The E-Mount is one of the most popular lens types for Sony camcorders and mirrorless cameras. With this article, we’re going to cover what we consider to be the best E-Mount lenses available right now.
The choice of E-mount lenses is pretty rich and if you have a Sony camera, then there are a lot of different options for you to choose from. Some of the lenses we feature here will be proprietary Sony lenses, but lots will be lenses created by other manufacturers like Carl Zeiss.
The E-Mount lens for Sony camcorders and mirrorless cameras has gained a lot of attraction in the market and finding the best E-Mount lens from the sea of possible options can be a little overwhelming, especially for beginner photographers or videographers.
For this purpose, my article has rounded up some of the finest E-mount lenses to choose from, which you can add to your bag of lens collection.
The Importance of a Great Lens
A good quality lens is crucial for capturing great video or photos, thus choosing the best type of E-mount lens can help you with that.
Sony alone now offers a choice of more than two dozen dedicated full-frame E-Mount lenses and in addition to this, allows using almost any third party lens (via a separate mount), so that users can take advantage of Sony’s class-leading camera technology.
Moreover, the latest enhancement of Carl Zeiss lens, including the enhancement of standard zoom with G lens for E-mount cameras and camcorders, as well as the introduction of the option for the popular E 50 mm F1.2 lens port, has significantly increased the range of E-mount lenses.
If you’re not familiar with “Carl Zeiss” then let me tell you that this manufacturer is one of the top-players in optics producing Sony lens.
From proprietary Sony lenses to the lenses manufactured by Carl Zeiss and others, this article lists the best among them.
Additionally, the article highlights two of my favorite cameras, i.e Sony a7S and FS7, specifically for more advanced users who want to make the best use of E-Mount lenses.
Let’s get started!
The Best E-Mount Lenses
Currently, the market is full of more than 50 E-mount lenses offered by Sony alone and dozens of other lenses produced by other manufacturers.
Among them, I’ve selected five of the best e-mount lenses which you need to be aware of before taking the money out of your wallet.
All of the lenses are ideal for use with NEX-3, NEX-5, NEX-6 and NEX-7 compact cameras, as well as the new α3000 and NEX-VG900E1 and NEX-VG30EH Full HD video cameras.
Let’s look at 5 of the best E-Mount lenses that are fantastic for Sony cameras, as well as other cameras with the right adapter.
1. Sony FE 24mm f/1.4 GM
Optical Excellence and Design
The Sony FE 24mm f/1.4 GM, part of Sony’s esteemed G Master lineup, is a testament to the company’s commitment to delivering prime lenses with top-tier optical performance.
A wide-angle lens with a fast f/1.4 aperture, it’s engineered for both resolution and bokeh.
The lens is constructed with 13 elements in 10 groups, including two XA (extreme aspherical) elements and three ED (extra-low dispersion) elements.
These components work collectively to minimize chromatic aberrations and ensure corner-to-corner sharpness, even when shooting wide open.
A testament to its quality is the almost complete absence of spherical aberration, a trait that photographers often associate with “creamy” bokeh.
The lens’s design is equally commendable. With a weight of just 445 grams, it’s impressively light for a lens of its category, and its weather-sealed construction ensures it can withstand the rigors of outdoor shooting.
Performance and Usability
For a lens with such a large aperture, the Sony FE 24mm f/1.4 GM demonstrates exceptional control over optical anomalies.
Flaring and ghosting are minimal, even when shooting directly into light sources, thanks to Sony’s Nano AR coating.
The 11-blade circular diaphragm ensures that out-of-focus elements are rendered beautifully, with smooth transitions and pleasing round highlights.
On the performance front, the lens’s Direct Drive SSM (Super Sonic wave Motor) provides brisk, silent, and precise autofocus, making it suitable for both stills and video capture.
The inclusion of a manual aperture ring, which can be de-clicked for video use, provides tactile control over exposure and depth of field, a feature that video creators and enthusiasts will appreciate.
An AF/MF switch and a customizable focus hold button add to the lens’s usability, providing quick access to essential functions.
Applications and Versatility
Given its focal length and aperture, the Sony FE 24mm f/1.4 GM is a versatile tool suitable for numerous photography genres.
It’s a standout choice for astrophotographers due to its wide field of view, bright aperture, and minimal coma, which ensures that stars are rendered as points rather than tails.
Landscape photographers will value the lens’s sharpness and ability to capture vast scenes with clarity.
At the same time, its fast aperture makes it a viable option for event photographers working in low light environments.
he lens also doubles up as a capable tool for environmental portraits, with the f/1.4 aperture providing subject separation while still maintaining context with the background.
Its close focusing distance of 0.24 meters further enhances its versatility, allowing for some creative close-up shots with a shallow depth of field.
In summation, the Sony FE 24mm f/1.4 GM is not just a lens; it’s an optical marvel in the realm of wide-angle primes.
From its impeccable build quality to its stellar optical performance, it’s clear that Sony has crafted this lens with professionals and enthusiasts in mind.
Whether it’s the night sky, vast landscapes, or intimate moments at an event, this lens promises—and delivers—exceptional results.
- Compact Master wide prime Lens w/stunning wide-open resolution
- F1.4 max aperture provides extraordinary exposure and Depth of field
- G Master design combines extraordinary sharpness and smooth bokeh
- Two XA elements for natural, lifelike high resolution results
- In the box: Hood (ALC-SH154), Lens front cap (ALC-F67S), Lens rear cap (ALC-R1EM), Case
2. Sony FE 50mm f/1.8
Affordable Prime with a Classic Focal Length
Sony’s FE 50mm f/1.8 lens serves as an entry point into the world of fast prime lenses for many Sony full-frame mirrorless users.
Historically, the 50mm focal length, often referred to as a “nifty fifty,” is known for its versatility and is considered a staple in many photographers’ kits.
The Sony iteration maintains this tradition, providing users with a focal length that’s suitable for portraits, street photography, landscapes, and more.
Its optical construction, featuring 6 elements in 5 groups, is relatively simple.
This simplicity, combined with the wide f/1.8 aperture, allows for pleasing bokeh and effective subject-background separation.
While it doesn’t boast the high-end build or optical innovations of Sony’s pricier lenses, the FE 50mm f/1.8 delivers solid optical performance, especially considering its affordable price point.
Performance in Practice
In practical use, the Sony FE 50mm f/1.8 displays good sharpness, especially when stopped down a bit.
Wide open at f/1.8, the lens provides satisfactory results, with the center being reasonably sharp and the corners showing some softness.
By f/2.8, the image sharpens considerably across the frame, delivering impressive results for a lens in this price bracket.
The lens does exhibit some chromatic aberration, particularly in high contrast scenes, but this is generally manageable in post-processing. One area where the lens faces criticism is its autofocus performance.
While it does feature a DC motor that provides full-time manual focus, the autofocus is slower and noisier than some of Sony’s more advanced offerings.
However, for photographers working in controlled environments or those who often utilize manual focus, this may not be a significant drawback.
Usability and Applications
Weighing in at just 186 grams and with a compact form factor, the Sony FE 50mm f/1.8 is a lightweight and unobtrusive option for photographers on the go.
Its metal mount ensures durability where it counts, but the rest of the lens is constructed from plastic, which contributes to its featherweight status.
In terms of applications, this lens is a jack of all trades.
Its natural field of view makes it suitable for everything from candid portraits to detailed landscapes.
The f/1.8 aperture allows for low light shooting and can produce beautiful bokeh, particularly when shooting up close.
While it may not be the first choice for action or sports due to its slower autofocus, it’s an excellent lens for budding portrait photographers, street photography enthusiasts, or anyone looking for a lightweight, high-quality prime to add to their kit.
To conclude, the Sony FE 50mm f/1.8 offers an incredible value proposition.
While it might lack some of the bells and whistles of its pricier counterparts, it delivers solid optical performance and the classic 50mm field of view at a fraction of the cost.
For those new to the Sony ecosystem or any photographer in need of a reliable, versatile prime, this lens is undoubtedly worth considering.
- Large F1.8 maximum aperture enables beautiful defocusing effects, 7-blade circular aperture creates...
- Compact, lightweight design ideal for full-frame E-mount cameras, Aspherical element controls...
- Double-gauss configuration suppresses field curvature & distortion, Metal mount adds solid...
- 75mm (35mm equivalent) focal length with APS-C sensor. Angle of View (APS-C) : 32 degree
- In-the-box: Hood (ALC-SH146), Lens front cap (ALC-F49S), Lens rear cap (ALC-R1EM)
BEST E-MOUNT LENSES
What Are E-Mount Lenses?
E-mount lenses are a type of lens that can be attached to a Sony NEX camera. The E-mount lens was created by Sony and is used primarily in their line of mirrorless cameras.
Although Sony has adapted the E-mount to work with other models, the company does not license it for use with other camera brands.
E-mount lenses are similar to full-frame or APS-C format lenses and can be used for all of the same purposes. They are typically used for photo or video recording, although some models may be used for long-range shooting.
They offer a myriad of advantages over their predecessors, including compatibility with both autofocus and manual focus features and high-quality optics.
3. Sony FE 24-70mm f/2.8 GM
A Professional Workhorse for Varied Applications
In the world of professional photography, a versatile zoom lens is often crucial, and the Sony FE 24-70mm f/2.8 GM stands as a testament to this requirement.
The 24-70mm focal range is a favorite among professionals, straddling the line between wide-angle and short telephoto.
This lens, part of Sony’s esteemed G Master series, ensures premium optical quality and build to match the demands of serious photographers and videographers.
With an optical design boasting 18 elements in 13 groups, including aspherical elements and ED (Extra-low Dispersion) glass, it effectively counters aberrations and offers high resolution across the entire zoom range.
Optical Performance and Versatility
The constant f/2.8 aperture across its zoom range makes the Sony FE 24-70mm f/2.8 GM a boon for low-light conditions, allowing consistent exposure settings while zooming.
This wide aperture also provides excellent depth-of-field control, making it possible to isolate subjects from their backgrounds with ease. In terms of sharpness, this lens excels.
From edge to edge, the lens captures incredibly detailed images, and even wide open at f/2.8, the results are impressively sharp.
Flare and ghosting are well controlled, thanks to Sony’s Nano AR Coating.
The lens also integrates an 11-blade circular aperture, leading to smoothly defocused backgrounds and pleasing bokeh.
Distortion is minimal, and what little there is can be corrected easily in post-processing.
One of the few criticisms levied at this lens pertains to its size and weight.
Weighing in at 886 grams, it’s a hefty piece of glass, a consequence of its robust build and large aperture.
However, for many professionals, the slight trade-off in weight is more than worth the optical quality and versatility on offer.
Durability and Usability
When it comes to build quality, the Sony FE 24-70mm f/2.8 GM doesn’t disappoint.
It features a dust and moisture-resistant design, ensuring reliability in challenging environments.
The focus and zoom rings are rubberized and operate smoothly, allowing for precise adjustments.
Additionally, a customizable focus hold button and AF/MF switch enhance the lens’s usability.
The lens also boasts a Direct Drive SSM (Super Sonic wave Motor) system, ensuring fast, silent, and accurate autofocus performance, making it suitable for both stills and video.
In conclusion, the Sony FE 24-70mm f/2.8 GM is a powerhouse lens in the realm of professional zoom optics.
Its blend of optical excellence, build quality, and versatility ensures its place in many photographers’ kits.
While its size and price might be a barrier for some, those who invest in this lens will find it an indispensable tool, delivering top-tier performance in a myriad of shooting scenarios.
- SONY EMOUNT LENS: 35mm full frame format, instant auto / manual focus selection, focus hold button....
- NATURAL, LIFELIKE IMAGERY: ED and Super ED glass elements deliver breathtaking texture and detail
- REDUCED ABERRATION: Two aspherical elements and an extremely precise XA element maximize resolution
- 9 BLADE APERTURE: SEL2470GM lenses have a 9 blade circular aperture for a gorgeous book effect
- NANO AR COATING: Allows for accurate light transmission to improve clarity, contrast and quality
4. Sony FE 85mm f/1.8
A Perfect Balance Between Price and Performance
The Sony FE 85mm f/1.8 is a prime lens that draws the attention of many portrait photographers, and for a good reason.
The 85mm focal length has long been a favorite among portrait shooters due to its ability to produce flattering perspectives and pleasing background bokeh.
Sony’s take on this classic focal length is not only affordable but also offers a performance that punches above its weight class.
The lens is designed to be compatible with full-frame E-mount cameras, but it can also be used with APS-C models where it provides a 127.5mm equivalent focal length.
Optical Quality and Bokeh
Optically, the Sony FE 85mm f/1.8 is a gem.
It is constructed with 9 elements in 8 groups and includes an extra-low dispersion element that helps reduce chromatic aberrations and color fringing for increased clarity and color accuracy.
Wide open at f/1.8, sharpness is commendable, especially in the center.
Stopping down only improves this, with f/2.8 to f/5.6 being the sweet spot for absolute sharpness across the frame.
The lens benefits from a nine-blade circular diaphragm, which enhances its bokeh quality.
This ensures that out-of-focus highlights are rendered beautifully, providing creamy, dreamy backgrounds that make subjects pop.
Its fast f/1.8 aperture also ensures good performance in low-light conditions and offers greater control over depth of field.
One potential drawback for some users might be the lack of Optical Steady Shot stabilization, but given its fast aperture and the in-body stabilization found in many Sony cameras, this is a minor issue for most practical applications.
Build, Design, and Usability
For its price point, the build quality of the Sony FE 85mm f/1.8 is remarkably good.
The lens feels solid in hand, yet it remains relatively lightweight at 371 grams, making it a comfortable companion for longer shooting sessions.
Its design is dust and moisture-resistant, offering some peace of mind when shooting in less-than-ideal conditions.
The lens also features a customizable focus hold button, which can be set to control various functions depending on user preference.
The autofocus system is snappy and silent, thanks to the double linear motor system, making it adept for both still photography and video applications.
To sum it up, the Sony FE 85mm f/1.8 is a fantastic lens that offers excellent value.
It manages to strike a balance between cost, performance, and build quality, making it a compelling option for both professionals and enthusiasts.
While it might not have the extreme aperture or the full feature set of Sony’s G Master series, its performance in real-world situations is nothing short of impressive.
For those looking to dive into the world of portraiture without breaking the bank, this lens is a prime contender.
- Wide F1.8 maximum aperture enables beautiful defocusing effects
- 9-blade circular aperture creates beautiful round defocused bokeh
- ED glass element for corner-to-corner sharpness,Minimum Focus Distance:2.63 feet (0.8 m)
- Double Linear motor system for fast, quiet and precise focusing. The maximum magnification ratio is...
- Direct control w/ customizable focus hold button and AF/MF switch.35 mm equivalent focal length...
5. Sony FE 16-35mm f/2.8 GM
Versatility Meets Superior Optics
The Sony FE 16-35mm f/2.8 GM lens holds a prestigious spot in Sony’s high-end G Master (GM) series, embodying a combination of wide-angle flexibility and top-notch optics.
Built for Sony’s full-frame E-mount cameras, this lens offers a versatile zoom range that caters to a variety of shooting scenarios, from expansive landscapes to tight interior shots.
The f/2.8 constant aperture ensures that regardless of the focal length, users can capture images with a shallow depth of field and maintain optimal performance even in low light.
Stellar Optical Performance
Crafted with a complex optical formula, the lens consists of 16 elements in 13 groups, including two extra-low dispersion elements and three aspherical elements.
These elements work collectively to minimize chromatic aberrations, and distortions, and ensure corner-to-corner sharpness.
At its widest, 16mm, the lens offers an expansive field of view, capturing grand vistas with minimal distortion.
As you zoom in, the lens maintains its sharpness, ensuring that details are rendered crisply.
The Nano AR Coating from Sony aids in suppressing reflections, flare, and ghosting, which is especially crucial for wide-angle lenses that might often be used in challenging light conditions.
Another impressive feature is the circular 11-blade diaphragm, which contributes to a pleasing bokeh quality, making the lens suitable for portraits and subjects where background separation is desired.
Robust Design with Smooth Operation
For a lens boasting such wide-ranging capabilities, the Sony FE 16-35mm f/2.8 GM has a reasonably compact profile, weighing in at 680 grams.
This makes it an excellent travel companion, ensuring photographers don’t have to compromise on image quality while on the move.
Durability is also at the forefront of its design. With a dust and moisture-sealed construction, it’s equipped to handle adverse conditions, be it a sandy desert or misty mountaintop.
Usability is further enhanced with a dedicated focus hold button, an AF/MF switch, and a zoom lock switch.
Autofocusing is both rapid and silent due to the Direct Drive SSM (Super Sonic wave Motor) system, a feature videographers will particularly appreciate.
The manual focus ring provides a tactile and responsive feel, aiding in precise adjustments.
In conclusion, the Sony FE 16-35mm f/2.8 GM is more than just a wide-angle zoom lens; it’s a statement of optical excellence and versatility.
Whether you’re an architectural photographer looking for straight lines, a landscape enthusiast chasing the horizon, or a travel blogger capturing diverse environments, this lens promises consistent, high-quality results across the board.
- Designed to achieve 50 Line pairs/mm resolving power
- Two XA (extreme aspherical) elements w/ high surface precision. Minimum focus distance - 0.28 m...
- Constant F2.8 max aperture maintains exposure and Depth of field. Hood Type : Petal shape, bayonet...
- Uncompromising G Master design for smooth bokeh and high resolution. Angle of View (35 mm):...
- In-the-box: hood, lens front cap, lens rear cap, case, Mount: Sony E-mount
6. Tamron 28-75mm f/2.8 Di III RXD
In the world of filmmaking, every lens has its story, and the Tamron 28-75mm f/2.8 Di III RXD has quickly become a tale of versatility and quality.
Known for its lightweight design and exceptional performance, it’s a formidable competitor in the E-mount lens lineup.
This lens shines in its ability to balance superb image quality with a friendly price point.
It’s an excellent choice for filmmakers seeking a multipurpose lens without very costly.
Equipped with a rapid and precise autofocus system, the Tamron 28-75mm ensures we never miss a moment on set.
The RXD (Rapid eXtra-silent stepping Drive) motor is whisper-quiet which is critical when capturing audio-sensitive scenes.
Here’s what stands out about the Tamron 28-75mm:
- Stellar Image Quality – Renders sharp, vivid visuals
- Fast f/2.8 Aperture – Excellent for low-light conditions and creating beautiful bokeh
- Moisture-Resistant Construction – Ensures reliability even in challenging weather scenarios
- Lightweight Design – Ideal for handheld shooting and gimbal workflows
Our experience with the Tamron 28-75mm in various filming scenarios showcases its adaptability.
From close-up portraits to extensive landscape shots, it maintains high resolution and contrast throughout the zoom range.
Whether it’s a fast-paced documentary or an intricate feature film, the Tamron 28-75mm meets a diverse set of demands.
It’s been a game-changer for us by offering the creative freedom we need complemented by the technical performance we rely on.
7. Sony FE 90mm f/2.8 Macro G OSS
For filmmakers who jump into the captivating world of up-close imagery, the Sony FE 90mm f/2.8 Macro G OSS lens is a must-have.
It’s a prime lens well-regarded for its remarkable sharpness and precision, allowing us to capture the minutest details with ease.
Its macro capability means that even the subtlest textures come to life on-screen.
With an f/2.8 aperture, the lens performs splendidly in low-light situations and delivers beautiful bokeh, which is ideal for keeping the viewer focused on the subject.
The built-in Optical SteadyShot (OSS) stabilization is perfect for handheld shooting.
It compensates for camera shake, ensuring our footage is smooth and sharp, even when we’re filming without a tripod.
Here’s why we consider the Sony FE 90mm f/2.8 Macro G OSS an exceptional lens for filmmaking:
- Exceptional 1:1 magnification ratio – showcasing life-size close-ups with stunning realism
- Fast and quiet autofocus – keeping our subject in crystal clear focus without noise disruption
- Dust and moisture-resistant design – providing reliability and consistency in various filming conditions
The combination of high resolution, beautiful bokeh, and effective stabilization makes this lens particularly versatile for projects that require meticulous detail and aesthetic finesse.
Whether it’s a dramatic sequence in Bonny’s Adventure or an impactful moment in a documentary, the Sony FE 90mm lens helps us tell our story with the visual depth it deserves.
Opting for this lens translates into powerful on-screen representations of both the natural world and intricate details in our creative storytelling.
It empowers us to produce footage that’s not only technically proficient but also narratively compelling.
With the Sony FE 90mm f/2.8, the possibilities for cinematic innovation are vast, and the results are always impressive.
8. Zeiss Batis 18mm f/2.8
When venturing into the realm of ultra-wide angles, the Zeiss Batis 18mm f/2.8 is a pinnacle of optical performance.
This lens offers filmmakers the opportunity to jump into expansive scenes, where every detail is rendered with precision.
The compact form of the Batis 18mm eases the strain on our gear without compromising on quality.
Its fast f/2.8 aperture grants us the versatility needed in low-light conditions and adds depth to our scenes with a well-defined bokeh.
Built for the cinematic craftsman, this lens boasts a robust construction that’s resistant to dust and moisture.
The Zeiss Batis 18mm f/2.8 becomes an extension of our creative vision, enduring through challenging shoots and diverse environments.
The lens’s autofocus system is swift and reliable, ensuring that our subjects remain sharp even in the thick of action.
Manual focus enthusiasts will appreciate the smooth focus ring that allows for precise control, which is essential for capturing those critical moments.
Notable Features of the Zeiss Batis 18mm f/2.8:
- Wide f/2.8 aperture for superb low-light performance
- Dust and moisture resistance for reliability in harsh conditions
- Fast and accurate autofocus with a refined manual focus ring for detailed work
Every frame we capture with the Zeiss Batis 18mm tells a story with clarity and depth, transforming wide-angle shots into breathtaking cinematic experiences.
This lens is not merely a tool, but a gateway to exploring the boundaries of our creative expression.
9. Sony FE 70-200mm f/2.8 GM OSS
When we’re on the hunt for a telephoto lens that provides razor-sharp clarity and superb performance, the Sony FE 70-200mm f/2.8 GM OSS stands out as an exceptional choice.
This lens brings distant subjects into close focus, ideal for everything from cinematic sports sequences to intimate wildlife shots.
Its constant f/2.8 aperture ensures we capture evenly lit scenes throughout the zoom range, which is crucial when maintaining consistent exposure during a shoot.
also, the built-in Optical SteadyShot image stabilization is a lifesaver for handheld shooting scenarios where camera shake is a concern.
The durability of this lens is not to be overlooked.
With a dust and moisture resistant design, we can confidently take this lens into challenging environments without the worry of damage.
It’s a workhorse that refuses to compromise on image quality or build.
Here are some key features that make this lens a must-have for our filmmaking gear arsenal –
- Fast and precise autofocus performance
- Smooth and silent zoom for uninterrupted audio recording
- Customizable focus hold buttons for enhanced control
Optical excellence is matched with exceptional versatility in the Sony FE 70-200mm f/2.8 GM OSS.
The advanced elements and coatings used in the lens construction ensure that aberrations and flare are kept to the minimum, delivering crisp, clear images that are bursting with detail.
From its stellar image quality to its tough-as-nails construction, our creative possibilities widen exponentially with this lens in our kit.
It’s an investment that pays dividends in the quality of our work, whether we’re crafting a short film or capturing the fast-paced action of a documentary.
10. Sigma 24mm f/1.4 DG HSM Art
For filmmakers seeking a prime lens with exceptional performance in low-light conditions, the Sigma 24mm f/1.4 DG HSM Art emerges as a top contender.
It’s renowned for its advanced optical performance and delivers sharp images with minimal distortion, a dream for capturing cinematic scenes.
The build quality of this lens impresses us every time we attach it to our camera.
It feels robust, ready for rigorous on-set use, and its fast aperture of f/1.4 allows for a shallow depth of field, creating that sought-after bokeh effect in night scenes or indoor shots where lighting is a creative element.
We find the autofocus capability of the Sigma 24mm f/1.4 to be highly accurate and swift.
The Hyper Sonic Motor (HSM) ensures that focus pulls are smooth and silent, an essential feature when recording sound-sensitive scenes.
Key features of the Sigma 24mm f/1.4 that we can’t help but admire include:
- The Art line’s commitment to uncompromised image quality
- A wide aperture perfect for capturing detailed shots in various lighting conditions
- Compatibility with high-resolution cameras that exceeds the needs of contemporary filmmakers
- A design that addresses common optical aberrations effectively
also, this lens offers versatility whether we’re creating dramatic close-ups or capturing sweeping landscapes.
It gives us the freedom to express our creative vision without the constraints of lesser quality equipment.
Our experience tells us that the Sigma 24mm f/1.4 DG HSM Art lens isn’t just a piece of gear in our arsenal; it’s a reliable partner in our storytelling toolkit.
11. Sony FE 20mm f/1.8 G
Continuing our journey through the best E-mount lenses we encounter the Sony FE 20mm f/1.8 G.
This lens is a gem for wide-angle enthusiasts and a must-have for those who want to capture expansive scenes with crisp clarity.
It’s remarkably light for its wide aperture, coming in at a mere 373 grams.
This makes it an excellent choice for gimbal work where every ounce matters.
Its 67mm filter thread allows for convenient attachment of filters, a bonus for those who love to experiment with different effects.
The FE 20mm f/1.8 G boasts a fast and near-silent autofocus system, an indispensable feature when filming in scenarios where maintaining a quiet set is crucial.
Versatility is key with this lens – whether we’re shooting a bustling cityscape or a serene landscape, this lens delivers remarkable results.
With its ultra-wide perspective, filmmakers can immerse viewers in the scene, capturing the essence of each location’s unique atmosphere.
The sharpness is outstanding, even wide open at f/1.8, and the lens maintains excellent corner-to-corner resolution.
For filmmakers focused on the technical specifics:
- Maximum Aperture – f/1.8
- Minimum Aperture – f/22
- Lens Mount – Sony E
- Format Compatibility – Full-Frame
12. Zeiss Loxia 21mm f/2.8
When searching for a fusion of portability and superior image quality, we quickly turn our attention to the Zeiss Loxia 21mm f/2.8.
Its compact form factor is ideal for filmmakers who value mobility without compromising on sharp visuals.
With its precise manual focus, this lens brings a touch of traditional filmmaking into the modern era, ensuring each scene is captured with intention and clarity.
Crafted for Sony’s full-frame E-mount cameras, the Loxia 21mm excels in rendering stunning detail and texture.
The color rendition is particularly impressive, producing footage that feels vibrant yet true to life.
This is a lens that not only complements the filmmaker’s vision but also elevates it through its optical performance.
Key features of the Zeiss Loxia 21mm f/2.8 include:
- Manual focus mechanism – offering full creative control over the focal plane
- De-clickable aperture ring – allows for smooth and silent adjustments during recording
The lens construction comprises high-quality glass elements configured to minimize distortion.
Even at the edges of the frame, sharpness is maintained ensuring that panoramic shots and architectural elements are depicted with precision.
Adaptable to a variety of shooting conditions, the Zeiss Loxia 21mm f/2.8 is not just a lens; it’s a storyteller’s tool.
Filmmakers harness its wide-angle perspective to create compelling narratives.
Regardless of whether we’re capturing the bustle of city streets or the serenity of natural landscapes, this lens consistently delivers.
Our workflow benefits greatly from such a versatile lens that can tackle both the spontaneity of guerrilla filmmaking and the calculated setups of commercial shoots.
Its solid metal barrel and weather-sealed construction also ensure durability, underscoring its suitability for rigorous filmmaking ventures.
13. Sony FE 100-400mm f/4.5-5.6 GM OSS
The Sony FE 100-400mm GM OSS zoom lens is a powerhouse for filmmakers seeking a vast reach without sacrificing quality.
Its range makes it ideal for capturing distant subjects, ensuring filmmakers can get up close and personal from afar.
This lens is part of Sony’s G Master series, synonymous with high-resolution and beautiful bokeh.
The optics are cutting-edge, and it’s outstanding for shooting high-definition footage, maintaining clarity across its entire zoom range.
Built to handle challenging environments, the Sony FE 100-400mm GM OSS is robust and weather-sealed.
We appreciate the stability it offers thanks to the Optical SteadyShot image stabilization – a must-have when filming at such long focal lengths.
With a fast and silent autofocus system, it’s perfect for situations where the audio is just as important as the visual.
The lens ensures smooth, nearly instantaneous focusing essential for capturing those fleeting moments in documentaries or wildlife films.
Here’s what sets this lens apart:
- Stellar image stabilization
- Fast, quiet autofocus system
- Dust and moisture-resistant design
When coupled with E-mount cameras, the Sony FE 100-400mm GM OSS expands creative possibilities exponentially.
It’s a top-tier choice for dynamic shooting scenarios, making it a favorite in our arsenal for its reach and reliability.
Pairing perfectly with high-resolution cameras, it facilitates a crisp, high-quality output that’s hard to match.
Whether you’re working on a commercial set or filming a fast-paced sports event, this lens adapts effortlessly to the task at hand.
The svelte design and versatility support long shooting hours without the burden of carrying heftier equipment.
Its performance is unbeatable, making it a mainstay in our collection and a recommended choice for filmmakers wanting to push creative boundaries without compromising on mobility or image quality.
14. Sigma 35mm f/1.2 DG DN Art
The Sigma 35mm f/1.2 DG DN Art lens is a monumental addition to our lens library.
It’s Sigma’s first prime lens designed specifically for full-frame mirrorless cameras, and it brings a lot to the table.
Optically superb, this lens is a powerhouse, rendering impressively sharp images, even when shooting wide open at f/1.2.
As filmmakers, we appreciate this kind of performance, especially in low-light scenarios.
Featuring a large aperture, the Sigma 35mm f/1.2 provides exceptional control over depth of field.
This makes it an invaluable tool for creating dramatic focus transitions and that sought-after cinematic look.
That’s not all – its build quality is solid, assuring durability and giving us confidence in its day-to-day use on set.
The autofocus system is quick and silent.
This is crucial when capturing crucial moments without drawing attention or disrupting the scene.
We’ve found that the hyper-accurate focus ensures our subjects are always sharp, adding a professional polish to our work.
When considering its features –
- The Sigma 35mm f/1.2 offers an 11-blade rounded diaphragm for exceptionally smooth bokeh. – It’s equipped with a focus mode switch and AFL button, enhancing its versatility. – Plus, the lens is designed with a dust and splash-proof structure, ensuring reliability even when filming in less than ideal conditions.
Belonging to Sigma’s Art line, the 35mm f/1.2 is synonymous with artistic expression.
It encourages us to explore new narrative angles and infuses our footage with depth and character.
Its technical prowess is matched by a tactile pleasure in use, affirming our choice as creators to invest in tools that don’t just function superbly but also inspire continual creative growth.
BEST E-MOUNT LENSES
Advantages of Using The Sony E-Mount
• Use Sony E-Mount lenses on any Sony Alpha camera, including the Sony a7iii range.
• Adapt to any shooting situation with an enormous range of full and half frame compatible lenses.
• Enables use of standard screw-in filters and lens hoods making outdoor work easier than ever before.
• Maximize the performance and capabilities of your existing equipment.
• Improve image quality by utilizing a high contrast anti reflective coating.
E-Mount Lens Buying Advice
Before starting on the list of best e-mount lenses, the articles will begin by highlighting some of the features to consider when choosing a compatible lens for your camera. If you’re a newbie, you will have to take a little care in choosing lenses.
In this way no matter what brand and kind of camera system you have, you should be able to get a good idea from this post which specifications matter when shopping for a camera lens.
Normal fixed focal lengths
Normal fixed focal lengths are fixed focal lengths that have a focal length of 30 to about 60 millimeters, determining whether a lens captures a wide or narrow-angle of view and thus the type of picture you can take.
Since a focal length of 50 mm full-frame (i.e. about 33 mm of APS-C cameras) covers the natural field of view of us humans, these lenses can be used for portraits such as capturing beautiful footage of people talking or can also be used for macro photography.
If you are looking for a new lens, especially for portrait work, you should make sure that it also has a fairly large aperture (preferably F1.8 or smaller). You can also take a look at the portrait fixed focal lengths, which have slightly longer focal lengths.
Achieving Greater Focus with Portrait prime lenses
Portrait fixed focal lengths are fixed focal lengths that have a focal length of 50 to 85 millimeters (75 to 130 mm in full format) and are therefore very suitable for shooting portraits.
One key feature of portrait lenses is their bokeh, i.e. to blur the background in order to center the attention on the subject.
To achieve the blurry background, this type of lens generally has a relative maximum aperture, for instance F1.8, which can easily enable background blur to be achieved.
Macro Prime Lenses to Magnify the World
Macro lenses are usually fixed focal lengths, which are key considerations when it comes to capturing detailed and close-up photos.
Often, you want to make very small things appear very big, such as small insects or flowers, and this type of lens is great for that.
Don’t worry if this isn’t quite clear. For understanding this more effectively, we found a good chart from Digital Camera World that’s very helpful:
Wide-Angle Zoom for Landscape View
Both beginners and professional photographers love to use a wide-angle lens for capturing better quality vast landscape views.
Also, a wide-angle view can often provide a very short focus distance, allowing the photographer to get close to the subject and still include background information.
Wide-angle zoom lenses are zoom lenses that are mostly used in establishing shots of landscapes and portraits, as well as master shots in narrative filmmaking.
Owners of a Sony Alpha 6000, unfortunately, do not have a large selection of wide-angle zoom lenses for the E-mount.
However, there is a much wider selection of wide-angle fixed lenses that I would recommend to most users of this camera.
Thus, the smaller the focal length of the lens, the stronger the “wide-angle look”, which makes the foreground much larger than the background.
As a general rule of thumb, at fixed focal you can get a much better price-performance ratio and, while zoom function you need in the wide-angle range is not actually always necessary.
Check out some great Sony cameras in our article on our favorite slow-motion cameras below:
Economical Solution for High-Quality Lenses
Did you know that most of the other high-quality lenses can also be connected to your Sony camera via an adapter?
Photography is an expensive hobby. Once you’ve bought your camera, you still have to buy a lens and other accessories.
It’s possible to connect other lenses to the E-Mount using specific reasonably priced adapters, as a result you get a lot more options to use different lenses.
Even using a 30 or 40 year old used lens is possible on your modern-day camera. Probably the best option for this is the Pentax K Mount.
Thus look for good conditioned, second-hand lenses, which are compatible with your camera. You get an adapter for about a reasonable price. Then you have the choice between all sorts of used lenses.
In this way, you will have more variety of lenses in your collection, for little money.
Best E-Mount Lenses – In Conclusion
Buying decisions can be tough regardless of the kind of equipment you’re considering. Lens decisions are especially tough, as there are so many variables to consider.
Since using the right kind of lens controls the quality of a picture, the photographers need to choose their lens wisely, keeping in mind different variables such as a choice between prime lenses or wide-angle lenses.
It should be noted that whilst there is a range of options here for the E-Mount, there are only a few manufacturers who make good E-Mount lenses, so this helps us out a little when making a choice.
It should also be noted that these E-Mount lenses won’t work with a lot of cameras, notably your Canon DSLRs and other EF mounts. Even with an adapter, this is just not possible due to the very small flange distance. These lenses are predominantly designed for mirrorless cameras, which Canon EF isn’t.
So whilst you can use something like a Metabones (or similar) to use our Canon EF lenses on you Sony cameras, the same cannot be said in reverse.
We hope this article on the best E-Mount lenses has been instructive for you in making a purchasing decision on these lenses. In a lot of cases, having two or more of these lenses will have you covered for all kinds of shooting situations.
Which of the E-Mount lenses have you found most useful for your projects? Have we missed out one of your favorites here? Let us know in the comments just below here.
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Excellent resources! You really put a lot of time into these, I can tell.
Thanks, Kay.
I’m looking to upgrade my Sony mirrorless camera and this list of the best e-mount lenses in 2024 is super helpful.
Could you tell me more about the weight and size of the lenses? How do they compare to each other and to other lenses on the market? Thanks!
Love hearing thoughts like this. Keep them coming!
Great roundup of the best E-mount lenses in 2024! I’ve been looking for a new lens to complement my Sony A7III, and this post has given me some great options to consider. Thanks for sharing your expertise!
Thanks for the comment
Great roundup of the best e-mount lenses available in 2024! As a reader of this blog, I’m always on the lookout for new and exciting lenses to add to my collection. I’m particularly interested in the Sony 16-35mm f/2.8 GM lens – the wide-angle capabilities are exactly what I need for my landscape and architecture photography. Thanks for putting this post together, I’ll definitely be checking out some of these lenses!
Interesting take! Appreciate the input.
great post! I’m looking to upgrade my Sony Mirrorless camera and this list is super helpful. Can you please provide more information on the Sigma 16mm F1.4? I’m really interested in this lens but I’m not sure if it’s worth the investment. Thanks for your time!
Really means a lot—thanks for commenting!
Great post! I’m in the market for a new e-mount lens and this guide has been super helpful in narrowing down my options. Can’t wait to try out some of these recommendations!
Great comment! Do you have any experiences to share on this?
Loved this list! I’ve been a Sony user for a while now and it’s great to see some new recommendations. I’m particularly interested in the G Master series, looking to upgrade my standard lens. Would you recommend the 24mm or the 50mm?
Thank you! Glad you enjoyed this.
Great roundup of Sony E-mount lenses! I’ve been looking for a new prime lens for my A6400, and the Sony E 35mm f/1.8 OSS caught my eye. Your recommendation was spot on – the image quality is stunning. Can’t wait to try out the Sony E 24mm f/1.4 G on my next shoot!
That’s a great point! Thanks for sharing your perspective.
Love this list! I’ve been looking for the perfect lens for my Sony a7R IV and this curated selection has been super helpful. The Sony 24mm f/1.4 GM lens is definitely on my radar now
Glad this resonated with you—thanks for stopping by!