Rodrigo Prieto was born in Mexico City, Mexico. He is a Mexican cinematographer of international stature winning an Academy Award for his work on Brokeback Mountain and Babel, as well as a BAFTA Award for The Wolfman, both directed by American director Ang Lee.

Prieto has been the recipient of numerous awards including three nominations for the Independent Spirit Awards and three nominations for the Satellite Awards.

He is a member of the Mexican Society of Cinematographers (SM de C) and has been honored with membership in the American Society of Cinematographers (ASC).

Prieto attended the Universidad Iberoamericana in Mexico City where he studied Fine Arts and Painting. Later he studied photography at the Center for Advanced Cinematographic Studies at the AFI Conservatory in Los Angeles, California.


Rodrigo Prieto Cinematographer Style

Who Is rodrigo prieto?

Rodrigo Prieto is an Oscar-winning Mexican Cinematographer. He is known for his work with directors such as David O. Russell, Alejandro González Iñárritu, Ricardo de Montreuil, Steven Zaillian and Sam Mendes.

Prieto studied at The University of Southern California (USC) where he met film director David O. Russell while they were both students there and they have remained close friends ever since.

He’s worked closely with auteurs like Martin Scorsese and Iñárritu and is considered one of the greatest living cinematographers.



Rodrigo Prieto Cinematography

Rodrigo Prieto is a Mexican cinematographer. He has worked frequently with director Alejandro González Iñárritu.

Rodrigo Prieto grew up in Guadalajara, Mexico, where his father was a photographer and his mother was a dancer. He moved to New York City in 1990, where he studied photography at ITP (International Technical Photography).

In 1995 he met Alejandro González Iñárritu who offered him an assistant job on Amores Perros (2000).

He has since collaborated with Iñárritu on several projects; Babel (2006), Biutiful (2010), Birdman or (The Unexpected Virtue of Ignorance) (2014), and The Revenant (2015).

Prieto’s work is characterized by dark photography, often taking advantage of low-light situations, many times resulting in full use of available light only.

He utilizes wide lenses to create both a sense of claustrophobia and grandness.

Rodrigo Prieto Cinematographer

Rodrigo Prieto is a Mexican cinematographer who has been nominated for an Oscar for Best Cinematography three times, the most recent for “The Wolf of Wall Street”. He has also been nominated for the BAFTA Award for Best Cinematography four times, winning one.

Towards the end of his career he shot many films in digital formats as well as film and still shoots on both mediums. He is considered to be one of the top cinematographers working in modern film.

Prieto was born in Mexico City on December 2nd, 1962. He began his career at a young age, doing still photography and shooting documentaries.

When he was 21 he moved to New York to study at the School of Visual Arts but ended up dropping out and going back home to Mexico where he took on more photography jobs.

In 1991 Rodrigo got his first job as a cinematographer when he did a short called “El Paseo” which many people consider his breakout film. He started working more in Mexican films and eventually made his way into Hollywood by 1997 with “Amistad” which earned him a nomination from the American Society of Cinematographers (ASC).

After this success Rodrigo then went on to work with directors such as Martin Scorsese.

More Incinematography & Cameras

So far we’ve been talking about camera movement and framing, but there’s more to making a good movie than that. When you watch movies, there are several techniques that you might not notice, but which make the difference between an amateur movie and a good one.


The most common technique is called a “T-Cut”, which refers to the line of action in a scene. As an illustration:

In the above example, the boy is walking from point A to point B. The T-Cut would be cutting from him at point A (his back facing us) to him at point B (his front facing us).

This gives us the impression that he has not stopped moving during this shot. You can also see it in motion here: .

This technique is used all the time in movies, TV shows and commercials because it helps build tension and allows the audience to keep up with what’s going on in the scene. It’s hard to describe, but once you start looking for it, you’ll see it everywhere!

Character Motivation Another key aspect of making a good movie is character motivation. If characters just do things.

The Irishman Cinematography Featurette By Rodrigo Prieto

A lot of people thought that we were going to shoot this movie on film, but you know, we’re in 2017. Nobody shoots on film anymore.

I think that it’s nice for the film to get a chance to breathe and not have to worry about the technical difficulty of shooting on film, or the post-production phase of getting it scanned. So from my point of view, digital is the way to go.

Tristar has been very good to me throughout the years, so they asked if I would shoot with their camera.

The Alexa 65 is a great camera. I’ve shot with other cameras and there’s something about this one that’s just really beautiful.

It’s got a very organic quality — a little bit like film, but without all the limitations. This is a new era for cinematography, and it’s going to be super exciting for filmmakers.

One visual element that is evident in a majority of Scorsese’s films is the close-up. It can be quite difficult to shoot a close-up with a lot of depth in it.

Even if you are shooting a master shot, it is important to know where you are going to place your actor(s) in the frame in order to create a good composition and get the desired effect.

Watch this video for some helpful tips on how to make your close-ups more interesting.

What Is Subjective Cinematography Rodrigo Prieto

What is Subjective Cinematography Rodrigo Prieto?

Subjective cinematography is used in close-up shots that involve the subject’s perception of what they are seeing. The camera may be physically removed from the character or it may be so close to them that the audience feels as though they are part of the scene.

The subjective shot takes into account how the viewer will interpret a particular scene, and it normally involves an over-the-shoulder shot. This technique allows for more intimacy between the subject and the camera.

The goal is to have the viewer feeling as though they are experiencing what the characters are experiencing.Rodrigo Prieto has directed some of Hollywood’s biggest movies including Amores Perros and Brokeback Mountain, as well as other critically acclaimed films such as Babel, Revolutionary Road, and Monster’s Ball.He has won numerous awards for his work and has been nominated for three Oscars for his cinematography skills alone.

Prieto uses subjective cinematography when he needs to create a more intimate relationship between characters and their surroundings. One way he accomplishes this is through extreme close-ups of eyes or mouths during moments of intense emotion or action.

This technique puts the audience in a place where they can see what the character sees and feel.

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Rodrigo Prieto On Collaboration

The past few years have been some of the most fulfilling of my career. I’ve had the opportunity to work with great directors and talented actors on powerful stories that have resonated with audiences around the world.

I love being a part of this process, but I also know that a film is bigger than any one person or department. It’s a complex collaboration between all the different artists who bring it to life.

You may be familiar with some of my work from movies like Argo, The Wolf of Wall Street, Babel and Brokeback Mountain. These films were nominated for dozens of awards and received many accolades, including Oscar nominations for Best Picture and Director.

But these are just a handful of projects I’ve been fortunate enough to be involved in over the last 15 years.I’m grateful for every project that has come my way and am proud of my contributions to them.

However, these achievements belong to all the people—directors, producers, actors, crew members, post-production staff and everyone else—who worked so hard together to make these movies what they are today. Without their hard work and dedication, none of this would have been possible.

Description:The process of creating a film is an exciting journey that offers you many opportunities for personal growth.

Basics Of Cinematography

The Basics Of Cinematography

There are a lot of people out there claiming to be professional cinematographers who have never gone to film school. On the other hand there are many people with film degrees who’ve never had a job as a director of photography.

I think it’s safe to say that the term “cinematographer” has become a bit ambiguous over the years. The truth is that there are only two types of cinematographers: those who want to direct and those who don’t want to direct.

The first type, who want to direct, are usually what you see when you go see a movie in the theater or on DVD. They’re the ones who’ve figured out how to make movies look great but don’t necessarily know how the camera works itself (an exposure meter for example).

They’ve learned how to use the camera as a tool to get the shot they want, but they may not know how it actually works. The second type are your camera technicians, people that have been trained in camera operation and understand all the functions of a digital cinema camera inside and out.

They can set up lighting and shoot in any format imaginable including 3-D. They understand exposure and light theory and have no problems reading a script or communicating with actors.

Academy Award-Nominated Cinematographer Rodrigo Prieto

Rodrigo Prieto, ASC, AMC (born 1962) is a Mexican-American cinematographer. He has been nominated for the Academy Award for Best Cinematography four times, winning twice for Brokeback Mountain in 2005 and The Wolf of Wall Street in 2014.

Rodrigo Prieto was born in Mexico City in 1962. His father was the director of photography for América TV, a national TV network in Mexico.

He got his start as an apprentice working on commercials and music videos with his father before moving to Los Angeles, California at the age of 17 to work on the television show Miami Vice.Prieto began shooting independent films and documentaries while living in Los Angeles.

His first major film credit came with the 1991 film Mi Familia. In 1993, he shot Little Buddha starring Richard Gere, which was followed by Glory Road with Josh Lucas and Sam Elliott.

It was on this film that he first worked with director Ron Howard. The two have worked together ever since and became close friends while working on A Beautiful Mind in 2001.[1]

One of Prieto’s most notable early career projects was Selena (1997), which won him several accolades including recognition from the National Board of Review.[2] His next project was working again.