What Are Exploitation Films? 25 Best Exploitation Movies & Their History

Exploitation films are a type of low-budget movie that aim to profit from the public’s interest in salacious or taboo subjects, often including graphic violence, sex, or drug use.

These films are typically made quickly and cheaply, using low-cost production methods, unknown actors, and recycled sets, and are intended to be shown in small, independent theaters or drive-ins.

The term “exploitation” refers to the fact that these films exploit or capitalize on controversial or sensational topics, as well as the desire of audiences to see these topics portrayed on the screen.

Exploitation films often have provocative or sensationalistic titles and marketing campaigns designed to grab the attention of potential viewers.

Exploitation films cover a wide range of genres, including horror, action, sexploitation, blaxploitation, and grindhouse cinema.

Many of these films are now considered cult classics, with a dedicated fan base that appreciates their rough-hewn, unpolished aesthetic and their willingness to take risks and push boundaries.

Despite their often-seedy subject matter and low production values, exploitation films have had a significant impact on the history of cinema, influencing a number of important filmmakers and genres.

Today, many exploitation films are regarded as important examples of outsider art, and continue to be appreciated for their raw energy, unfiltered creativity, and their willingness to explore the darker and more taboo aspects of human experience.

What Are Exploitation Films?

Exploitation films are a type of low-budget movie that aim to profit from the public’s interest in salacious or taboo subjects, often including graphic violence, sex, or drug use. 

These films are typically made quickly and cheaply, using low-cost production methods, unknown actors, and recycled sets, and are intended to be shown in small, independent theaters or drive-ins.

The term “exploitation” refers to the fact that these films exploit or capitalize on controversial or sensational topics, as well as the desire of audiences to see these topics portrayed on the screen.

Exploitation films often have provocative or sensationalistic titles and marketing campaigns designed to grab the attention of potential viewers.

Exploitation films cover a wide range of genres, including horror, action, sexploitation, blaxploitation, and grindhouse cinema. 

Many of these films are now considered cult classics, with a dedicated fan base that appreciates their rough-hewn, unpolished aesthetic and their willingness to take risks and push boundaries.

Despite their often-seedy subject matter and low production values, exploitation films have had a significant impact on the history of cinema, influencing a number of important filmmakers and genres. 

Today, many exploitation films are regarded as important examples of outsider art, and continue to be appreciated for their raw energy, unfiltered creativity, and their willingness to explore the darker and more taboo aspects of human experience.

Best Exploitation Films

Let’s jump into our list of the best exploitation movies.

The Texas Chain Saw Massacre (1974)

“The Texas Chain Saw Massacre” is a horror film released in 1974, directed by Tobe Hooper. The film follows a group of young friends who are traveling through rural Texas and become the targets of a family of cannibals.

The film is known for its intense and graphic depictions of violence, as well as its gritty and realistic aesthetic. Despite its controversial subject matter, the film has become a cult classic and is widely regarded as one of the most influential horror movies of all time.

Some of the key features of “The Texas Chain Saw Massacre” include its use of handheld cameras and natural lighting to create a sense of realism and immediacy, as well as its focus on extreme violence and gore.

 The film also features a memorable and iconic villain in the form of Leatherface, a chainsaw-wielding maniac who wears a mask made of human skin.

Overall, “The Texas Chain Saw Massacre” is a landmark horror film that continues to influence and inspire filmmakers today, both in terms of its content and its innovative visual and storytelling techniques.

Cannibal Holocaust (1980)

“Cannibal Holocaust” is a controversial Italian horror film directed by Ruggero Deodato and released in 1980. 

The film tells the story of a group of American filmmakers who travel to the Amazon rainforest to make a documentary about indigenous tribes, but become victims of the violence and savagery of the local cannibal tribes.

The film gained notoriety for its graphic violence, sexual assault, and animal cruelty, which led to its ban in several countries and legal action against the filmmakers. 

However, “Cannibal Holocaust” is also considered by some to be a landmark in the horror genre, due to its influence on found footage films, as well as its commentary on the ethics of documentary filmmaking.

The film’s graphic content includes scenes of real animal slaughter, simulated human dismemberment, rape, and other violent acts.

 This has led to criticism of the film as exploitative and gratuitous, and it has been the subject of numerous debates about the ethics of depicting violence and cruelty on screen.

While “Cannibal Holocaust” remains a controversial film, it has also gained a cult following and has been credited with influencing other horror films and the found footage genre.

 Its impact on the horror film industry continues to be felt, despite the ongoing debate over its content and ethical implications.

I Spit on Your Grave (1978)

“I Spit on Your Grave” is a controversial 1978 American exploitation film directed by Meir Zarchi. The film tells the story of a young woman named Jennifer Hills, who rents a cabin in the countryside in order to write her first novel. 

However, she is brutally assaulted and raped by a group of local men, and left for dead. She survives the attack and seeks revenge on her attackers in a gruesome and violent way.

The film is known for its graphic depictions of sexual violence and revenge, and has been widely criticized for its portrayal of women and its depiction of sexual violence. The film has also been praised by some as a feminist revenge fantasy that empowers women to take control of their own lives and seek justice for themselves.

Despite its controversial subject matter, “I Spit on Your Grave” has become a cult classic and has spawned several sequels and remakes.

 The film’s legacy has been the subject of ongoing debate, with some arguing that it perpetuates harmful stereotypes and glorifies violence, while others argue that it provides a powerful critique of sexual violence and a call to action for women to stand up against their attackers.

Pink Flamingos (1972)

“Pink Flamingos” is a cult classic exploitation film from 1972, directed by John Waters. The film tells the story of the “Filthiest Person Alive,” Divine, and her battle against a rival family for the title of filthiest.

The film is notorious for its graphic and transgressive content, including scenes of violence, sex, drug use, and even bestiality.

 It is also known for its intentionally low production values and deliberately shocking performances, including Divine’s infamous final act.

Some of the key features of “Pink Flamingos” include its use of humor and satire to critique social norms and expectations, as well as its focus on characters who live outside of mainstream society. 

The film is also notable for its use of non-professional actors and its DIY approach to filmmaking, which has influenced a generation of underground filmmakers and artists.

Despite its controversial subject matter, “Pink Flamingos” has become a cult classic and is widely regarded as a landmark in the history of independent cinema. It continues to be celebrated for its subversive spirit and its willingness to push the boundaries of what is considered acceptable in art and culture.

The Last House on the Left (1972)

“The Last House on the Left” is a 1972 horror film directed by Wes Craven. The film tells the story of a group of teenage girls who are kidnapped, tortured, and murdered by a gang of sadistic criminals, and the revenge that is exacted on the gang by the parents of one of the victims.

The film is known for its brutal violence and disturbing imagery, which was controversial at the time of its release and remains so today. 

The film’s graphic content includes rape, torture, and murder, and has led to criticism of the film as exploitative and gratuitous.

Despite its controversial content, “The Last House on the Left” has been credited with influencing the horror genre and the portrayal of violence in film. The film has been remade twice, in 2009 and 2021, and has been the subject of numerous discussions and debates about the depiction of violence in media.

While “The Last House on the Left” remains a controversial film, it has also been praised for its exploration of the themes of revenge, justice, and morality. The film has been analyzed for its commentary on the violent impulses of human nature and the consequences of taking justice into one’s own hands.

Bloodsucking Freaks (1976)

“Bloodsucking Freaks” is a controversial horror-comedy film released in 1976, directed by Joel M. Reed. The film is known for its graphic and extreme depictions of violence, torture, and sexual exploitation, and has been widely criticized for its misogynistic and exploitative content.

The film tells the story of Sardu, a sadistic and deranged showman who runs a theater of the macabre. Sardu and his assistant, Ralphus, kidnap young women and subject them to horrific acts of torture and violence for the entertainment of their audience.

 As the story unfolds, a young journalist named Natasha investigates the disappearances and seeks to put an end to Sardu’s reign of terror.

“Bloodsucking Freaks” has been the subject of controversy and censorship due to its explicit and graphic content, particularly its depictions of violence against women. The film has been widely criticized for its exploitative and misogynistic themes, which some argue serve to perpetuate harmful attitudes towards women.

Despite its controversial content, “Bloodsucking Freaks” has achieved cult status and has been embraced by some horror fans for its campy and over-the-top style. However, it remains a highly divisive and controversial film, and its legacy has been the subject of ongoing debate.

Ilsa: She Wolf of the S.S. (1974)

“Ilsa: She Wolf of the S.S.” is an exploitation film released in 1974, directed by Don Edmonds. The film is set in a Nazi concentration camp during World War II and follows the sadistic exploits of Ilsa, a cruel and sexually depraved commandant who experiments on prisoners in her quest to create the perfect Aryan race.

The film is known for its graphic and controversial subject matter, which includes depictions of extreme violence, torture, and sexual assault.

It is also notable for its intentional use of Nazi imagery and symbolism, which has led to accusations of exploitation and insensitivity.

Despite its controversial subject matter, “Ilsa: She Wolf of the S.S.” has become a cult classic and is considered a landmark in the history of exploitation cinema. It is often cited as an example of the genre’s willingness to push the boundaries of good taste and its focus on taboo and controversial subject matter.

Overall, “Ilsa: She Wolf of the S.S.” is a challenging and provocative film that continues to inspire debate and controversy among audiences and critics alike.

While its content is undeniably difficult and disturbing, it remains an important part of the history of exploitation cinema and an example of the power of film to shock and challenge its viewers.

Caligula (1979)

“Caligula” is a controversial historical drama film released in 1979, directed by Tinto Brass and produced by Bob Guccione. The film depicts the life of the Roman emperor Caligula, who was known for his decadence, cruelty, and debauchery.

The film is infamous for its explicit sexual content, graphic violence, and scenes of cruelty, which led to its being banned in several countries and criticized for its gratuitous depiction of sex and violence. The film also features a high-profile cast, including Malcolm McDowell, Helen Mirren, and Peter O’Toole.

“Caligula” was initially conceived as a mainstream historical drama, but the director and producers ended up including graphic sexual content and violence that went beyond what was acceptable at the time.

The film was met with negative reviews upon its release and has been widely regarded as a commercial failure. However, it has gained a cult following and is now considered by some to be a significant film in the exploitation genre.

Despite its controversial content and poor critical reception, “Caligula” has had a lasting impact on the film industry, inspiring other filmmakers to push the boundaries of explicit content in their work.

The film also continues to be the subject of debate and analysis for its depictions of violence, sex, and power, and its place in the history of exploitation films.

Salo, or the 120 Days of Sodom (1975)

“Salo, or the 120 Days of Sodom” is a highly controversial Italian film directed by Pier Paolo Pasolini and released in 1975.

The film is an adaptation of the book “The 120 Days of Sodom” by the Marquis de Sade, and tells the story of a group of fascist leaders who kidnap a group of young men and women and subject them to extreme acts of torture and sexual abuse.

The film is notorious for its graphic and disturbing depictions of violence, sexual abuse, and humiliation, and has been widely criticized for its content.

The film was banned in several countries and has been the subject of ongoing debate regarding its artistic merit and social impact.

Despite its controversial subject matter, “Salo” has been acclaimed by some as a powerful critique of fascism and a condemnation of violence and abuse of power. The film’s explicit and provocative content has been interpreted as a deliberate challenge to mainstream morality and a call to action for social change.

Overall, “Salo, or the 120 Days of Sodom” is a highly divisive and controversial film that has had a significant impact on the world of cinema and continues to provoke strong reactions and debates.

The Toolbox Murders (1978)

“The Toolbox Murders” is a slasher film released in 1978, directed by Dennis Donnelly. The film follows the investigation of a series of brutal murders in an apartment complex, all of which involve the use of tools from a toolbox.

Some of the key characteristics of “The Toolbox Murders” include its use of suspense and tension to build a sense of unease and terror, as well as its graphic depictions of violence and gore.

The film is also notable for its focus on the psychological motivations of the killer, which is a departure from many other slasher films of the era.

In addition, “The Toolbox Murders” has been noted for its atmospheric and moody cinematography, which creates a sense of claustrophobia and dread in the viewer. The film’s low budget and amateurish acting have also contributed to its status as a cult classic.

Overall, “The Toolbox Murders” is a challenging and disturbing film that has earned a reputation as one of the more unsettling entries in the slasher genre.

While its violence and gore may be off-putting to some viewers, it is a significant example of the genre’s use of suspense and terror to create a memorable viewing experience.

Cannibal Ferox (1981)

“Cannibal Ferox” is an Italian exploitation film directed by Umberto Lenzi and released in 1981.

The film tells the story of a group of anthropologists who travel to the Amazon rainforest to study indigenous tribes and become the victims of a group of cannibalistic savages.

The film is notorious for its graphic violence and extreme gore, including scenes of animal cruelty, torture, and cannibalism. “Cannibal Ferox” is often compared to other notorious Italian cannibal films, such as “Cannibal Holocaust” and “Eaten Alive”, which share similar themes and content.

Despite its controversial content, “Cannibal Ferox” has gained a cult following and is considered by some to be a classic of the exploitation genre.

The film’s graphic violence and explicit content have also been the subject of numerous debates and discussions about the ethics of depicting extreme violence on screen.

While “Cannibal Ferox” remains a controversial film, it has also been credited with influencing the horror genre and the depiction of violence in film.

Its impact on the exploitation film industry is still felt today, and it has inspired other filmmakers to push the boundaries of what is considered acceptable in terms of on-screen violence and graphic content.

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Faces of Death (1978)

“Faces of Death” is a controversial documentary film that was released in 1978. The film is presented as a collection of real-life footage that allegedly depicts people being killed, maimed, and injured in various ways, including through accidents, animal attacks, executions, and other violent acts.

The film was marketed as a “shockumentary” and claimed to show “the most dangerous film ever made.”

The authenticity of the footage presented in the film has been widely disputed, with many critics and viewers suggesting that much of it is staged or fabricated. Some have also criticized the film for its gratuitous and exploitative use of violence and death, and for its lack of any real narrative or artistic merit.

Despite its controversial content, “Faces of Death” has achieved a cult following and has been credited with influencing the “found footage” genre of horror films.

However, the film’s legacy has been the subject of ongoing debate, with many critics arguing that it perpetuates harmful attitudes towards violence and death, and contributes to a culture of desensitization and voyeurism.

Nekromantik (1988)

“Nekromantik” is a horror film released in 1988, directed by Jörg Buttgereit. The film follows the story of a couple who are fascinated with death and begin to engage in increasingly disturbing behavior, including collecting and preserving body parts.

Some of the key characteristics of “Nekromantik” include its graphic depictions of violence and gore, as well as its highly provocative and controversial subject matter.

The film’s use of shock tactics and its focus on taboo and transgressive behavior have made it a highly divisive and polarizing work of horror cinema.

In addition, “Nekromantik” has been noted for its highly stylized cinematography and its use of surreal imagery to create a dreamlike and disturbing atmosphere.

The film’s soundtrack, which features a mix of classical music and industrial noise, also contributes to its unsettling tone.

Overall, “Nekromantik” is a highly challenging and provocative film that pushes the boundaries of good taste and confronts the viewer with highly unsettling subject matter.

While its content is undeniably difficult and disturbing, it remains an important work of horror cinema that continues to inspire debate and controversy among audiences and critics alike.

Wake in Fright (1971)

Wake in Fright” is a 1971 Australian psychological thriller film directed by Ted Kotcheff. The film follows a young schoolteacher named John Grant (played by Gary Bond), who becomes stranded in a remote town in the Australian outback after losing all his money in a gambling binge.

Over the course of several days, Grant is exposed to the town’s excessive drinking, hunting, and violence, which pushes him to the brink of madness.

The film is known for its intense and disturbing portrayal of the Australian outback and the culture of toxic masculinity that pervades it.

“Wake in Fright” has been praised for its cinematography and atmospheric tension, as well as its exploration of themes such as alienation, masculinity, and the dark side of human nature.

The film was controversial upon its release due to its graphic content, particularly a brutal kangaroo hunt sequence, which led to accusations of animal cruelty.

However, the film’s impact on the Australian film industry and its exploration of taboo subjects have made it a cult classic and an important piece of Australian cinema.

In recent years, “Wake in Fright” has been rediscovered and reappraised by audiences and critics alike. The film has been restored and re-released in various formats, and its influence on contemporary filmmakers has been acknowledged.

The film’s depiction of toxic masculinity and the psychological toll of living in isolated environments continues to resonate with audiences today.

The Beyond (1981)

“The Beyond” is a horror film directed by Italian filmmaker Lucio Fulci and released in 1981.

The film tells the story of a young woman who inherits an old hotel in Louisiana that was built over one of the seven gateways to Hell.

As she and others begin to explore the hotel, they unwittingly unleash a series of supernatural forces that threaten to destroy them all.

“The Beyond” is known for its graphic and disturbing depictions of violence and gore, and has been praised for its atmospheric and surreal style.

The film is often cited as one of the best examples of Italian horror cinema and has achieved a cult following among horror fans.

Despite its cult status, “The Beyond” has also been criticized for its extreme violence and gore, as well as its lack of narrative coherence. The film’s graphic and disturbing content has been interpreted as a reflection of Fulci’s interest in exploring the darker aspects of human nature, and has been compared to the work of other “splatter” filmmakers of the time.

Overall, “The Beyond” is a highly regarded and influential film in the horror genre, known for its unique visual style and its bold and uncompromising use of graphic violence and gore.

Zombie (1979)  

“Zombie” is a horror film released in 1979, directed by Italian filmmaker Lucio Fulci. The film is also known by its original Italian title “Zombi 2” and was marketed as a sequel to George A. Romero’s “Dawn of the Dead” in some territories.

Some of the key characteristics of “Zombie” include its graphic depictions of violence and gore, as well as its focus on the slow, shuffling zombie archetype that has become a staple of the horror genre.

The film is also notable for its use of atmospheric and moody cinematography, which creates a sense of dread and foreboding throughout.

In addition, “Zombie” has been noted for its effective use of practical effects to create its gruesome and realistic violence, particularly in its infamous eye-gouging scene.

The film’s soundtrack, which features a mix of eerie soundscapes and haunting music, also contributes to its tense and unsettling atmosphere.

Overall, “Zombie” is a classic example of the Italian horror genre known as “giallo,” which combines elements of thriller, horror, and suspense to create a unique and memorable viewing experience. Its mix of graphic violence, moody atmosphere, and suspenseful storytelling make it a must-see for horror fans looking for a taste of the macabre.

Grindhouse (2007)

“Grindhouse” is a 2007 American exploitation film directed by Robert Rodriguez and Quentin Tarantino.

The film is a double feature that includes two separate feature-length segments, “Planet Terror” by Robert Rodriguez and “Death Proof” by Quentin Tarantino.

“Grindhouse” is an homage to the exploitation films of the 1970s, which were often low-budget films that featured graphic violence, sex, and other taboo subjects.

The film is shot in a style that replicates the look and feel of these films, including intentionally scratched and damaged film stock, missing reels, and fake trailers for other exploitation films.

“Planet Terror” is a horror film about a group of survivors of a biochemical weapon that turns people into flesh-eating zombies. “Death Proof” is a slasher film about a psychotic stuntman who uses his car to kill young women.

“Grindhouse” was not a commercial success, but it has gained a cult following and has been recognized for its contribution to the exploitation film genre.

The film’s visual style, use of practical effects, and celebration of low-budget filmmaking have inspired other filmmakers to explore similar themes and techniques. The film’s fake trailers for other exploitation films have also been expanded into their own feature-length films, such as “Machete” and “Hobo with a Shotgun”.

Death Race 2000 (1975)

“Death Race 2000” is an action comedy film directed by Paul Bartel and released in 1975. The film is set in a dystopian future in which the government sponsors a cross-country road race in which contestants earn points for killing pedestrians.

The main character, Frankenstein, is a popular driver who has been reconstructed after multiple accidents, and who becomes a symbol of rebellion against the authoritarian regime.

The film is known for its over-the-top violence and satire, as well as its campy humor and political commentary.

“Death Race 2000” has been interpreted as a commentary on the dangers of government-sponsored violence and the cult of celebrity, as well as a parody of the action movie genre.

Despite its controversial subject matter, “Death Race 2000” has become a cult classic and has been credited with influencing the development of the post-apocalyptic and action movie genres. The film’s colorful characters, outrageous violence, and social commentary have made it a favorite among fans of cult cinema and satire.

Faster, Pussycat! Kill! Kill! (1965)

“Faster, Pussycat! Kill! Kill!” is a 1965 cult classic exploitation film directed by Russ Meyer. The film follows the story of three go-go dancers, Varla (played by Tura Satana), Rosie (played by Haji), and Billie (played by Lori Williams), who set out on a spree of murder and mayhem in the California desert.

The film has gained a cult following over the years due to its unique blend of sex, violence, and dark humor. It is also notable for its strong, independent female characters, who defy traditional gender roles and take control of their own destinies.

Despite its controversial content, “Faster, Pussycat! Kill! Kill!” has been praised for its innovative cinematography, with Meyer’s use of wide-angle lenses and fast-paced editing creating a sense of frenzied energy and heightened tension throughout the film.

The Hills Have Eyes (1977)          

“The Hills Have Eyes” is a horror film directed by Wes Craven and released in 1977. The movie revolves around the Carter family, who are traveling through the California desert on their way to California.

They end up stranded in a remote area and are attacked by a group of mutated and deranged cannibals who live in the hills.

The movie explores the themes of survival, family, and the darkness that can reside in human nature. The film’s violent and gruesome scenes shocked audiences at the time and sparked controversy. However, it also gained a cult following and is now considered a classic in the horror genre.

The success of “The Hills Have Eyes” led to a sequel in 1985 and a remake in 2006, both of which were also directed by Craven. The film’s influence can be seen in other horror movies that explore similar themes and use similar techniques to shock and terrify audiences.

Coffy (1973)

“Coffy” is a 1973 American blaxploitation film directed by Jack Hill and starring Pam Grier in the lead role. The film follows the story of Coffy, a nurse who sets out to avenge her younger sister who is addicted to drugs.

Coffy discovers that corruption runs deep in the local drug underworld and that even the police are not to be trusted. She takes matters into her own hands and begins a one-woman crusade against the drug dealers and pimps who have ruined her community.

The film was a commercial success and helped to establish Pam Grier as a leading lady in the action genre. It was also noted for its strong feminist themes and its portrayal of a black woman taking charge and fighting back against oppression and injustice.

“Coffy” has since become a cult classic and is often cited as one of the most influential blaxploitation films of all time.

City of the Living Dead (1980)    

“City of the Living Dead” is a horror film directed by Italian filmmaker Lucio Fulci and released in 1980. The film is also known as “Paura nella città dei morti viventi” (translated as “Fear in the City of the Living Dead”).

The movie’s plot centers on a priest named Father Thomas (played by Fabrizio Jovine) who commits suicide in the small town of Dunwich, Massachusetts. His death causes a rip in the fabric of reality, leading to the rise of the dead.

A psychic journalist named Peter Bell (played by Christopher George) and a psychic named Mary (played by Catriona MacColl) team up to close the portal and stop the undead from taking over the world.

The film is known for its graphic and gruesome scenes, including a notorious sequence in which a character vomits up his own intestines. “City of the Living Dead” is also notable for its surreal and dreamlike imagery, which has become a trademark of Fulci’s films.

Despite its notoriety, “City of the Living Dead” received mixed reviews upon its initial release. However, the film has since gained a cult following and is considered by many horror fans to be a classic of the genre.

Story of Ricky (1991)

“Story of Ricky” is a 1991 Hong Kong martial arts film directed by Lam Nai-choi, based on the Japanese manga “Riki-Oh” by Masahiko Takajo and Tetsuya Saruwatari. The film follows the story of Ricky Ho, a young man with incredible physical strength, who is sent to a corrupt prison after avenging the death of his girlfriend.

Ricky arrives at the prison, where he is immediately introduced to the brutal and violent nature of the inmates and guards.

He quickly discovers that the prison is controlled by a group of corrupt officials who use the inmates for their own personal gain.

Ultimately, Ricky’s mission for justice leads him to confront the head of the corrupt officials, a man known only as “The Assistant Warden”. In a brutal and bloody final battle, Ricky faces off against the Assistant Warden, using all of his incredible strength to take down the corrupt system once and for all.

“Story of Ricky” is a cult classic and is known for its over-the-top violence and gore. The film has gained a following for its unique blend of martial arts, horror, and dystopian elements, making it a standout in the Hong Kong film industry.

Ms .45 (1981)

“Ms. 45” is a 1981 exploitation film directed by Abel Ferrara. The film follows the story of Thana (played by Zoë Tamerlis), a mute seamstress who is raped twice in one day, and subsequently goes on a killing spree against the men of New York City.

The film is notable for its graphic depictions of violence and sexual assault, and has been criticized for its portrayal of women as victims and the use of rape as a plot device.

However, it has also been praised for its subversion of the revenge fantasy trope, with Thana’s violent acts ultimately leading to her own demise.

“Ms. 45” has been cited as a cult classic, and is often discussed in the context of feminist cinema and the portrayal of women in film.

It has also been noted for its gritty depiction of New York City in the early 1980s, and for its use of minimal dialogue and atmospheric music to create a sense of tension and unease.

Foxy Brown (1974)

“Foxy Brown” is an American blaxploitation film released in 1974 and directed by Jack Hill. The movie stars Pam Grier in the lead role as Foxy Brown, a tough and resourceful woman seeking revenge against a drug syndicate that killed her boyfriend.

The film is known for its portrayal of a strong, empowered African-American woman who takes matters into her own hands and fights against injustice. “Foxy Brown” tackles issues of race, gender, and power, and has been credited with empowering African-American women and inspiring future female action heroes.

The film was a commercial success and is now considered a classic of the blaxploitation genre. It has been praised for its progressive themes, strong performances, and stylish direction. “Foxy Brown” is also notable for its soundtrack, which features soul and funk music from the era.

Pam Grier’s performance in “Foxy Brown” helped establish her as one of the most iconic actresses of the blaxploitation era, and the film’s impact can be seen in subsequent films and TV shows that feature strong female leads and tackle issues of race and gender.

3 Characteristics of Exploitation Movies

Exploitation movies are a type of film that typically feature lurid or controversial subject matter and often rely on graphic violence, sexuality, or other provocative elements to attract audiences. Here are three characteristics commonly found in exploitation movies:

Shock Value: Exploitation movies often aim to shock or titillate their audiences with graphic or taboo subject matter. Examples of this could include extreme violence, sexual content, drug use, or other controversial themes.

Low Budget: Many exploitation movies are made with relatively low budgets and feature low production values. This is often due to the fact that they are produced independently and do not have the financial backing of major studios.

Marketing: Exploitation movies often rely on provocative marketing campaigns to attract audiences. This could include provocative posters, trailers, or other promotional materials that highlight the film’s controversial subject matter or shock value.

It’s worth noting that these characteristics are not always present in all exploitation movies, and some films may feature only one or two of these elements. Additionally, not all films that are considered exploitative are necessarily of low quality or lacking in artistic merit.

A History of Exploitation Films

Exploitation films are a type of low-budget, often sensationalistic movie that is made with the intention of exploiting popular trends, taboo subjects, or controversial themes. They typically feature excessive violence, sex, and nudity and are often marketed with lurid, attention-grabbing posters and taglines.

The history of exploitation films can be traced back to the early days of cinema, when traveling showmen would exhibit short films of actual accidents, disasters, and other shocking events. These shows were often accompanied by live commentary and sound effects, and were designed to thrill and shock audiences.

In the 1930s and 1940s, exploitation films began to take on more of a narrative form. Films such as “Reefer Madness” (1936), which warned of the dangers of marijuana use, and “Mom and Dad” (1945), which addressed the topic of sex education, were designed to capitalize on public fears and anxieties.

Today, exploitation films continue to be made, with filmmakers using the internet and other digital platforms to distribute their work. While the genre may no longer have the same cultural impact as it once did, exploitation films remain a popular and enduring subculture within the wider film industry.

Best Exploitation Films – Wrapping Up

Exploitation films are a controversial and often misunderstood genre of cinema, but they have had a significant impact on the film industry and popular culture. Here are a few of the best exploitation films to consider:

1. “The Texas Chain Saw Massacre” (1974) – Directed by Tobe Hooper, this classic horror film follows a group of young adults who are terrorized by a family of cannibals in rural Texas. The film is known for its brutal violence and dark humor.
2. “Faster, Pussycat! Kill! Kill!” (1965) – Directed by Russ Meyer, this film follows a trio of go-go dancers who engage in violent and criminal activities. The film is known for its strong female leads and provocative subject matter.
3. “I Spit on Your Grave” (1978) – Directed by Meir Zarchi, this controversial film follows a young woman who seeks revenge against the men who brutally raped and assaulted her. The film is known for its graphic violence and controversial subject matter.
4. “Cannibal Holocaust” (1980) – Directed by Ruggero Deodato, this infamous film follows a group of documentary filmmakers who are brutally killed by a tribe of cannibals in the Amazon rainforest. The film is known for its extreme violence and realistic-looking special effects.
5. “The Last House on the Left” (1972) – Directed by Wes Craven, this horror film follows a group of teenagers who are brutally attacked and murdered by a group of escaped convicts. The film is known for its graphic violence and disturbing subject matter.

While these films may not be for everyone, they have left an indelible mark on the film industry and continue to be studied and discussed by film scholars and fans alike.