focus, which can be especially helpful if you’ll be shooting with a wide range of lenses from short focal length primes to long focal length zooms.
Without monitoring and control, it’s impossible to get critical focus and exposure correct. Using camera monitoring really helps when you’re shooting with wide angle lenses of 18mm or wider, because these lenses have very little depth of field at close distances.
By using the zoom and focus controls on the monitor you can adjust the image until it looks right, ensuring that when you start shooting with a longer focal length lens, your background will be out of focus where you want it.
While professional digital cinema cameras have built
Blackmagic URSA Mini Pro 82mm Lens Cap
There are a few things that most people don’t know about the Blackmagic URSA Mini Pro 82mm Lens Cap, one of them being that it’s actually a step up when compared to other lens caps. The Blackmagic URSA Mini Pro 82mm Lens Cap is designed to fit the URSA Mini Pro camera and its EF lens mount.
It’s made of high quality plastic with a rubber front that can be removed for installation and cleaning if necessary. The cap is also attached to a standard 82mm filter thread, which means you can attach filters, matte boxes or other accessories without removing this crucial lens cap.
Blackmagic URSA Mini Pro 82mm Lens Cap Features: Fits perfectly on the Blackmagic URSA Mini Pro camera and its EF lens mount. High quality plastic construction with rubber front for added durability. Standard 82mm filter thread for attaching matte boxes or other accessories.
I’ve been using the Blackmagic URSA Mini Pro as my main video camera for a couple months now and it’s great! It’s a fantastic camera at an amazing price. I used this lens cap on the lens while traveling and it held up nicely. The adhesive is strong, so that it should stay put even when bumping around in your bag.
Description:Blackmagic URSA Mini Pro 82mm Lens Cap