Panasonic’s GH4 might seem like just a camera on the outside, but it represents more than that. When it was released, it became the first consumer viable camera that could shoot videos in high-resolution 4K format.

We’ll be covering the best lens for GH4 in this article, along with discussing the pros and cons of each along the way.

The end of the sixth season of the TV series House was shot partly with the Canon 5D Mark II.

Since then, the Canon 5D Mark II and its successors have been considered by many to be the standard for small, affordable, high-quality film devices.

Indie film productions, video reporters, event filmmakers – many use the EOS series as a professional camera for photography and filming. And these cameras have really revolutionized what we can do with affordable lightweight cameras.

And then along came the Panasonic Lumix GH4.

As mentioned, it was the first commercially accessible camera that can shoot videos in high-resolution 4K format. Panasonic’s camera is all about filming first and foremost. There are countless modes and settings and we’ll cover some of those later in the article.

For now, let’s take a look at what we consider the best lenses for GH4.

The Best Lens For GH4 – The List

If you want to get the best out of your Lumix GH4, you’ll need more than one lens. This will enable you to cover multiple focal lengths and shooting situations.

Here are our picks for the best lenses for the GH4.

1. Panasonic Lumix G X Vario 12-35mm f/2.8

Versatility Meets Optical Excellence

Panasonic’s Lumix G X Vario 12-35mm f/2.8 stands tall as a flagship standard zoom lens for the Micro Four Thirds system.

The 24-70mm equivalent focal length range is universally revered by photographers for its versatility, suitable for everything from expansive landscapes to intimate portraits.

The constant f/2.8 aperture elevates this lens’s capabilities, allowing for excellent low-light performance and control over depth of field.

Whether you’re navigating the bustling streets of a city or capturing a serene sunset, this lens offers the flexibility that both professional and amateur photographers crave.

Engineered for Performance and Clarity

Optically, the Lumix G X Vario 12-35mm f/2.8 is a testament to Panasonic’s dedication to quality.

It incorporates a series of aspherical, UED (Ultra Extra-Low Dispersion), and UHR (Ultra-High Refractive Index) elements, which together work to minimize distortions, chromatic aberrations, and spherical aberrations.

The result is images that are sharp from corner to corner, with vibrant colors and impressive clarity.

A Nano Surface Coating has also been applied to reduce flare and ghosting, ensuring that images remain contrasty and color-accurate, even in backlit or challenging lighting conditions.

The lens’s autofocus is swift, accurate, and near-silent, courtesy of its internal focusing system.

This quick and quiet performance is not only a boon for still photography but is especially useful for videographers who need discreet AF operation.

Adding to its video credentials is Panasonic’s Power O.I.S. (Optical Image Stabilization), which effectively compensates for camera shake, allowing users to shoot at slower shutter speeds or capture steadier video footage.

Designed with the User in Mind

Ergonomically, the Lumix G X Vario 12-35mm f/2.8 has been designed with the user at its core.

The lens feels solid in hand, with a build that’s both durable and relatively lightweight, making it an ideal companion for extended shooting sessions.

Its weather-sealed construction ensures it can withstand splashes, dust, and even freezing temperatures, making it a reliable tool for photographers who frequently shoot outdoors or in challenging environments.

The tactile zoom and focus rings are smooth in operation, offering just the right amount of resistance for precise adjustments.

Additionally, a dedicated AF/MF switch on the barrel allows photographers to quickly toggle between focus modes, ensuring they never miss a moment.

In conclusion, the Panasonic Lumix G X Vario 12-35mm f/2.8 is more than just a lens; it’s a commitment to quality and performance.

With its stellar optical performance, rugged build, and user-friendly design, it’s clear why this lens is often the first choice for many Micro Four Thirds photographers.

Whether you’re shooting stills or video, in the studio or in the wild, this lens promises to deliver results that impress, time and time again.

Highly recommended by us.

Panasonic LUMIX Professional 12-35mm Camera Lens G X VARIO II, F2.8 ASPH, Dual I.S. 2.0 with Power O.I.S., Mirrorless Micro Four Thirds, H-HSA12035 (2017 Model, Black)
  • NANO SURFACE COATING: Professional, high-quality LUMIX G X VARIO II camera lens optics with...
  • HIGH-SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fps linear motor performs smooth...
  • ADVANCED OPTICAL IMAGE STABILIZATION: Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual...
  • HIGH-SPEED ZOOM LENS: A 3X optical 24-70 millimeter (35 millimeter camera equivalent) focal length...
  • RUGGED HIGH-PERFORMANCE DESIGN: Durable metal body camera lens braves the elements in nearly any...

2. Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO

A Pro Zoom for the Micro Four Thirds System

When it comes to zoom lenses that encapsulate the essence of professional-grade optics for the Micro Four Thirds system, the Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO inevitably finds its way into the conversation.

Offering a 24-80mm equivalent focal length, this lens stretches from wide-angle vistas to short telephoto perspectives, making it a workhorse for a plethora of photographic scenarios.

The fast f/2.8 maximum aperture remains constant throughout the zoom range, ensuring consistent exposure settings and depth-of-field control, irrespective of how much you zoom in or out.

Precision Optics and Sturdy Design

Diving into its optical configuration, Olympus has pulled out all stops.

The lens incorporates a variety of specialized elements, including aspherical, ED (Extra-Low Dispersion), and HR (High Refractive index) elements, all working in tandem to rectify chromatic and spherical aberrations.

The outcome is imagery that is commendably sharp, devoid of color fringing, and full of fidelity.

To combat lens flare and ghosting, especially in strong lighting conditions, Olympus has applied their ZERO (Zuiko Extra-low Reflection Optical) coating.

This ensures that your images exude clarity and contrast, even when shooting into the light.

On the focusing front, the lens boasts a movie and still compatible autofocus system.

This mechanism is both swift and silent, guaranteeing fast focus acquisition without the accompanying acoustic disturbances—a feature videographers will especially cherish.

Manual focus enthusiasts aren’t left out either.

The lens offers a manual focus clutch mechanism which, when engaged, allows for instantaneous switching between auto and manual focus modes.

Build quality is where this lens truly asserts its “PRO” moniker. Constructed to endure the rigors of professional use, the M.Zuiko 12-40mm f/2.8 PRO is both dustproof and splashproof.

This resilience ensures that whether you’re out in the rain, navigating a dusty trail, or even shooting in snowy conditions, this lens won’t shy away.

Its tactile zoom and focus rings offer a comfortable grip, and the lens’s overall design ethos emphasizes user-friendly operation.

A Testament to Olympus’s Expertise

The Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO is not just another lens in the Micro Four Thirds lineup—it is a statement.

A statement of intent, design prowess, and optical brilliance.

From its robust build to its impeccable optical performance, it stands as a testament to what Olympus is capable of achieving.

For photographers and videographers seeking a versatile zoom lens that doesn’t compromise on image quality or build, this lens emerges as an undeniable contender.

With every twist of its zoom ring or press of the shutter, it reiterates its worth as an invaluable tool in the visual artist’s arsenal.

OM System OLYMPUS M.Zuiko Digital ED 12-40mm F2.8 Pro Lens, for Micro Four Thirds Cameras
  • Constant f2.8 maximum aperture
  • Focal length: 12 to 40 millimeter, minimum focus distance 7.87 inches (20 centimeter )
  • Drip proof; Dust proof, splash proof, and freeze proof construction. Lens construction: 14 elements...
  • Includes lens hood and pouch, filter size 62 millimeter, equipped with manual focus clutch mechanism
  • Compatible with Olympus and Panasonic cameras



What Is The Lumix GH4?

The Lumix GH4 is a popular camera that offers many features and benefits to the user. With an interchangeable lens, it has a lightweight body so you can carry it around all day without feeling weighed down.

The Lumix GH4 also comes equipped with in-body stabilization for video recording which eliminates the need to use external equipment like tripods or gimbals.

It’s one of the most popular DSLRs on the market. It’s a camera that can be used for professional shoots, like weddings, and personal projects.

The GH4 is a mirrorless camera that’s perfect for filmmaking. It has 4K video recording, two SD card slots, and is known for its superior image quality.


3. Panasonic Leica DG Summilux 25mm f/1.4

Classic Focal Length with Modern Precision

The Panasonic Leica DG Summilux 25mm f/1.4 lens is a prime example of the fusion of Leica’s traditional optical craftsmanship with Panasonic’s cutting-edge technology.

Serving as a nifty fifty for the Micro Four Thirds system, it provides a 50mm equivalent focal length—a classic in the world of photography.

Renowned for its versatility, this standard focal length strikes a balance between wide-angle and telephoto, making it apt for an array of photographic subjects from portraits to landscapes.

Its f/1.4 aperture speaks volumes of its capability in low-light scenarios and also its ability to render a beautifully shallow depth of field.

Images captured bear the signature Leica look—sharp, contrasty, and with a rich color rendition.

Optical Brilliance and Swift Performance

Unpacking its optical architecture, the lens houses nine elements in seven groups.

These include UHR (Ultra High Refractive) elements and aspherical lenses.

Their collective purpose is to minimize chromatic and spherical aberrations.

The outcome is imagery characterized by edge-to-edge sharpness and minimal color fringing. Panasonic hasn’t skimped on lens coatings either.

The Nano Surface Coating has been applied to suppress lens flare and ghosting, especially when shooting in backlit situations.

This ensures that your photographs resonate with clarity and contrast, even in challenging light.

Autofocus performance of the lens is notable, thanks to the stepping motor and internal focusing mechanism.

This combination assures that focusing is both rapid and silent.

Such a quiet operation proves invaluable when shooting video, ensuring that focus adjustments don’t intrude into the audio recording.

For those who prefer manual adjustments, the manual focus ring is smooth and responsive, providing the tactile feedback that many photographers cherish.

Build and Handling: Sturdy Yet Refined

When you hold the Panasonic Leica DG Summilux 25mm f/1.4, its build quality is immediately palpable.

While it’s not the heaviest lens, it feels solid—testifying to the quality of materials and construction.

The metallic finish gives it a premium feel, and the engraved markings add to its aesthetic appeal. On the practicality front, the lens is designed to be ergonomic.

The focus ring is adequately damped, offering resistance that feels just right.

The lens pairs well with a variety of Micro Four Thirds cameras, ensuring a balanced feel whether you’re using a smaller compact body or a larger professional-grade one.

A Gem in the Micro Four Thirds Lineup

The Panasonic Leica DG Summilux 25mm f/1.4 is more than just a lens; it’s a statement of optical artistry.

It champions the fusion of Leica’s storied history in lens-making with Panasonic’s innovative prowess.

The result is a lens that not only captures beautiful images but also feels wonderful in hand.

For photographers in search of a prime lens that delivers consistently in both optical performance and build quality, this 25mm offering emerges as a compelling candidate.

Every shot taken, every twist of its focus ring, reiterates its position as an indispensable jewel in a photographer’s kit.

4. Panasonic Lumix G Vario 7-14mm f/4.0 ASPH

A Wide Perspective for Micro Four Thirds Users

The Panasonic Lumix G Vario 7-14mm f/4.0 ASPH is a compelling ultra-wide-angle lens designed specifically for the Micro Four Thirds system.

Delivering an equivalent focal length range of 14-28mm in 35mm terms, it offers users an expansive field of view ideal for capturing landscapes, architecture, and even dramatic portraits.

The consistent f/4.0 aperture, although not the fastest, offers a decent light gathering ability across the zoom range.

This ensures that whether you’re capturing sweeping vistas or narrowing down on specific architectural details, the lens performs reliably in various lighting conditions.

Optical Excellence and Performance Metrics

Within its compact form factor, the lens is packed with a sophisticated optical design featuring 16 elements in 12 groups.

This includes two aspherical lenses and four Extra-Low Dispersion (ED) elements.

The prime function of these specialized elements is to combat chromatic aberrations, ensuring that images are rendered with high sharpness and clarity.

Moreover, the inclusion of a multi-coated lens element reduces the effects of ghosting and flare, especially when shooting in backlit conditions.

The result is images that boast rich colors, contrast, and detail.

The lens’ autofocus mechanism is both swift and silent, a feature that is particularly advantageous when shooting video.

There’s no audible noise during focus adjustments, ensuring that video clips are free from distractions.

The 7-14mm f/4.0 ASPH offers a closest focusing distance of about 0.25 meters, allowing users to get close to their subjects, emphasizing the foreground while still showcasing the expanse of the background.

It’s worth noting that, due to its bulbous front element, the lens doesn’t accommodate traditional screw-on filters.

This might be a consideration for those who frequently rely on neutral density or polarizing filters.

Durability Meets Aesthetic Elegance

Handling the Panasonic Lumix G Vario 7-14mm f/4.0 ASPH, one is immediately impressed by its solid build quality.

The lens feels robust and is designed to withstand the rigors of daily use. The metallic finish coupled with the precision engraving gives it an air of professional elegance.

Although it’s an ultra-wide-angle lens, Panasonic has managed to keep its size relatively compact.

This ensures that it pairs harmoniously with various Micro Four Thirds bodies, without making the setup too front-heavy.

Conclusion: Ultra-Wide Mastery for MFT Users

Panasonic’s Lumix G Vario 7-14mm f/4.0 ASPH lens is an exemplary addition to the Micro Four Thirds lens lineup, filling the ultra-wide niche with aplomb.

Its expansive field of view, combined with its stellar optical performance, makes it a favorite among landscape and architecture photographers.

The lens is a testament to Panasonic’s commitment to delivering top-notch optical tools for their MFT system.

For users seeking a wide perspective without compromising on image quality, this lens emerges as a must-have piece of equipment in their photographic arsenal.

  • 7-14mm focal length
  • 14-28mm equivalent focal length on Micro Four Thirds cameras
  • F4.0 constant maximum aperture; F22 minimum
  • Image stabilization, via camera body where available
  • 0.25m/9.84" minimum focus

5. Olympus M.Zuiko Digital ED 45mm f/1.8

Perfect Blend of Portraiture and Compactness

The Olympus M.Zuiko Digital ED 45mm f/1.8 stands out as an exceptional portrait lens for the Micro Four Thirds system.

Delivering an equivalent focal length of 90mm in 35mm terms, this lens offers a medium telephoto perspective that is just right for portraiture.

The wide f/1.8 aperture enables users to create beautifully blurred backgrounds, isolating subjects with remarkable precision.

Beyond portraiture, this lens’s fast aperture also aids in low-light shooting, granting flexibility across various lighting scenarios without necessitating flash.

Stellar Optical Design and Performance

Peeling back its optical layout, the 45mm f/1.8 houses nine elements in eight groups.

The optimized design ensures that the lens delivers sharp, clear images with minimal optical aberrations.

The wide aperture, coupled with the seven-rounded-blade diaphragm, produces creamy bokeh, adding a professional touch to portraits.

Whether capturing the intricacies of a facial expression or the details of jewelry on a model, the lens resolves details with commendable precision.

The autofocus mechanism of this lens deserves special mention.

It’s quick, accurate, and virtually silent. The Movie & Still Compatible (MSC) designation indicates that the lens offers smooth and silent focusing, especially useful for videographers who require quiet operation during filming.

Despite its rapid autofocus capabilities, manual focus enthusiasts will appreciate the tactile focus ring, allowing for fine adjustments when required.

Sleek Design Coupled with Practicality

The Olympus M.Zuiko Digital ED 45mm f/1.8 doesn’t just excel in the performance domain; it also impresses with its physical design.

Weighing a mere 116 grams and sporting a compact profile, this lens is a perfect companion for travel and street photography, ensuring that photographers don’t feel burdened even after long shooting sessions.

The metal construction exudes a premium feel and promises durability.

Aesthetically, its minimalist design and smooth finish align seamlessly with the modern ethos of the M.Zuiko lineup, ensuring that it looks as good as it performs.

A Must-Have for MFT Portrait Enthusiasts

The Olympus M.Zuiko Digital ED 45mm f/1.8 lens emerges as an invaluable tool for Micro Four Thirds users, especially those with a penchant for portraiture.

Its blend of optical brilliance, rapid autofocus, and compact design positions it as a top-tier choice within the MFT ecosystem.

Whether you’re a professional seeking a reliable portrait lens or an enthusiast exploring the realms of portrait photography, this lens promises to deliver results that captivate and impress.

Its performance and price point make it not just a desirable, but an essential addition to any MFT photographer’s toolkit.

Olympus M. Zuiko Digital ED 45mm f1.8 (Black) Lens for Micro 4/3 Cameras - International Version (No Warranty)
  • Ideally suited for: Travel, sports, nature, low-light, landscape, architecture, all-round and...
  • The high luminous intensity of F1.8 allows a harmonious bokeh and is therefore ideal for portraits
  • Superb image quality for brilliant photos, thanks to optical technology and performance for stunning...
  • Outstanding image quality, despite very compact design with pin-sharp images right up to the edges...
  • Ideal processing and high quality metal bayonet.Nearly silent high-speed autofocus.Scope of...



Advantages of The Lumix GH4

• The Lumix GH4 is one of the best in Panasonic’s line of rugged, resilient cameras that are ready to be taken on the go anywhere.

• The camera is great for all types of users: adventure seekers and professional filmmakers alike.

• It features a new 20-megapixel sensor that will produce high quality images with low noise levels .

• Users can also record 4K video at a maximum frame rate of 30p.

• Get better control over your camera settings.

• Uses a powerful sensor that captures uncompressed video before post-processing (which minimizes the need for heavy editing).


6. Panasonic Lumix G X Vario 35-100mm f/2.8 II

Zoom Versatility with Prime Lens Speed

The Panasonic Lumix G X Vario 35-100mm f/2.8 II serves as a powerful testament to Panasonic’s dedication to delivering high-quality optics for the Micro Four Thirds system.

This lens offers a versatile focal range equivalent to 70-200mm in 35mm terms, encapsulating a spectrum that caters to portraits, events, sports, and even some wildlife photography.

Coupled with its fast f/2.8 aperture available throughout the zoom range, photographers are equipped to handle low light conditions and achieve remarkable subject-background separation, reminiscent of prime lenses.

Optical Superiority and Stabilization Prowess

Peering into its optical structure, the lens incorporates 18 elements in 13 groups.

This configuration, which includes Ultra Extra-Low Dispersion (UED) and Extra-Low Dispersion (ED) elements, ensures optimal sharpness and minimizes chromatic aberrations.

The result is crystal clear imagery with punchy colors and high contrast.

The Nano Surface Coating further enhances the lens’s performance by reducing flare and ghosting, particularly beneficial when shooting against the light or in brightly lit scenarios.

One of the standout features of the Lumix G X Vario 35-100mm f/2.8 II is its built-in optical stabilization, termed Power O.I.S.

This system promises to counteract camera shake, a particularly salient feature when shooting at the telephoto end or in dimly lit environments.

When paired with Panasonic’s camera bodies that support Dual I.S., this lens’s stabilization capabilities are further augmented, allowing users to shoot at slower shutter speeds with confidence.

Rugged Construction Meets Contemporary Design

Physically, the Lumix G X Vario 35-100mm f/2.8 II is a marvel of engineering.

Its construction exudes resilience and is designed to withstand the challenges of professional use.

The lens boasts a splash, dust, and freeze-proof design, ensuring its viability in diverse and challenging environments, from sandy deserts to frosty mountaintops.

The metal barrel offers a premium tactile experience, while the zoom and focus rings operate smoothly, enabling precise control over framing and focus.

The design aesthetics, marked by sleek lines and minimalist branding, resonate with the contemporary ethos, making it both a functional and visually appealing tool.

A Zoom Lens without Compromises

The Panasonic Lumix G X Vario 35-100mm f/2.8 II emerges as a quintessential lens for photographers and videographers invested in the Micro Four Thirds ecosystem.

Its union of optical brilliance, robust stabilization, and resilient build makes it a compelling choice for those seeking a versatile yet fast zoom lens.

Whether capturing candid moments at an event, shooting sports from the sidelines, or framing a portrait, this lens consistently delivers impeccable results.

For those contemplating an investment in a high-quality zoom lens for the MFT system, the 35-100mm f/2.8 II undoubtedly merits serious consideration.

Panasonic H-HSA35100 F2.8 II ASPH 35-100mm Mirrorless Micro Four Thirds Mount POWER Optical I.S. LUMIX G X VARIO Professional Lens
  • Upgraded faster focus tracking via a 240 fps linear motor for improved video performance
  • Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual I.S. 2.0 LUMIX Mirror less cameras
  • Durability metal body for various weather conditions (Splash proof / Dustproof / Freeze proof)
  • Professional high-quality X Series optics with Panasonic’s Nano Surface Coating. (2 ED / 1 UED)
  • 35-100mm / F2.8 telephoto brilliance: ultra-long range of 35–100mm (35mm camera equivalent:...

7. Panasonic Leica DG Nocticron 42.5mm f/1.2

When it comes to portraiture and obtaining that elusive cinematic look, the Panasonic Leica DG Nocticron 42.5mm f/1.2 stands out.

Its wide aperture delivers incredible depth of field control, imperatively needed for that professional bokeh effect.

The Nocticron’s build quality is impeccable, reflecting the high standards synonymous with the Leica brand.

We’ve found its performance in low light conditions to be extraordinary; capturing detailed footage even when the lighting isn’t optimal.

This particular lens exhibits optical stabilization, a lifesaver for handheld filmmakers.

Its autofocus is both accurate and whisper-quiet, nearly silent on set, allowing for seamless integration into any filming situation without disrupting audio capture.

Major features of the Panasonic Leica DG Nocticron 42.5mm f/1.2 include:

  • F/1.2 Maximum Aperture for Shallow Depth of Field
  • Power Optical Image Stabilization (O.I.S.) for Steady Shots
  • Fast, Silent Autofocusing

Pairing this lens with the Panasonic GH4, you can expect to achieve intimate, detail-rich shots that would elevate your filmmaking projects.

With the 42.5mm focal length, equivalent to 85mm on a full-frame camera, it’s tailored for tight shots and truly shines in creating personal, story-driven content.

For filmmakers looking to invest in their lens collection, the Nocticron is not just a tool but an asset that can take visual storytelling to the next level.

We can attest to its versatility and top-tier performance across various filming scenarios, from planned shoots to spontaneous, capture-the-moment scenes.

8. Sigma 16mm f/1.4 DC DN Contemporary

Upgrade your filmmaking kit with the Sigma 16mm f/1.4 DC DN Contemporary lens.

Its wide aperture of f/1.4 allows for impressive low light performance and a shallow depth of field.

Considered one of the best wide-angle lenses for the GH4, this lens offers filmmakers a fantastic combination of versatility and image quality.

The autofocus is snappy and reliable, which is imperative when capturing those fleeting moments on film.

With its robust build and compact size, the Sigma 16mm f/1.4 is designed to withstand the rigors of frequent use.

Its weather-sealed construction also makes it a suitable choice for shooting in varied environments.

Key Features:

  • Wide f/1.4 aperture – Fast and accurate autofocus
  • Weather-sealed construction

The lens’ focal length is equivalent to 32mm on a full-frame camera, providing a field of view that’s wide but without the distortion typical of ultra-wide lenses.

Its optical performance is stellar, producing sharp, clear images that are a hallmark of Sigma’s Contemporary line.

In terms of performance, the Sigma 16mm f/1.4 excels in capturing expansive landscapes and architectural details, as well as offering the ability to work in limited space.

Its suitability for handheld shooting is enhanced by the large aperture, which compensates well in various lighting scenarios.

Filmmakers will appreciate the smooth, silent autofocus when recording video.

This ensures audio capture isn’t compromised by lens noise and that the focus transitions are as unobtrusive as possible.

In our toolkit, the Sigma 16mm f/1.4 DC DN Contemporary has proven to be an invaluable asset.

Whether for indie film projects or commercial shoots, its ability to deliver high-quality footage makes it a lens worth considering for GH4 owners.

9. Voigtlander Nokton 17.5mm f/0.95

If you’re on the hunt for a lens that defies the norm, we suggest the Voigtlander Nokton 17.5mm f/0.95.

Its breath-taking f/0.95 aperture sets a new standard for low light capabilities and depth of field control, making it a secret weapon for filmmakers shooting with a GH4.

The build quality of this lens is nothing short of stellar.

It’s a heavy hitter in terms of construction, with an all-metal body that reassures you of its durability.

In a world where plastic often reigns supreme, the solidity of the Nokton 17.5mm f/0.95 is a welcome change.

Here’s what stands out about this Voigtlander gem – – Outstanding performance in low light environments

  • Superior depth of field achievable at f/0.95,
  • Manual focus allowing for precise control,
  • Exceptional build with a metal body.

Filmmakers seeking an immersive cinematic experience will find the manual focus ring a joy to use.

It allows for pinpoint accuracy, ensuring your subject is in sharp focus while enveloping them in a beautifully blurred background.

This level of control is a game-changer during shoots.

The focal length of this lens is ideal for a broad range of scenes.

It’s wide enough for landscapes and tight spaces, yet narrow enough to give portraits that cinematic intimacy we all strive for.

The Voigtlander Nokton 17.5mm f/0.95 doesn’t just capture scenes; it tells stories with depth and character.

We’ve tested this lens extensively and can report that flare is kept at a minimum even when shooting into direct light sources.

Color rendition is natural yet vibrant, breathing life into each frame.

It’s a lens that encourages filmmakers to push their boundaries and explore their artistic possibilities.

Whether you’re shooting a moody interior scene or a sweeping sunset, the bokeh rendered by the Voigtlander Nokton 17.5mm is smooth and pleasing.

It creates that dreamy background so many of us are after, yet maintains the integrity and sharpness of the subject.

10. Olympus M.Zuiko Digital ED 60mm f/2.8 Macro

When exploring the depths of macro cinematography, the Olympus M.

Zuiko Digital ED 60mm f/2.8 Macro lens emerges as a supreme choice for GH4 filmmakers.

Its true-to-life magnification and exceptional image precision transform minute details into cinematic wonders.

With an equivalent focal length of 120mm on the GH4’s Micro Four Thirds system, this macro lens is synonymous with pinpoint accuracy.

For those intricate close-up shots that require precision, it’s hard to beat the clarity and sharpness this lens provides.

Featuring a wide f/2.8 aperture, the lens serves a dual purpose – enabling ample light for crisp imagery and allowing for a shallow depth of field that accentuates the subject against a smoothly defocused background.

Whether we’re capturing the delicate textures of a flower or the complex components of miniature craftsmanship, this lens delivers every time.

In terms of build, we’re impressed by its durable construction yet sleek, lightweight design for portability.

The splash and dustproofing mean we’re ready to get up close in almost any environment, ensuring our filmmaking isn’t hampered by a few drops of rain or dusty conditions.

Optical performance is where this lens really shines –

  • Razor-sharp focus capability
  • Relentlessly consistent output in varying lighting conditions
  • Minimal chromatic aberration and fringing thanks to its advanced lens elements

We recognize that autofocus is not typically a highlight for macro lenses, yet Olympus has equipped this lens with a fast and silent system.

It’s ideal for capturing fleeting moments in nature documentaries or adding an artistic flourish to narrative films.

Plus, the manual focus ring offers the nuanced control we desire when precision is paramount.

Engaging with the world through the Olympus M.

Zuiko Digital ED 60mm f/2.8 Macro lens opens up a realm of possibilities.

Its exclusive ability to magnify the minuscule transforms the ordinary into the truly extraordinary in our filmic tales.

11. Panasonic Lumix G 20mm f/1.7 II ASPH

For those seeking a compact powerhouse, look no further than the Panasonic Lumix G 20mm f/1.7 II ASPH.

This pancake lens has become a quintessential piece for GH4 filmmakers, carving out a niche for its wide aperture and standard focal length.

We’ve found that this prime lens is a superb choice for achieving a cinematic look without the bulk.

Its f/1.7 aperture ensures excellent performance in low light situations and provides a shallow depth of field.

The 20mm focal length is great for a variety of shots – from intimate close-ups to expansive street scenes.

Here’s why filmmakers favor this Pancake lens:

  • Exceptional sharpness and clarity across the frame
  • Fast and accurate autofocus

Its aspherical design minimizes distortion and chromatic aberrations.

Filmmakers can expect crisp, clean footage even when shooting wide open.

Durability meets design with the Lumix G 20mm lens.

A metal mount and solid construction make it a reliable companion for shooting in diverse environments.

The lens’ compact size makes it a discreet option for documentary or street filmmakers.

It enables us to capture candid moments without drawing attention to the camera setup.

Featuring a robust build, it’s also surprisingly lightweight.

This makes it perfect for handheld shooting and long filming days.

The Panasonic Lumix G 20mm lens delivers consistent quality with its bright aperture.

It’s an ideal lens for creatives who need flexibility while maintaining a high standard of imagery.

12. Laowa 7.5mm f/2 MFT

When seeking the ultimate in wide-angle lenses for the GH4, we can’t overlook the Laowa 7.5mm f/2 MFT.

This lens offers filmmakers an expansive field of view paired with a fast aperture, setting the stage for dynamic and captivating visuals.

The ultrawide perspective of the Laowa 7.5mm f/2 is perfect for work in tight spaces or for scenes that require an exaggerated sense of environment.

Its f/2 aperture enables shooting in challenging lighting conditions while facilitating a shallow depth of field, allowing subjects to stand out against their backgrounds.

This lens boasts several qualities that make it a valuable addition to any filmmaker’s toolkit:

  • Exceptional sharpness throughout the frame
  • Low distortion, uncommon in many wide-angle lenses
  • Lightweight and compact design
  • Solid metal construction

The manual focus of the Laowa 7.5mm f/2 may deter some, but for those of us dedicated to the craft, it presents an opportunity for precise, artistic control.

The tactile experience aligns with a hands-on approach to filmmaking, offering a chance to connect more deeply with the process.

Coupled with the GH4, the Laowa lens delivers images that are crisp, clear, and full of contrast.

Whether shooting landscapes that stretch into the horizon or architecture with complex lines and patterns, the results are always impactful.

With its combination of a broad angle and a large aperture, the Laowa 7.5mm f/2 MFT is a dynamic force.

It empowers us to tell stories with a bold visual flair, turning ordinary scenes into spellbinding vistas.

13. Panasonic Lumix G 14mm f/2.5 ASPH II

Diving into the world of prime lenses, we can’t overlook the Panasonic Lumix G 14mm f/2.5 ASPH II.

Compact and versatile, this lens brings a unique set of advantages to GH4 filmmakers.

With its 28mm equivalent focal length, it offers a wider view than standard lenses, which is essential for capturing landscapes or interior scenes.

The f/2.5 aperture, while not the fastest, still provides substantial light for clear video work in various settings.

  • The lens is renowned for its sharpness
  • The autofocus speed is remarkably fast and silent

Crafted to enhance the GH4’s video capabilities, this lens delivers consistent performance without the heft.

It’s an ideal fit for those on the go, ensuring that high-quality filmmaking remains accessible in every environment.

Handling this lens is a breeze, thanks to its minimal weight and the intuitive design.

Our creative process flourishes when we’re not burdened by our equipment, especially during prolonged shooting schedules.

The build quality is robust, designed to withstand the rigors of frequent use.

Its metal mount adds a level of durability that gives us confidence when we’re out in the field.

Panasonic has integrated their latest lens technologies to ensure that this model outperforms its predecessors.

The optical design minimizes distortion and chromatic aberrations, which means our videos are crisp from edge to edge.

Paired with the GH4, the Panasonic Lumix G 14mm f/2.5 ASPH II stands as a testament to the potential of compact lenses in professional filmmaking.

We find that it allows us to express our vision unencumbered, transforming even the simplest scene into a cinematic experience.

14. Mitakon Zhongyi Speedmaster 25mm f/0.95

When exploring lenses that can take the GH4’s filmmaking capabilities to new heights, the Mitakon Zhongyi Speedmaster 25mm f/0.95 cannot be overlooked.

Boasting an incredibly fast f/0.95 aperture, this lens is a low-light powerhouse, allowing filmmakers to capture scenes in almost any lighting condition.

The depth of field produced by the Speedmaster is nothing short of cinematic.

Its wide aperture provides the ability to achieve that sought-after, dreamy bokeh effect, essential for creating a visually stunning background that really allows the subject to pop.

Designed with discerning filmmakers in mind, this manual focus lens encourages a more engaged filming experience.

Artists get to fine-tune their focus for precise storytelling, and the tactile feedback of the focus ring enhances the creative process.

Here are some reasons we find the Speedmaster integral to our toolkit:

  • Bokeh that enhances visual storytelling,
  • Low-light performance that extends shooting hours,
  • Manual focus that puts control in the filmmaker’s hands.

Crafted to deliver exceptional image quality, the Mitakon Speedmaster employs an optical construction that reduces chromatic aberrations and maintains image sharpness.

This ensures that the films we produce are crisp, with high contrast and true-to-life color rendition.

Compact and solidly built, this lens is easy to carry on every shoot, making it perfect for guerilla-style filmmakers and those who are always on the move.

The Mitakon Speedmaster not only strengthens our ability to shoot in diverse locations but also withstands the rigors of frequent use.

By integrating the Mitakon Zhongyi Speedmaster 25mm f/0.95 into our arsenal, we elevate our GH4’s capacity to create aesthetically pleasing images with unparalleled control over depth of field and focus.

Its performance in low light conditions and robust construction make it a compelling choice for filmmakers who strive for quality without compromise.

The Panasonic Lumix GH4 Camera Itself

At first glance, the GH4 looks like a small SLR camera. The device looks solid in the hand. The surface feels sturdy.

Nevertheless, it weighs much less than a Canon EOS 5D Mark III, which is a direct competitor, at least in the video field.

The GH4, body only, weighs just 560 grams on the scales. The Canon, on the other hand, weighs in at 950 grams.

Lenses are much heavier and larger for the EOS 5D Mark III, too. You’ll notice that the Canon has a twice as large full-frame sensor. This makes housing and lenses much larger.

The GH4 Display

Quite apart from the fact that you can count on great visuals when it comes to the display, the GH4 display pops out from within the camera, enabling easy use in all kinds of shooting situations.

Display for all situations

Comparing the GH4 again with Canon’s 5D range, yet another difference is noticeable at first glance at the two cameras. The GH4 has an electronic and touch-sensitive display that can be kept unfolded in every situation. This offrs great flexibility for the user and that is not completely insignificant, especially for amateur filmmakers.

The focus area on the display is positioned effectively to easily be changed with one’s fingers.

The Canon, however, has a permanently installed display. It is not sensitive to touch either. So if you want more than just placing the camera all the time on a tripod or a portable frame right in front of your own nose, you have to mount a display.

In addition, the GH4 has five freely programmable function buttons, which can be assigned depending on the photo or video mode. Once you have filled them with features according to your own taste, the camera is even more of a pleasure to use.

As a photography camera

As a camera for still images, the GH4 is not a complicated to us, but still offers a fair amount of bells and whistles.

Firstly, it offers a sensor with 16 megapixels. With good light and unprocessed RAW format, it makes sharp and neutral images. With its natural output sensitivity of 200 ISO, it can compete well with the competition that often have larger sensors.

Bright and dark areas of the picture are well displayed in this area. However, 16 million pixels are no longer the top of the resolution. And monotonous areas such as gray walls or areas of skin even show a slight noise even at this low sensitivity.

However, this is not a problem at all up to 400 ISO.

The autofocus makes an excellent impression at first glance. The camera is pretty fast in this regard.

The GH4 with its 49 autofocus sensors has six autofocus modes. Face recognition, tracking and so on and so forth.

Best Lens for GH4 – In Conclusion

Now, when you’re making a purchasing decision on what lenses to buy for the GH4, there’s obviously a lot to consider.

This is a powerful camera with great image quality. It might be a little dated now, but this means you can pick the camera up for a really reasonable price, especially second hand.

Always of relevance when you’re buying lenses is to look at compatibility with other cameras you might have. Is there an adapter you can use if you want to use a lens on multiple cameras from different manufacturers? Or maybe you just want to use one of these lenses on the GH4 and nothing else? These are questions you need to consider.

We invite you to do your own research and really look into the different lenses discussed here. As mentioned, there is one best lens for the GH4, different lenses have different purposes – whether it be focal distances or use cases for different shooting scenarios.

We hope this article on the best lens for GH4 has been instructive. Did we miss out your favourite lens for the GH4? Let us know in the comments below here.

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