A quality wide angle lens is a must have in any kit bag. This article will list some of our top contenders for what we consider the best wide angle lens. We’ll also cover some tips and strategies for getting the best out of your wide angle lens.
When we look at something, we are initially primarily interested in the overview. Only later we zoom in more on the details.
For such a broad overview, a wide-angle lens is indispensable. And nowadays zoom lenses are becoming more and more fashionable.
A History of Wide Angle Camera Work
The shooter who opts for a wide-angle zoom chooses flexibility. You are aware of what you do and do not want to allow in the picture.
With such short focal lengths, a millimeter more or less makes a big difference. You can always cut off a portion of the image afterward, such as an excess of a foreground. You do this because the aspect ratio is linked to the 3: 2 ratio of the sensor.
The wide angle lens is a staple of photography and videography, no matter what type of work you’re doing. Wide angle shots have been used in traditional narrative filmmaking for decades. Think of the classic master shot, before the filmmaker punches in for a close-up.
Let’s take a look at some of the top wide angle lenses out there.
Best Wide Angle Lens
Here are our 8 favorite wide angle lenses. We’re going to feature lenses here that are affordable to the average filmmaker / photographer / videographer.
These lenses can also be found easily and aren’t old relics of a bygone era collecting dust somewhere. All of these lenses are modern pieces of equipment that make your life and work easier.
1. Sigma 14-24mm f/2.8 DG DN Art
A Modern Ultra-Wide for Mirrorless Systems
The Sigma 14-24mm f/2.8 DG DN Art lens is a stellar addition to Sigma’s lineup, tailored specifically for full-frame mirrorless camera systems.
Building upon the success of its predecessor, designed for DSLRs, this lens offers enhanced optical performance in a more compact and lightweight design.
The wide-angle focal length, combined with the consistent f/2.8 aperture, makes it an ideal choice for landscape, architecture, and astrophotography enthusiasts.
The bright aperture also benefits users in low-light conditions, capturing scenes with greater sharpness and reduced motion blur.
Optical Excellence and Innovations
Sigma’s Art series has gained a reputation for its emphasis on optical precision, and this lens is no exception.
It employs an intricate arrangement of 18 elements in 13 groups, which includes several low dispersion and aspherical elements.
These work in unison to minimize chromatic aberrations, distortion, and field curvature.
The result is images that are sharp from edge to edge with reduced color fringing and consistent illumination across the frame.
Additionally, the lens is equipped with a Nano Porous Coating (NPC) and a conventional Super Multi-Layer Coating to suppress lens flare and ghosting.
This is particularly vital for wide-angle lenses, which often face challenges when shooting against the light.
Construction and User Experience
Beyond optics, the Sigma 14-24mm f/2.8 DG DN Art impresses with its build quality and user experience.
The lens is constructed using a combination of thermally stable composite material and metal, ensuring both lightweight and durability.
The weather-sealed design means photographers can venture into challenging conditions without worrying about dust or moisture ingress.
One notable feature is the rear filter holder, allowing users to employ sheet-type rear filters, such as neutral density ones, which are crucial for long exposure shots.
The lens also incorporates a stepping motor system, delivering quick, quiet, and smooth autofocus performance, essential for both photography and videography.
In summary, the Sigma 14-24mm f/2.8 DG DN Art is a potent tool for mirrorless users seeking an ultra-wide-angle lens without compromises.
With its superb optical quality, robust build, and thoughtful features, it is not just a lens but a testament to Sigma’s commitment to pushing the boundaries of lens technology.
For those invested in mirrorless systems and desiring a top-tier wide-angle experience, this lens emerges as a top contender in its category.
- The Sigma 14-24mm F2 8 DG HSM Art is the ideal ultra-wide-angle zoom lens for the most demanding...
- Sigma 14-24mm features updated Hyper Sonic Motor (HSM) provides fast and accurate autofocu
- utdoor shooters will appreciate the dust- and splash-proof construction with special sealing at the...
- With the growing popularity in multi-camera VR Videography a new front conversion service is...
- Image Stabilization: Optical
2. Canon EF 16-35mm f/2.8L III USM
An Ultra-Wide Workhorse for Professionals
The Canon EF 16-35mm f/2.8L III USM solidifies its position as a quintessential lens for professional photographers, especially those in the fields of landscape, architecture, and event photography.
Being the third iteration of its kind in Canon’s lauded L-series lineup, this lens brings significant improvements over its predecessors.
Its consistent f/2.8 aperture across the zoom range ensures that photographers can capture well-lit shots in a variety of lighting conditions, making it a versatile tool for both indoor and outdoor environments.
The focal length range, from ultra-wide to moderate wide-angle, offers creative flexibility, making it a favorite for capturing grand vistas or confined interiors.
Optical Brilliance and Advanced Coatings
Diving deeper into its optical structure, the lens comprises 16 elements in 11 groups.
This includes two large-diameter dual-surface Glass Molded (GMo) aspherical lenses and one ground aspherical lens, which collectively minimize distortions and spherical aberrations, resulting in sharper images.
Furthermore, Canon has integrated both Subwavelength Structure Coating (SWC) and Air Sphere Coating (ASC) to reduce flaring and ghosting.
These coatings are especially beneficial when shooting in challenging lighting conditions, ensuring high contrast and clarity.
The color fidelity and sharpness produced by this lens are nothing short of exceptional.
Chromatic aberrations, which can be a concern in wide-angle lenses, are well-controlled, thanks to the inclusion of two UD (Ultra-low Dispersion) elements.
Build Quality and User Experience
Canon’s L-series lenses are synonymous with durability, and the 16-35mm f/2.8L III USM is no exception.
The lens boasts a weather-sealed construction, protecting against dust and moisture, making it a reliable companion for photographers who find themselves in unpredictable environments.
The ultrasonic motor (USM) facilitates fast and near-silent autofocus, an essential trait for videographers or any shooting scenario where discretion is
Manual focus override is available at all times, providing photographers with precise control when they need it.
The circular nine-blade diaphragm ensures a beautiful bokeh, which, when combined with the f/2.8 aperture, can produce a pleasing shallow depth of field, separating subjects from their backgrounds.
To conclude, the Canon EF 16-35mm f/2.8L III USM is a testament to Canon’s commitment to delivering optical excellence and durability.
For professionals seeking a top-tier ultra-wide zoom lens, this stands out as a frontrunner, balancing impeccable image quality with a rugged construction ready for the demands of professional use.
Whether capturing the grandeur of landscapes or the intricacies of architectural marvels, this lens promises consistency and precision.
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and...
- Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds. Not an Extender...
BEST WIDE ANGLE LENS
What Are Wide Angle Lenses?
Wide angle lenses are a type of lens that can be used to capture large amounts of space.
They’re typically used in landscape photography and architecture, but they are also quite popular in other fields like photojournalism and filmmaking.
Wide angle lenses have a short focal length which is what allows them to capture so much information from the scene.
They can be used to capture a larger field of view. Wide angle lenses are typically used for landscapes and architecture, but they can also be helpful in capturing large groups or scenery shots.
3. Nikon AF-S NIKKOR 14-24mm f/2.8G ED
A Landscape and Architecture Photographer’s Dream
The Nikon AF-S NIKKOR 14-24mm f/2.8G ED is an ultra-wide zoom lens that has established itself as a staple in the kits of many professional photographers, especially those who specialize in landscapes, architecture, and astrophotography.
The lens’s expansive field of view combined with a fast f/2.8 aperture makes it incredibly versatile.
Whether the goal is to capture the vastness of a sweeping landscape, the intricate details of architectural wonders, or the breathtaking expanse of the Milky Way, this lens rises to the challenge, delivering stunning results even in low-light conditions.
Superior Optics and Coating for Enhanced Image Quality
Delving into its optical design, the lens is constructed with 14 elements in 11 groups. Among these are two ED (Extra-low Dispersion) glass elements and three aspherical lens elements.
These components work in unison to reduce chromatic aberrations, minimize distortions, and prevent unwanted color fringing, ensuring impeccable image sharpness and clarity throughout the entire zoom range.
Nikon has also employed its renowned Nano Crystal Coat, which plays a pivotal role in reducing ghosting and lens flare, particularly when shooting against the light or in situations where multiple light sources can cause unwanted reflections.
This ensures that images maintain high contrast and color accuracy, a feature that photographers will appreciate, especially when there’s no room for compromise in image quality.
Robust Build and User-Centric Features
As with many lenses in Nikon’s professional range, the AF-S NIKKOR 14-24mm f/2.8G ED boasts a rugged construction.
Its build quality reflects its intended use for demanding professional applications, offering both dust and moisture resistance.
This resilience ensures that photographers can continue shooting with confidence, even when faced with challenging environmental conditions.
On the operational front, the lens features Nikon’s Silent Wave Motor (SWM), which ensures fast, accurate, and near-silent autofocus.
This is particularly beneficial for videographers and situations where swift subject tracking is essential.
Additionally, the lens’s rounded nine-blade diaphragm produces a creamy bokeh, which, when coupled with the f/2.8 aperture, can provide an appealing separation between the subject and the background.
In summary, the Nikon AF-S NIKKOR 14-24mm f/2.8G ED is an exceptional piece of optical engineering that resonates with professionals who demand the very best.
From its top-tier optics to its sturdy construction, it promises to be an indispensable tool for photographers aiming to capture the world with a broader perspective.
- Focal Length Range: 14 -24 millimeter
- Minimum focus distance 0.9 feet. (0.28 meter), minimum f/stop 22
- Lens construction 14/11 (2 ED glass elements, 3 aspherical lenses and 1 Nano Crystal Coat)
- Angle of View: 114° - 84°
4. Sony FE 12-24mm f/2.8 GM
A Trailblazer in Ultra-Wide Lenses
Sony’s FE 12-24mm f/2.8 GM lens is a pivotal addition to the esteemed G Master series, representing a pioneering step forward for ultra-wide-angle zooms in the realm of full-frame mirrorless cameras.
The expansive 12-24mm focal range combined with a constant f/2.8 aperture firmly sets it in a class of its own, catering to photographers and videographers seeking a lens capable of wide perspectives without compromising on speed.
From sprawling cityscapes to dramatic landscapes and interiors, this lens offers unrivaled breadth, capturing vast scenes with impressive clarity and minimal distortion.
Astounding Optics and Precision Engineering
Diving into its optical anatomy, the lens boasts an intricate configuration of 17 elements in 14 groups, including three XA (extreme aspherical) elements and two Super ED (Extra-low Dispersion) and three ED glass elements.
This synergistic blend serves to correct aberrations and suppress chromatic inconsistencies, resulting in sharp, high-resolution imagery across the frame.
One of the standout features of the FE 12-24mm f/2.8 GM is its Nano AR Coating II—an evolved version of Sony’s proprietary anti-reflective coating.
This technology is meticulously applied to the lens’s internal elements, drastically minimizing internal reflections, ghosting, and flare, ensuring images remain vibrant, crisp, and free from unwanted artifacts.
Robust Design with Fluid Operability
Embodying Sony’s commitment to professional-grade build standards, the FE 12-24mm f/2.8 GM is meticulously crafted with resilience in mind.
Its design boasts a dust and moisture-resistant structure, allowing photographers to venture into a myriad of environments with the assurance that their gear is shielded from the elements.
Complementing its robust construction is the inclusion of several user-centric features. At the forefront is Sony’s XD (Extreme Dynamic) Linear Motor system, ensuring autofocus is not only swift but also exceptionally quiet—a critical consideration for videographers.
The lens also incorporates a customizable focus hold button, a rear filter holder, and a fluorine front element coating, which repels water, oil, and other contaminants, ensuring the lens remains clean and clear during intensive shooting sessions.
In summation, the Sony FE 12-24mm f/2.8 GM stands as a testament to Sony’s relentless pursuit of optical excellence.
Whether you’re a professional aiming to expand your creative horizons or an enthusiast seeking to capture the world in all its expansive glory, this lens promises to be an invaluable addition to your kit, delivering both breadth and brilliance in every frame.
- World’s widest full-frame constant F2.8 at 12-24mm
- F2.8 max aperture provides extraordinary exposure and depth of field
- Spectacular resolution: 3x Extreme Aspheric elements, 1x Aspheric
- 3x ED (Extra-low dispersion) elements suppress chromatic aberrations
- 4x Extreme Dynamic - XD Linear motors for fast, precise autofocus
5. Tamron 17-28mm f/2.8 Di III RXD
Compact Size Meets High-End Performance
The Tamron 17-28mm f/2.8 Di III RXD emerges as a compelling choice for those photographers and videographers working with Sony E-mount cameras and looking for a compact, yet high-performing wide-angle zoom.
While Tamron has long been recognized for producing quality lenses at relatively affordable prices, this particular lens defies the expectations that often come with budget-friendly tags.
Offering a versatile 17-28mm focal length combined with a fast, constant f/2.8 aperture, it manages to attract both seasoned professionals and budding enthusiasts seeking a reliable ultra-wide zoom for their full-frame mirrorless systems.
Impeccable Optical Design with Swift Autofocusing
At its core, the 17-28mm f/2.8 lens boasts an elaborate optical formula, encompassing 13 elements arranged in 11 groups.
This design incorporates a series of Low Dispersion (LD) and Xtra Low Dispersion (XLD) elements, diligently curated to tackle chromatic aberrations and enhance overall clarity.
The lens also employs Tamron’s BBAR (Broad-Band Anti-Reflection) coating, ensuring that flare and ghosting are minimized, leading to images imbued with contrast and color fidelity.
One of the standout attributes of this lens is the RXD (Rapid eXtra-silent stepping Drive) motor, which not only promises quick and accurate autofocus but does so with an almost silent operation.
This quiet performance becomes crucial for videographers who need discreet lens operation during video recording.
A Solid Build with User-Centric Features
For a lens offering such an expansive view, the Tamron 17-28mm is surprisingly compact and lightweight, a trait that frequent travelers and on-the-go photographers would deeply appreciate.
Its design doesn’t compromise on durability either.
The lens boasts a moisture-resistant construction and features a hydrophobic fluorine coating on the front element, which actively repels water and fingerprints, ensuring hassle-free shooting in challenging conditions.
An additional benefit is the relatively close minimum focusing distance of 7.5 inches at the wide end (17mm), which can be leveraged for some captivating wide-angle close-ups with smooth background bokeh, courtesy of the nine-blade diaphragm.
In essence, the Tamron 17-28mm f/2.8 Di III RXD is a testament to the brand’s commitment to delivering top-tier optics without the premium price tag.
The lens confidently caters to a wide array of photographic needs, from dynamic landscapes to interiors, making it a versatile companion for those eager to explore the world of wide-angle photography on their Sony E-mount systems.
- World's most lightweight large aperture wide-angle zoom in its class (smaller than original F4 lens)
- Superb image quality high mtf performance (utilizing the camera body compensation)
- The RXD stepping motor unit is exceptionally quiet
- Moisture-resistant construction - fluorine coating
- Versatile, exciting combination when paired with the 28-75mm F/2. 8 Di III RXD (Model A036)
BEST WIDE ANGLE LENS
Advantages of Using Wide Angle Lenses
• Wide angle lenses are so helpful in many different ways. They provide more opportunities for creativity and can make a photo shoot more interesting.
• Landscapes look that much better because they capture the scene from a wider perspective, whether it’s your own backyard or some other location you visit.
• These lenses will help to add depth to photos by showing foreground subjects as if they were closer than those in the background.
6. Fujifilm XF 8-16mm f/2.8 R LM WR
A Wide-Angle Marvel for the X-Series
When the conversation veers towards ultra-wide zoom lenses for the Fujifilm X-series, the XF 8-16mm f/2.8 R LM WR is impossible to ignore.
Not just because of its imposing size in comparison to most other Fujifilm lenses, but largely due to the optical brilliance it packs within its barrel.
With a focal range stretching from a super-wide 8mm to a moderately wide 16mm and a constant f/2.8 aperture, this lens caters to those who refuse to compromise on field-of-view or low light performance.
Whether it’s sweeping landscapes, dramatic architecture, or immersive interiors, the 8-16mm has quickly become a favorite among professional Fujifilm users.
Optical Prowess and Quick, Silent Focusing
Delving into the optical design, the lens incorporates an impressive array of 20 elements arranged in 13 groups.
This includes four aspherical lens elements to manage spherical aberration and distortion, and six ED (Extra-low Dispersion) elements to counteract chromatic aberrations.
Fujifilm’s Nano-GI (Gradient Index) coating is applied to mitigate lens flare and ghosting, resulting in sharper and clearer imagery.
The attention to optical quality ensures that images rendered by this lens are sharp corner-to-corner, even when shot wide open at f/2.8. On the focusing front, the lens employs a linear motor, ensuring fast, smooth, and notably quiet autofocus operation.
This is particularly beneficial for videographers who demand silent AF in their footage.
Robust Build Ready for Any Adventure
The “WR” in its name stands for ‘Weather Resistant’, and Fujifilm ensures the lens lives up to this label.
The XF 8-16mm f/2.8 R LM WR boasts 11 distinct weather seals placed throughout its body, safeguarding it against dust, moisture, and temperatures as low as -10°C (14°F).
This degree of protection enables photographers to shoot confidently in challenging environmental conditions, be it a sandy desert or a mist-covered waterfall.
Furthermore, the lens exhibits a premium feel in hand, thanks to its all-metal construction.
While it’s among the heftier lenses in Fujifilm’s lineup, the weight is a fair trade-off for the optical excellence and build quality on offer.
In summation, the Fujifilm XF 8-16mm f/2.8 R LM WR is an engineering feat that combines stellar image quality, a rugged build, and top-notch usability.
For X-series users, particularly those who often find themselves yearning for wider perspectives without sacrificing image quality, this lens is a compelling proposition worth every penny of its premium price point.
- Equivalent to 12 - 24mm (35mm)
- 20 elements in 13 groups, including 4 aspherical Lens elements and 6 ED Lens elements including 3 ED...
- Weather sealed at 11 points
- Weather and Dust-Resistant and capable of operating in temperatures as low as 14 Degree/-10 Degree.
7. Canon RF 15-35mm f/2.8L IS USM
Canon’s Wide-Angle Marvel for the RF System
The transition to mirrorless cameras has led to a renaissance in lens design, and Canon’s RF 15-35mm f/2.8L IS USM is a testament to that evolution.
Crafted specifically for Canon’s full-frame mirrorless RF system, this wide-angle zoom lens is a game-changer for both professional and enthusiast photographers.
With its 15-35mm focal range, users can capture breathtaking landscapes, expansive architectural marvels, and vivid street scenes with a clarity and richness that only a lens of this caliber can produce.
Further sweetening the pot, the lens features a bright and constant f/2.8 aperture, ideal for low light situations and achieving that pleasing, shallow depth-of-field effect.
Advanced Optics and Stabilization in Tow
Peering inside the lens, the RF 15-35mm is built around an advanced optical formula comprising 16 elements in 12 groups.
The design integrates three aspherical and two UD (Ultra-low Dispersion) elements, diligently working to correct aberrations and ensure high sharpness across the entire zoom range.
In tandem with the optics, Canon’s Air Sphere Coating (ASC) reduces lens flare and ghosting, even in backlit conditions.
But what truly sets this lens apart from its DSLR counterparts is the presence of Image Stabilization (IS).
Offering up to 5 stops of shake correction, this stabilization system is a boon for handheld shooting, allowing for slower shutter speeds without introducing motion blur.
Combined with Canon’s Nano USM autofocus system, focusing is not only rapid but remarkably quiet, catering to both photographers and videographers.
Robust Design Meets Ergonomic Excellence
One can’t help but admire the build quality of the RF 15-35mm f/2.8L IS USM. As part of Canon’s ‘L’ series, this lens has been built to withstand the rigors of professional use.
Weather-sealed against dust and moisture, it confidently accompanies photographers on their most challenging assignments, from arid deserts to misty forests.
Its barrel incorporates a customizable control ring, a feature distinct to Canon’s RF lenses, allowing users to adjust settings like aperture, shutter speed, or ISO directly from the lens.
This ergonomic consideration speeds up the workflow and keeps the photographer engaged with their subject.
In conclusion, the Canon RF 15-35mm f/2.8L IS USM is more than just a wide-angle lens—it’s a statement from Canon, showcasing their commitment to the mirrorless frontier.
Delivering impeccable image quality, paired with a robust design and user-centric features, it has quickly established itself as an indispensable tool for RF system users.
It’s a lens that promises and over-delivers, cementing its place in the kits of many photographers worldwide.
- High image quality and bright f/2.8 wide-angle zoom RF L lens
- Optical image stabilization of up to 5 Stops* of shake correction
- High speed, smooth and quiet auto focus with Nano USM
- Minimum focusing distance of 0.92 ft./0.28M
- Control ring for direct setting changes
8. Nikon Z 14-30mm f/4 S
A Compact Ultra-Wide for the Z Series
The Nikon Z 14-30mm f/4 S is a groundbreaking offering in Nikon’s ever-expanding mirrorless lens lineup.
Designed for the Nikon Z system, it stands out as the world’s first full-frame 14mm lens that allows for filter attachment, a feature often missed in many ultra-wide-angle lenses.
The lens’s focal range from 14mm to 30mm makes it highly versatile, suitable for a plethora of scenarios from sprawling landscapes and vast architectural shots to tight interiors and dynamic street photography.
The constant f/4 aperture, while not as bright as an f/2.8, ensures consistent performance across the zoom range and keeps the lens compact and travel-friendly.
Optical Prowess with Thoughtful Features
Diving into its optics, the lens is constructed with 14 elements in 12 groups.
Four of these are Extra-low Dispersion (ED) glass elements, and four are aspherical elements. This intricate design ensures minimized chromatic aberrations, reduced distortion, and high-resolution images that stretch from edge to edge.
Nikon’s Nano Crystal and Super Integrated Coatings further enhance image quality by suppressing ghosting and flare, especially in backlit situations.
The lens also comes with a stepping motor, ensuring that autofocus operations are smooth, silent, and precise, making it equally useful for video recording.
Another noteworthy feature is its retractable design, which allows the lens to collapse when not in use, making it even more compact and ideal for on-the-go photography.
Built for the Modern Photographer
The Nikon Z 14-30mm f/4 S is not just about optics and performance; it’s also designed for the contemporary photographer’s demands.
It boasts a robust build with extensive weather sealing, making it resistant to dust and moisture. This ensures that photographers can continue shooting without worries, even in less-than-ideal conditions.
The lens also features a customizable control ring, which can be programmed to control various settings like aperture or exposure compensation, allowing photographers to make swift adjustments without taking their eye off the viewfinder.
Additionally, the ability to use 82mm screw-on filters is a major advantage for landscape photographers who frequently employ polarizers or ND filters in their work.
In essence, the Nikon Z 14-30mm f/4 S is a significant addition to the Z system’s lens arsenal.
It skillfully combines versatility with performance, all packed within a compact design.
Whether you’re a professional landscape photographer or a travel enthusiast looking for a reliable ultra-wide zoom, this lens is poised to deliver stunning results, making it a worthy investment for any Nikon Z system user.
- NIKKOR Z 14-30mm f/4 S is perfect for adding depth and drama to stills and video as the ideal...
- Compact 14-30mm zoom range with a fixed f/4 aperture and outstanding image quality
- Retractable lens mechanism collapses the lens down to a mere 3.5 inches for safe and minimal packing
- Nikon’s Stepping Motor (STM) provides smooth, fast and quiet autofocusing
- Z lenses, perfectly matched to Z camera bodies, are designed with next-dimension optical performance...
9. Sony FE 16-35mm f/2.8 GM
When it comes to producing cinematic imagery, lens choice is critical.
The Sony FE 16-35mm f/2.8 GM steps up as a superior wide-angle option that filmmakers should seriously consider.
Its fast f/2.8 aperture is not just good on paper; it’s a game changer in low light situations.
Consistent exposure is maintained across the entire zoom range, enhancing the lens’s versatility.
One of the most notable features is the lens’s ability to produce sharp images from edge to edge.
This characteristic is crucial when capturing vast landscapes or architectural details in films.
With the Sony FE 16-35mm f/2.8 GM, autofocus performance is top-notch.
It’s both quick and accurate, ensuring that scenes remain in crisp focus even when shooting at a rapid pace.
Professionals appreciate the premium build quality of this lens.
It includes dust and moisture resistance, which is perfect for filming under challenging conditions.
Several aspects make this lens an ideal companion for filmmakers:
- Exceptional sharpness and clarity
- Durable, weather-resistant construction
- High-speed autofocus system
Our experience with the Sony FE 16-35mm f/2.8 GM reinforces its status as a must-have for filmmakers.
We find its focal range ideal for adding that dramatic flair to a scene without compromising on image quality.
The inclusion of this lens in a filmmaker’s arsenal opens up new avenues for creative expression.
From sweeping panoramic shots to dynamic action sequences, the creative potential is limitless.
10. Panasonic Lumix S PRO 16-35mm f/4
When looking to add versatility and precision to our cinematic toolbox, we rely on quality lenses that deliver.
The Panasonic Lumix S PRO 16-35mm f/4 is a noteworthy contender, standing out with its steadfast performance for filmmakers.
It’s not just about the stability offered by the constant f/4 aperture, but also the consistent output throughout the zoom range.
Remarkably, the lens manages to yield incredibly sharp footage, which is crucial when capturing wide landscapes or intricate details in urban settings.
Boasting a sturdy build, the Lumix S PRO 16-35mm f/4 handles the rigors of on-location work like a pro.
Weather sealing is the icing on the cake, ensuring that we’re never bogged down by unpredictable elements.
Autofocus deserves a special mention – it’s silent yet swift, keeping our subjects in clear view without missing a beat.
The smooth focus transition is especially beneficial when we’re in the middle of an action-packed sequence or capturing spontaneous moments.
Key Features at a Glance:
- Constant f/4 aperture ensuring steady exposure levels
- Impeccable sharpness across the zoom range
- Durable construction paired with comprehensive weather sealing
- Fast and silent autofocus mechanism
Given its wide focal length and high-grade optics, the Lumix S PRO 16-35mm f/4 allows us to create awe-inspiring wide-angle shots.
It’s the kind of lens that accompanies us on diverse shoots, reinforcing our belief that having the right equipment is half the battle.
Whether it’s filming a docuseries in the Sahara or a music video in the rainforests, this lens has the traits to be an indispensable part of our filmmaking gear.
11. Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO
When capturing vast landscapes or architectural wonders, the Olympus M.
Zuiko Digital ED 7-14mm f/2.8 PRO emerges as a stellar player in the wide-angle lens arena.
This lens boasts an incredibly bright f/2.8 aperture throughout its zoom range, which is a godsend for filmmakers seeking to shoot under varied lighting conditions.
The lens’s premium construction is tailor-made for rigorous use.
Our experience tells us it holds up excellently against the elements thanks to its high-quality weather sealing.
Key features of the Olympus M.
Zuiko Digital ED 7-14mm f/2.8 PRO lens include:
- Exceptional optical performance with minimal distortion
- Constant f/2.8 aperture ideal for low light situations and depth of field control
- Solid build quality with robust weather sealing
This dynamic lens delivers edge-to-edge sharpness, a crucial aspect that ensures your shots are crisp and detailed no matter the focal length used.
Its fast and accurate autofocus also contributes to its stronghold in our filmmaking toolkit.
We can’t help but rave about the lens’s manual focus clutch mechanism.
It allows for precise control, switching seamlessly between auto and manual focus to suit the demands of different shooting scenarios.
Embracing a 7-14mm focal length, this lens provides a uniquely expansive field of view.
Capturing scenes in their full glory becomes effortless, and your creative options are significantly widened.
Combine all these features and it’s clear why the Olympus M.
Zuiko Digital ED 7-14mm f/2.8 PRO is a favorite among professionals.
It consistently delivers outstanding results when it counts, redefining boundaries and empowering filmmakers to bring their visions to life with impeccable clarity.
12. Sigma 14mm f/1.8 DG HSM Art
Sigma’s introduction of the 14mm f/1.8 DG HSM Art lens marked a momentous event in the realm of wide-angle lens technology.
Marrying ultra-wide perspectives with an astoundingly large f/1.8 aperture, this lens stands out as a revolutionary tool for filmmakers.
Boasting a unique combination of width and speed, it offers unparalleled control over depth of field and excels in low light conditions.
The Art line’s reputation for sharpness and image quality is upheld here, making it a favorite for scenes requiring impeccable detail.
The build quality of the Sigma 14mm is designed to inspire confidence on the most demanding of shoots.
Its solid construction and resistance to dust and splashes mean it can withstand the rigors of real-world filming environments.
As an added advantage, the lens showcases minimal distortion, a common issue with wide-angles, So preserving the integrity of your shots.
It’s equipped with a Hyper Sonic Motor (HSM) that ensures a quick and silent autofocus, which is immensely beneficial on set.
Key features of the Sigma 14mm f/1.8 DG HSM Art lens include –
- Large f/1.8 aperture for superior light intake
- Hyper Sonic Motor for fast and silent focusing
- Minimal distortion for realistic imagery
Beyond technical specifications, this lens enriches our creative toolkit by allowing for expressive compositions and a unique cinematic look.
Its ability to capture sprawling landscapes and tight interiors with ease makes it an indispensable asset to our filmmaking arsenal.
13. Canon EF 11-24mm f/4L USM
In the realm of ultra wide-angle lenses, the Canon EF 11-24mm f/4L USM emerges as a genuine master of space and perspective.
This lens boasts an expansive zoom range that captures vast scenes with clarity and precision.
Its constant f/4 maximum aperture remains steady across the entire zoom range, ensuring consistent exposure settings during shoots.
The optical design of this lens is a marvel, featuring both aspherical and UD elements that significantly reduce chromatic aberrations and distortion.
Our experience shows that the images produced are sharp from edge to edge, with minimal falloff in brightness towards the corners.
This is essential when we’re looking to create that immersive cinematic experience.
Beyond the optics, the Canon EF 11-24mm f/4L USM is also built to withstand the rigors of professional use.
Its durability is underscored by features that make it indispensable on set:
- Weather-sealing – it holds up against the elements, keeping moisture and dust at bay
- Full-time manual focus – allows for precision adjustments, even when autofocus is engaged
- Silent and smooth autofocus motor – won’t disrupt audio capture during filming
We’ve found the flare control to be exceptional, even when filming challenging backlit scenes.
A robust lens hood also contributes to this performance.
When striving for those epic panoramic shots or needing to work in tight spaces, this lens can produce the expansive visuals that truly tell a story.
When considering the Canon EF 11-24mm f/4L USM, it’s imperative to weigh its heft and size as part of your filmmaking kit.
Its sizable dimensions are a trade-off for the unparalleled wide-angle capabilities it provides.
Yet, the creative potential it unlocks makes it a tempting addition for any filmmaker looking to push beyond conventional framings.
14. Samyang/Rokinon 14mm f/2.8 IF ED UMC
With affordability and performance packaged together, the Samyang (also known as Rokinon) 14mm f/2.8 lens stands out.
It’s particularly popular among indie filmmakers and those just breaking into the field.
This manual focus lens gives us exceptional control over our image, and at f/2.8, it allows ample light for those darker scenes.
The construction of this lens is impressive, with a built-in petal-shaped lens hood.
Its optical elements consist of two ED lens elements and two aspherical elements which help to reduce chromatic aberration and maintain image sharpness and clarity.
Even though being manual, the Samyang 14mm offers ease of use.
The focus ring moves smoothly, which is crucial when pulling focus during a shot.
It also has a circular aperture with six blades, contributing to a pleasant bokeh in out-of-focus areas.
For filmmakers working with a tight budget – this lens offers:
- A wide, dramatic perspective for landscape and architectural shots
- A solid build that can endure the rigors of on-location shooting
While this lens does not offer autofocus, its manual focus design encourages us to be meticulous and intentional with our cinematography.
It couples a sense of old-school filmmaking with modern optical quality.
The Samyang 14mm f/2.8 remains a favorite for its affordability and the cinematic look it provides.
It encourages filmmakers to engage more deeply with the craft of creating visually stunning shots.
Wide Angle Lens – Different Apertures
The lenses tested here have various apertures, such as f/4 (fixed) and f/3.5-4.5 (variable).
Some are still less bright with large openings such as f/4.5, while two lenses offer a higher aperture of f/2.8. These kind of apertures are good for low light environments.
A wide-angle lens with fixed focal length can be brighter – think for example a f/ 2.8 24mm for full frame.
However, the consumer is not waiting for such an expensive lens. Moreover, for crop cameras, there is no comparable f/2.8 16mm for sale.
A fixed brightness, such as with the f/4 12-24 mm lenses from Tokina and Nikon, has the advantage that the exposure remains constant when zooming in and out.
That advantage only works with manual exposure (M). In the other, automatic exposure modes, the shutter speed is adjusted by the camera at a variable light intensity.
If you’re still unsure about focal lengths, this chart from Travel Hungry Souls is really helpful:
Best Wide Angle Lens – Conclusion
So what should you consider when buying a good wide angle lens? As ever, some things are universally important. You should always:
- The reason for purchasing the lens.
- Your budget.
- The project requirements and style.
- The camera(s) you have already.
- The kind of mounts your cameras take.
- If you have any adapters.
Overall, you want to look at the kind of project you’re working on and why you need the wide angle lens.
There are lots of great wide angle lenses out there and we hope this article has helped you decide what the best wide angle lens is.
Ultimately, everyone’s requirements and reasons for buying are different. And lenses are pretty subjective after all – some people like Canon, some like Nikon and others like Sony, etc.
There’s no one-size-fits-all when it comes to lenses and you should do your due diligence to find the right wide angle lens for your particular circumstances and needs.
Did we miss out your favorite wide angle lens? Let us know in the comments just below.
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good to know what your fav wide angle lenses are, matt
Thanks for the comment, Sally
One way around manual focus issues is to use an ultra wide lens. For the GH4, that would be the Kowa/Navitar 6mm HC series. A C mount lens. Since it successfully covers the GH4 sensor in video mode, it covers more than the advertised 1 inch sensor. The crop factor on the GH4 in video mode is 2.3x, not 2x, as in still 4:3 mode on most m4/3 sensors. Since it covers fully, the actual angle of view on GH4 in video is larger than the quoted degees below.
Hyperfocal distance is very close at F5.6 allowing infinity and one metre or so to be in focus. NO twiddling focus! No searching by AutoFocus that breaks the connection between viewer and subjects. A real run and gun lens!
Screws can lock down the focus and aperture, useful for remote use etc.
Internal focus, less breathing effect. Lens length remains the same.
Not my videos:
https://vimeo.com/103893379
https://vimeo.com/76746701
https://vimeo.com/410038656
https://vimeo.com/87430472
https://vimeo.com/76793104
https://youtu.be/r2OYC223hCI
https://www.youtube.com/watch?v=M0mka9uumkk
https://www.youtube.com/watch?v=zIL7i6IBwNk
https://www.youtube.com/watch?v=57_PuYm_zOw
https://www.youtube.com/watch?v=pGEViLdurTM
https://www.youtube.com/watch?v=LqfA-fzH-EU
https://www.youtube.com/watch?v=gki1pdaihZY
https://www.youtube.com/embed/zIL7i6IBwNk?rel=0
https://www.youtube.com/watch?v=LkM5Sjj2dzI&t=152s
https://www.youtube.com/watch?v=ZNZsPUBJABA
https://www.youtube.com/watch?v=BySiqe9nAeI
https://www.youtube.com/watch?v=xlxwwH8IPrM&t=81s
https://www.youtube.com/watch?v=eEh42ahsEWM
Thanks, Patrick! Very helpful!
Appreciate it 🙂