So you have a Canon camera and you’re wondering what the best Canon walkaround lens is?

Videographers and photographers have great liberty when choosing their lenses. Beginners usually start with a basic kit.

However, as time goes and they gain experience, they’ll start picking lenses that are specific to their needs.

Most professionals have three zoom lenses: standard zoom, ultra-wide-angle, and a telephoto lens.

Alternatively, some videographers go with a set of prime lenses. This is useful if you want to shoot portraits. A third, less known option presents itself, though. Walkaround lenses.

Best Canon Walkaround Lens – Introduction

You can consider walkaround lenses to be extended zoom lenses. While a standard zoom will cover wide angles to minimum telephoto, walkarounds cover an even wider range.

Thus, these lenses are beloved by some photographers as they minimize the number and weight of lenses you have to carry around.

However, distinguishing what is and isn’t a walkaround lens is difficult in itself, let alone finding a good fit for yourself.

So, today we compiled a buying guide for the best Canon walkaround lenses.

We’re going to list a few of our favorite choices for you to pick. We’re also going to talk about some things you’ll have to consider before buying.

Best Canon Walkaround Lens – The List

Without further ado, let’s take a look at some of the best walkaround lenses for Canon and why they’re worth your time.

1. Canon EF 24-70mm f/2.8L II USM

Optical Quality and Performance

The Canon EF 24-70mm f/2.8L II USM lens is renowned for its exceptional optical performance, characterized by sharpness, color rendition, and minimal distortion.

The lens features an optical construction consisting of 18 elements in 13 groups, including ultra-low dispersion and super UD elements that aid in reducing chromatic aberrations.

With a maximum aperture of f/2.8, it performs admirably in low-light conditions and provides considerable depth of field control.

Even when wide open, sharpness across the frame is impressive, although it peaks around f/4 – f/5.6 for the ultimate in image clarity.


Autofocus and Image Stabilization

The lens employs Canon’s Ultrasonic Motor (USM) for autofocus, delivering fast, accurate, and virtually silent performance.

The full-time manual focus override is handy for making fine adjustments without needing to switch from autofocus to manual focus.

While the lens excels in autofocus performance, it lacks built-in image stabilization, which might necessitate slower shutter speeds or higher ISO settings in low light, especially when shooting handheld.

Users may also consider coupling it with bodies that feature in-camera stabilization to mitigate this limitation.

Build Quality and Ergonomics

The Canon EF 24-70mm f/2.8L II USM is constructed with professional use in mind.

Its robust build features weather-sealing to protect against moisture and dust, although it’s advisable to pair it with a weather-sealed body for optimal protection.

Weighing approximately 805 grams, the lens feels solid but remains manageable for extended shooting sessions.

The zoom and focus rings are well-damped, offering a tactile and responsive feel.

The lens also incorporates a zoom lock switch to prevent zoom creep when transporting.

Versatility and Applications

With a focal length range of 24-70mm, this lens is extremely versatile, catering to a wide array of photographic needs from wide-angle landscapes to short telephoto portraits.

The constant f/2.8 aperture throughout the zoom range makes it suitable for event photography, where lighting conditions can be unpredictable.

However, the lens is not particularly well-suited for macro work, given its minimum focusing distance of 0.38 meters and a maximum magnification ratio of 0.21x.

In conclusion, the Canon EF 24-70mm f/2.8L II USM solidifies its position as a staple in many professional photographers’ kits owing to its exceptional optical quality, rapid autofocus, and sturdy build.

While the absence of built-in image stabilization may be a point of contention for some, the lens’s overall capabilities largely overshadow this limitation.

For those engaged in versatile shooting environments that require rapid adjustments and high-quality output, this lens stands as an indispensable tool.

Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
  • 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
  • F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time...
  • 82 millimetre filters, closest focusing distance: 0.38 meter/1.25 feet
  • Image Stabilization : No. Focus adjustment: Inner focusing with USM. Diagonal angle of view: 84° -...
  • Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage...

2. Canon EF-S 18-135mm f/3.5-5.6 IS USM

Optical Quality and Performance

The Canon EF-S 18-135mm f/3.5-5.6 IS USM is a versatile zoom lens designed for APS-C sensor cameras, offering a 35mm-equivalent focal length of 29-216mm.

The lens is composed of 16 elements in 12 groups, including one aspherical element and one UD element, which help to minimize optical aberrations and improve overall image quality.

The variable maximum aperture of f/3.5-5.6 is sufficient for general photography but may not be ideal for low-light conditions or achieving a shallow depth of field. Image sharpness is commendable, especially when stopped down, but may show some softness at the corners when shot wide open.

Autofocus and Image Stabilization

Equipped with Canon’s Nano USM autofocus motor, the lens offers rapid and nearly silent focusing, making it suitable for both still photography and video work

. The autofocus is generally accurate, although it may occasionally hunt in dim lighting conditions. Additionally, the lens features an Image Stabilizer (IS) system that claims to offer up to four stops of stabilization.

This is particularly beneficial for reducing the effects of camera shake when shooting at slower shutter speeds, enhancing its performance in a wide array of shooting scenarios.

Build Quality and Ergonomics

The Canon EF-S 18-135mm f/3.5-5.6 IS USM has a robust construction that feels well-balanced in the hand.

While not weather-sealed, the build quality is satisfactory for everyday use.

The lens includes a zoom lock switch to prevent zoom creep, which is particularly useful when the camera is hanging around your neck or being carried in a bag.


Both the zoom and focus rings are sufficiently wide and offer a smooth, yet grippy, tactile experience.

Versatility and Applications

The focal length range of this lens makes it highly versatile, suitable for capturing everything from landscapes to telephoto shots.

The image stabilization allows for greater flexibility in handheld shooting, particularly in less-than-optimal lighting conditions.

It could serve as an ideal ‘walk-around’ lens for amateur photographers or those who wish to carry just a single lens for multiple shooting needs.

However, the relatively modest maximum aperture means it is less well-suited for professional work that demands a shallow depth of field or exceptionally low-light performance.

In conclusion, the Canon EF-S 18-135mm f/3.5-5.6 IS USM is a versatile, user-friendly lens offering a broad range of focal lengths suitable for a variety of photography styles.

While it may not be the fastest lens in terms of aperture size, its reliable autofocus and effective image stabilization make it a compelling option for those seeking flexibility and convenience in a single lens package.

However, more advanced photographers might find its limitations a compromise for specialized tasks.

Canon EF 50mm f/1.8 STM Lens
  • 50 millimeter focal length and maximum aperture of f/1.8
  • Great for portraits, action, and nighttime photography; Angle of view (horizontal, vertical,...
  • Minimum focusing distance of 1.15 feet (0.35 meter) and a maximum magnification of 0.21x
  • Stepping motor (STM) delivers near silent, continuous move Servo AF for movies and smooth AF for...
  • 80 millimetre effective focal length on APS C cameras, 50 millimetre on full frame cameras. Lens...

Best Canon Walkaround Lens

3. Canon EF 40mm f/2.8 STM

Optical Quality and Performance

The Canon EF 40mm f/2.8 STM, colloquially known as the “pancake lens,” offers a slim profile without sacrificing optical quality.

The lens comprises six elements in four groups, and includes one aspherical element designed to reduce optical aberrations.

The fixed focal length of 40mm (equivalent to 64mm on APS-C sensor cameras) and maximum aperture of f/2.8 deliver solid performance across a variety of shooting conditions.

The lens produces sharp, contrasty images with pleasing color rendition.

It excels particularly at landscape and street photography, although the aperture is sufficiently wide to offer good results in portraiture as well.

Autofocus and Manual Focus

Utilizing Canon’s Stepping Motor Technology (STM), the lens provides smooth and quiet autofocus, which is particularly advantageous for videographers.

The autofocus is generally accurate and speedy in good light but can show some hesitancy in lower light conditions.

Manual focus is facilitated by an electronic focus ring, which is responsive but lacks the tactile feedback found in traditional manual focus lenses.

Given its silent autofocus capabilities, the lens is also well-suited for capturing video where intrusive focus noise can be problematic.


Build Quality and Ergonomics

Despite its diminutive size, the Canon EF 40mm f/2.8 STM doesn’t compromise on build quality.

The outer barrel is made of high-quality plastic with a metal mount, giving the lens a robust and durable feel.

Weighing just 130 grams, it adds very little heft to your camera setup, making it an excellent choice for those who value portability.

One drawback to consider is the absence of weather sealing, which may limit its use in challenging environmental conditions.

Its minimalistic design forgoes any additional features like image stabilization or customizable buttons but does include a focus mode switch.

Versatility and Applications

The 40mm focal length strikes a good balance between wide-angle and portrait lenses, making it a versatile choice for general photography.

The relatively wide f/2.8 aperture allows for some creative control over depth of field, and the lens performs reasonably well in low-light scenarios.

However, the lens does not include image stabilization, which would have been an added advantage for handheld shooting in low light.

It’s worth noting that the minimum focusing distance is 0.3 meters, making it less suitable for macro photography.

The Canon EF 40mm f/2.8 STM serves as a highly portable and versatile lens with commendable optical performance.

While it may not offer the fastest aperture or a range of high-end features, its strong points, such as sharp image quality and smooth autofocus, make it a valuable addition to any photographer’s gear, especially those seeking a lightweight and inconspicuous option for travel or everyday shooting.

Canon EF 24-105mm f/4 L is USM Lens for Canon EOS SLR Cameras - White Box (Bulk Packaging)
  • 24-105mm standard zoom lens with f/4 maximum aperture for Canon EOS SLR cameras
  • 1 Super UD glass element and 3 aspherical lenses minimize chromatic aberration and distortion
  • Ring-type USM system delivers silent but quick autofocus (AF); full-time manual focus
  • Image Stabilizer technology steadies camera shake at up to 3 stops; weighs 23.6 ounces
  • Dust- and moisture-resistant; measures 3.3 inches in diameter and 4.2 inches long; 1-year warranty



What Is A Walkaround Lens?

Walkaround lenses are a type of lens that is designed to be used by photographers with different types of photographic needs.

These lenses can be very expensive, but typically offer more versatility than other prime or zoom lenses.

Walkaround lenses allow you to take pictures without swapping out your gear for each shot and they are lighter in weight as well.

These versatile pieces of equipment are great for beginner photographers or those who want the best quality images possible while working on a budget.



4. Canon EF 50mm f/1.8 STM

Optical Quality and Performance

The Canon EF 50mm f/1.8 STM, often referred to as the “Nifty Fifty,” is lauded for its optical performance relative to its affordable price point.

Comprised of six elements in five groups, the lens delivers commendable sharpness and image quality.

With a maximum aperture of f/1.8, it excels in low-light situations and offers a shallow depth of field, facilitating artistic effects such as bokeh.

Although chromatic aberration and corner softness can be observed when shooting wide open, stopping down the aperture to f/2.8 or smaller ameliorates these issues significantly.

Autofocus and Manual Focus

The lens employs Canon’s Stepping Motor Technology (STM), facilitating a quiet, smooth, and relatively quick autofocus performance.

This is particularly beneficial for videographers who require unobtrusive focus adjustments.

While it doesn’t have the speed of Canon’s Ultrasonic Motor (USM) lenses, it is sufficient for most everyday shooting scenarios.

Manual focus is also available but operates ‘by wire,’ meaning it relies on the camera’s electronic system rather than direct mechanical control, which some photographers may find less intuitive.

Build Quality and Ergonomics

Given its budget-friendly nature, the Canon EF 50mm f/1.8 STM is primarily constructed of high-quality plastics with a metal mount, but it does not feature weather sealing.

Despite this, the lens feels robust and durable.

Its compact size and weight of just 160 grams make it an ideal companion for photographers on the move.

The focus ring, albeit narrow, is smooth to operate, allowing for fine manual focus adjustments when necessary.

Its minimalistic design lacks additional features like image stabilization and customizable buttons, concentrating solely on essential functionalities.

Versatility and Applications

The 50mm focal length is considered a ‘standard’ field of view on full-frame cameras, closely mimicking the human eye’s natural perspective.

This makes it incredibly versatile, suitable for a wide range of photography genres including portraiture, street photography, and even landscapes when a tighter composition is desired.

On APS-C sensor cameras, the lens offers an 80mm equivalent focal length, making it a modest telephoto lens useful for portraits.

However, the minimum focusing distance is 0.35 meters, which is not ideal for close-up or macro photography.

In conclusion, the Canon EF 50mm f/1.8 STM is a high-value lens offering robust optical performance and versatility.

While it may lack the build quality and additional features found in more expensive lenses, its strong suits such as excellent image quality and fast aperture make it an indispensable tool for both amateur and professional photographers.

Given its affordability, it serves as a perfect entry point for those looking to explore the creative potential of prime lenses.

Sigma 18-200mm F3.5-6.3 Contemporary DC Macro OS HSM Lens for Canon
  • The Sigma 18-200mm lens was designed for APS-C sensors and features a new matte black finish,...
  • Minimum Focusing Distance: 39 cm / 15.4 in
  • Having the ability to shoot from wide angle to telephoto is highly useful particularly for travel...
  • A Hyper Sonic Motor (HSM) ensures quiet, accurate and fast autofocus and an optical Stabilizer (OS)...

5. Canon RF 24-105mm f/4L IS USM

Optical Quality and Performance

The Canon RF 24-105mm f/4L IS USM lens is a standard zoom lens designed for Canon’s full-frame mirrorless RF mount system.

The lens incorporates 18 elements in 14 groups, including three aspherical and one UD (Ultra-Low Dispersion) element, aimed at reducing optical aberrations and ensuring high image quality across the frame.

With a constant f/4 aperture, the lens performs well in a variety of lighting conditions but may not be the ideal choice for those looking for extreme bokeh or low-light capabilities.

Nonetheless, it delivers sharp, color-accurate images across its focal length range, making it a versatile choice for professional photographers.

Autofocus and Image Stabilization

Equipped with Canon’s Nano USM autofocus technology, this lens offers extremely fast and nearly silent autofocus, crucial for both still photography and video recording.

The focus accuracy is highly reliable, even in challenging light conditions.

In addition, the lens features a 5-stop optical Image Stabilizer, significantly reducing the impact of camera shake and enabling handheld shooting at slower shutter speeds.

The stabilization is effective and noticeably improves the quality of both photos and videos.

Build Quality and Ergonomics

The build quality of the Canon RF 24-105mm f/4L IS USM is exceptional, befitting its ‘L’ series classification.

It features weather sealing to protect against dust and moisture, enhancing its durability for outdoor shooting.

The lens has a zoom lock switch to prevent zoom creep and a customizable control ring, which can be set to adjust parameters such as aperture, shutter speed, or ISO.

Weighing in at 700 grams, it is not the lightest option available, but its robust construction ensures that it can withstand the rigors of professional use.

Versatility and Applications

The lens’s focal length range from 24mm to 105mm makes it highly versatile, well-suited for a myriad of photography styles—from wide-angle landscapes to short telephoto portraits.

The constant f/4 aperture provides consistent exposure settings across the zoom range, making it easier to maintain image quality.

Though the aperture may not be sufficiently wide for extreme low-light conditions, the effective image stabilization compensates to some extent, making it usable in a variety of scenarios.

The Canon RF 24-105mm f/4L IS USM is a well-rounded, versatile lens that excels in a variety of applications.

While it may not offer the widest aperture, its high-quality optics, fast and silent autofocus, and effective image stabilization make it a reliable choice for professionals and serious amateurs alike.

The lens stands as an exemplary piece of engineering that complements the capabilities of Canon’s RF mount cameras.

Canon EF-S 18-55mm f/3.5-5.6 IS II SLR Lens
  • Focal Length & Maximum Aperture - 18-55mm f/3.5-5.6 II
  • Lens Construction - 16 elements in 12 groups, including UD-glass and aspherical lenses
  • Diagonal Angle of View - 74 20' - 7 50' (with APS-C image sensors)
  • Focus Adjustment - Gear-driven
  • Closest Focusing Distance - 1.48 ft./0.45m (maximum close-up magnification 0.24x)



Advantages of Walkaround Lenses

• Smoothes out your vision to eliminate nearby objects with a constant focal point.
• Increases the clarity of distant objects that are not close enough for regular lenses to focus on.
• Often have better optics for use in low light conditions.



6. Canon EF-S 17-55mm f/2.8 IS USM

Optical Quality and Performance

The Canon EF-S 17-55mm f/2.8 IS USM lens is specifically designed for Canon APS-C DSLRs, offering a versatile focal length range equivalent to approximately 27-88mm in 35mm format.

The lens construction comprises 19 elements in 12 groups, including two UD-glass elements and three aspherical elements designed to minimize chromatic aberrations and distortions.

With its large f/2.8 constant aperture, the lens performs excellently in low-light conditions and provides depth-of-field control for creative focus effects.

Image quality is robust, rendering sharp, high-contrast images across its focal length range, although some corner softness can occur at wide-open apertures.

Autofocus and Image Stabilization

The lens utilizes Canon’s Ultra-Sonic Motor (USM) technology for autofocus, delivering quick and accurate focus acquisition with minimal noise.

This is particularly advantageous for capturing fleeting moments or for videography applications that demand silent operation.

Furthermore, the lens is equipped with an Optical Image Stabilizer rated at 3-stops, mitigating the effects of camera shake in handheld shooting scenarios.

This makes it easier to shoot at slower shutter speeds without resorting to higher ISO settings, thereby preserving image quality.

Build Quality and Ergonomics

While not part of Canon’s ‘L’ series, the EF-S 17-55mm f/2.8 IS USM is solidly built, although it lacks full weather sealing.

The lens barrel is constructed of high-quality plastics with a metal lens mount for added durability.

It features a rubberized zoom ring that offers a comfortable grip, and a separate focus ring for manual adjustments.

The lens is fairly compact and weighs approximately 645 grams, making it portable enough for everyday use.

However, the absence of a lock switch may result in zoom creep when the lens is angled downward.

Versatility and Applications

The 17-55mm focal length makes this lens extremely versatile, covering a wide range of photographic applications from wide-angle landscapes to short telephoto portraits.

The constant f/2.8 aperture allows for uniform exposure settings throughout the zoom range, which is especially useful for videography.

This lens is particularly well-suited for event photography, where diverse shooting situations are the norm and the large aperture can be exploited for creative focus control.

In conclusion, the Canon EF-S 17-55mm f/2.8 IS USM is a high-performing, versatile lens that serves as an ideal companion for Canon APS-C DSLR users.

It combines a fast aperture with effective image stabilization and rapid autofocus to provide a reliable and flexible imaging solution.

While it may lack the robust build quality of Canon’s ‘L’ series lenses, its optical and operational capabilities make it a compelling choice for both amateur and professional photographers.

Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)
  • F1.8 maximum aperture
  • F16 minimum
  • Ring-type ultrasonic-type AF motor with full-time manual focusing, 72mm filter size
  • Minimum focusing distance 28 cm/ 11.0 in. USB Dock compatible, MC-11 compatible.
  • Available in Canon EF (EF-S), Sony Alpha (dot), Nikon f (DX) mounts

7. Canon EF 35mm f/2 IS USM

When discussing the best Canon walkaround lenses, the Canon EF 35mm f/2 IS USM certainly makes the cut.

Its fixed focal length is ideal for filmmakers who favor prime lenses for their exceptional image quality and larger maximum apertures.

Delving into the features of this lens – it’s not just its focal length that’s impressive.

The image stabilization and f/2 aperture work together to deliver sharp, steady footage even in lower light environments.

The build and design of the Canon EF 35mm f/2 IS USM are notable for not compromising on durability while still being relatively lightweight.

This ensures our gear doesn’t become a burden during long shoot days.

also, the ring-type ultrasonic motor (USM) of this lens ensures quick, silent autofocus.

Crucial for when we’re capturing that spontaneous magic that happens behind the scenes or on a bustling street.

Here are some of the reasons we find the Canon EF 35mm f/2 IS USM lens a compelling choice for filmmakers:

  • Wide f/2 aperture – perfect for achieving a shallow depth of field and shooting in varied lighting conditions
  • Optical Image Stabilization – providing up to four stops of shake correction which is a boon for handheld shooting
  • USM autofocus motor – offers quick, silent focusing capabilities which is a must for live-action scenes

Its focal length offers a field of view that closely resembles the human eye, which is why many filmmakers gravitate towards it for narrative work.

The Canon EF 35mm f/2 IS USM isn’t just about the technical specifications.

It’s about the natural, unintrusive perspective it brings to our storytelling, which can be the difference between a good shot and a great one.

8. Canon EF 24-105mm f/4L IS II USM

When we’re on the move and need a lens that can handle everything from wide landscapes to close-up portraits, the Canon EF 24-105mm f/4L IS II USM is our go-to choice.

This lens stands out with its remarkable versatility and consistent performance.

Boasting an expansive zoom range, this lens delivers exceptional image quality across its focal length spectrum.

It’s an invaluable asset for capturing footage with varying compositions without the need to switch lenses.

The Canon EF 24-105mm f/4L IS II USM is particularly celebrated for its:

  • Robust build quality
  • Advanced image stabilization
  • L series optics

Filmmakers appreciate the peace of mind that comes with the lens’ weather-sealed construction.

We’re able to shoot in diverse conditions knowing our gear is protected.

With upgraded image stabilization offering up to 4 stops of shake correction, our handheld footage looks incredibly smooth.

Engaging subjects in motion is effortless, and we often find ourselves leaving the tripod behind.

The constant f/4 aperture provides us with consistent exposure settings as we zoom.

It’s perfect for maintaining a uniform look throughout our films.

In terms of autofocus, the lens is both swift and silent.

This is crucial when recording dialogue or natural sounds that we don’t want to compromise.

Coupled with Canon’s ring-type USM, the autofocus is so inconspicuous that it won’t interrupt a take.

The lens also supports full-time manual focus, giving us total control over the final image we’re aiming to capture.

Lightweight and easy to handle, the Canon EF 24-105mm f/4L IS II USM reduces fatigue during long shoots.

Our shooting is more dynamic, and we can react quickly to spontaneous scenes as they unfold.

Its image quality is flawless, with minimal distortion and chromatic aberration.

The color rendition is accurate, and the contrast is crisp, ensuring that our films look professional and are visually compelling.

9. Canon RF 24-70mm f/2.8L IS USM

When talking about high-performance equipment, the Canon RF 24-70mm f/2.8L IS USM instantly comes to mind.

It’s the epitome of optical excellence, offering exceptional clarity and versatility which is crucial for filmmakers who demand quality in every frame.

The lens’s bright f/2.8 aperture stands out in low light conditions, allowing for a shallow depth of field and beautifully blurred backgrounds.

This characteristic is paramount when capturing cinematic shots that convey a strong narrative impact.

Equipped with a rapid and precise autofocus system, this lens ensures that critical moments are never missed.

The focusing is whisper-quiet thanks to the ultrasonic motor, a feature that’s essential when recording sound-sensitive scenes.

Not only is the autofocus noteworthy, but so is the lens’s image stabilization.

This technology is a game changer, compensating for hand shake and enabling smoother handheld shots, which can be a real advantage in dynamic filming situations.

Besides technical features, build quality is also a top priority:

  • Robust construction – ensures durability in varied shooting environments
  • Weather sealing – provides confidence when shooting in challenging weather conditions
  • Compact design – Even though its range and capabilities, the lens remains relatively manageable in size

The Canon RF 24-70mm f/2.8L IS USM stands as a sterling choice for versatile filming, marrying performance with usability.

Its focal range covers most narrative and documentary situations, negating the need for frequent lens changes.

Our experience shows that this lens adapts well to a director’s vision, whether it’s capturing the intimacy of a dialogue scene or the expansiveness of a landscape.

Its consistency across the zoom range maintains image quality, offering a seamless look for projects shot entirely with this lens.

10. Canon EF 28mm f/1.8 USM

When building an arsenal of lenses, the Canon EF 28mm f/1.8 USM lens emerges as an indispensable tool.

Its wide aperture allows for remarkable control over depth of field, opening up a world of creative possibilities in filmmaking.

Offering a classic wide-angle view, it provides a natural perspective akin to the human eye.

The prime lens excels in tight spaces and is adept at capturing expansive scenes with clarity, making it an excellent choice for walkaround filming.

Thanks to its USM motor, the autofocus is not only silent but also swift.

This is crucial for filmmakers who need to maintain focus without drawing attention to the lens operations.

Its build quality ensures durability without sacrificing portability.

The lens is compact enough to fit comfortably in a camera bag, ready to be deployed in a variety of filming scenarios.

  • Fast f/1.8 aperture – perfect for low light conditions
  • Ultrasonic Motor (USM) – for quick and quiet autofocusing
  • Ideal field of view – excellent for capturing realistic scenes
  • Compact size – makes it easy to handle and carry

11. Canon EF-S 15-85mm f/3.5-5.6 IS USM

When tackling a wide range of filming scenarios, the Canon EF-S 15-85mm f/3.5-5.

6 IS USM stands out for its extensive zoom range and optical quality.

This lens offers filmmakers high versatility without the bulk of multiple prime lenses.

Its Image Stabilization technology compensates for camera shake, allowing us to shoot steady footage even at slower shutter speeds.

This feature is crucial for maintaining clarity in our videos, whether we’re capturing spontaneous street scenes or sweeping landscapes.

Besides, the Ultra Sonic Motor (USM) ensures quick and silent focus adjustments.

These aspects are paramount in film production where every second counts and unwanted noise can ruin a perfect take.

We find the 15-85mm range to cover nearly every common filming requirement:

  • Wide-angle shots are easy, perfect for grand, scenic views or tight interior spaces
  • Telephoto reach for zooming in on distant subjects with clarity

The variable aperture of f/3.5-5.

6 is competent in most lighting conditions.

While not as wide as some prime lenses, it offers decent low-light performance, essential for those days when the shoot extends into the evening hours.

Durability is another factor we can’t overlook.

The build quality of this lens means it can withstand the rigors of daily use on set.

Its design minimizes dust and moisture entry, keeping the lens functioning smoothly in various environments.

Those of us who require a reliable, all-in-one lens for filmmaking, the Canon EF-S 15-85mm f/3.5-5.

6 IS USM should be a contender in our kit.

Its ability to deliver quality footage across a broad zoom range makes it a workhorse for both budding filmmakers and seasoned professionals.

12. Canon RF 35mm f/1.8 IS Macro STM

When seeking out the best Canon walkaround lens, we can’t glance over the Canon RF 35mm f/1.8 IS Macro STM.

It’s versatile enough to cover a wide array of shooting scenarios, making it ideal for filmmakers who want to stay light on their feet.

This lens combines a reasonable price tag with impressive performance, fitting comfortably into our kit without very costly.

The 35mm focal length offers a natural perspective, closely resembling the field of view of the human eye.

Optical image stabilization is baked in, essential for handheld shooting and ensuring that our footage is smooth and free from the unwanted shake.

With up to five stops of shake correction, the accidental jitters from our impromptu shoots become negligible.

Macro capability turns this lens into a diverse tool for capturing stunning close-up shots with fine detail.

Whether we’re documenting intricate props or the nuanced expressions of our talent, the 0.

5x magnification ratio delivers.

This lens doesn’t just excel at wide landscapes or everyday scenes; it’s also a powerful performer when we want to emphasize those small but significant details.

Our autofocus needs are met with the speedy and nearly silent STM motor.

It’s quick to lock onto subjects and allows us to track movement without missing a beat.

This is crucial when we find ourselves capturing spontaneous moments that won’t wait for us to fiddle with manual focus.

Here are some features that make the Canon RF 35mm f/1.8 IS Macro STM stand out:

  • Wide f/1.8 aperture – excels in low light conditions and offers a shallow depth of field
  • Macro capabilities – great for close-up cinematography
  • Image Stabilization – ideal for handheld video work
  • Compact and lightweight – perfect for everyday shooting

With its combination of focal length, aperture, and macro feature, this lens carries an allure for filmmakers who strive for creativity without compromise.

It can take on the role of several specialized lenses, affirming why many consider it a staple in their camera bags.

13. Canon EF 24mm f/2.8 IS USM

When seeking the ideal walkaround lens, filmmakers often desire something that’s not only versatile but also performs exceptionally in a variety of settings.

Our pick, the Canon EF 24mm f/2.8 IS USM, ticks all the boxes for what makes a lens both versatile and capable, particularly for our filmmaking needs.

Compact and lightweight, it’s a lens that doesn’t add unnecessary bulk to our equipment bag, making it perfect for those long shooting days or impromptu sessions.

The image stabilization (IS) is a boon, ensuring that our footage remains steady even when we’re on the move.

In terms of optical quality, this lens does not disappoint.

With a fast f/2.8 aperture, it allows us to shoot in lower light conditions without sacrificing our depth of field or resorting to high ISO levels which can introduce noise into our footage.

The lens is sharp across the frame – a feature we can’t overstate the importance of.

The autofocus is quick and accurate, which is critical when capturing those spontaneous moments that often make for the most impactful scenes.

Usability is further enhanced by the silent focusing motor, so we don’t have to worry about any noise interference during filming.

What makes the Canon EF 24mm lens especially suitable for filmmaking includes:

  • Wide angle of view – perfect for expansive scenes or when working in tight spaces
  • Exceptional build quality – designed to withstand the rigors of regular use
  • Ultrasonic Motor (USM) for fast and silent autofocus – essential for maintaining a professional quality soundscape

No matter if we’re working on location or in the confines of a small studio, the Canon EF 24mm f/2.8 IS USM offers the flexibility and quality that’s vital for high-caliber filmmaking.

Its combination of wide aperture, solid image stabilization, and compact form factor make it an excellent contender as a go-to walkaround lens.

14. Canon RF 50mm f/1.2L USM

When it comes to selecting a prime lens that epitomizes the blend of performance and portability, the Canon RF 50mm f/1.2L USM emerges as a standout contender.

Its f/1.2 maximum aperture not only facilitates shooting in low light conditions but also provides remarkable control over depth of field, allowing filmmakers to craft visually immersive narratives with a cinematic bokeh effect.

The build and image quality of the RF 50mm f/1.2L USM are in a class of their own, reflecting Canon’s dedication to lens craftsmanship.

Its advanced optics produce tack-sharp images across the frame, which is critical when detail and clarity are non-negotiable, especially in high-resolution filmmaking projects.

Our experiences have proven that this lens is not just about stellar image quality; it’s also about elevation of practicality in filmmaking.

Its rapid and precise autofocus system ensures that the subjects remain in sharp focus whether we’re pulling in for an intimate close-up or tracking a moving figure through a complex scene.

Among the multitude of lenses we’ve reviewed, the Canon RF 50mm f/1.2L USM is particularly noteworthy for its:

  • Robust L-series construction – weather-sealing and durability meet the demands of rigorous shooting schedules.
  • Unique focal length – the 50mm perspective mimics the natural field of view, ideal for capturing authentic and relatable footage.

With these features at our fingertips, we’re equipped to tackle a vast array of filming contexts.

From independent shorts to feature-length documentaries, the delicacies of this lens enable us to tell stories that resonate with both visual and emotional precision.

The Canon RF 50mm f/1.2L USM is, without question, a formidable addition to our filming repertoire, promising consistent results in diverse shooting environments.

Best Canon Walkaround Lens – Buying Considerations

There really is no best lens for everyone. Instead, the lens that suits your budget and helps you achieve the results you want from it is the best for you. However, it never hurts to know what affects the performance of a lens.

Focal Length

Focal length is measured in millimeters. It’s basically the frame’s field of view. The size dictates how large or small the frame is. The wider the numbers are, the larger the area covered by the frame will be.

Wide-angles are great for capturing landscapes since the bigger space allows for more information to be captured on one frame.

The depth of field is also affected by the width of the range. Foregrounds seem farther than backgrounds when using wide-angle lenses.


Aperture tells you how fast a lens is. It also lets you know the amount of light allowed into the lens. Aperture is measured in f-numbers like f/3.5 or f/4. The larger numbers indicate a slower aperture.

The smaller the number, the more light a lens can take in and the better it performs in low-light situations.


The faster the autofocus the more it’ll cost you. Therefore, most people prefer to have average autofocus at a reasonable price.

Just ensure that the autofocus isn’t slow or loud so it neither infuriates you nor distracts you.

With time you may even give up on autofocus and switch manual focus which allows you to control the focus system by rotating the ring on the lens.

Best Canon Walkaround Lens – Wrapping up

This concludes our comprehensive guide on the best canon walkaround lenses. While you’ll hear that professionals only use specialized lenses, the truth is most of them carry at least a single walkaround lens.

The reasoning is simple. They are versatile, compact in design, and light in build. This makes them a breeze to carry around and use.

Hopefully, by now you’ll have a better idea of what walkaround lenses do and how to pick out the best one for you.

So what are you waiting for? Save your money that you would have spent on buying a whole roster of specialized lenses by picking out one of these walkaround lenses and have fun experimenting.

We hope this guide to the best Canon walkaround lens has helped you make a buying decision. Have you had a great experience with one of these walkaround lenses? Let us know in the comments!

And if this wasn’t enough for you and you need more of a Canon fix, we have an awesome guide to Canon lenses in general right here on the site.

We have Gear Buyer’s Guides on every type of Filmmaking Equipment!