Mic polar patterns are the pattern of directional gain that your microphone will produce when recording sound at different distances from the mic.

They can be used to determine if you have an omni-directional, unidirectional or bidirectional microphone in front of your instrument.

Omni-directional microphones are omnidirectional because they have no pattern to them (theoretically speaking).

They will pick up all sounds equally well from all directions, which is why they’re great for ambience recordings and background vocals.


Microphone Polar Patterns

What are Microphone Polar Patterns?

Microphones can be used in a variety of ways. They are widely used by musicians and sound engineers, as well as in recording studios.

Microphones can be used to pick up sound from a single direction or they can be used to pick up sound from multiple directions.

Microphone polar patterns are the way that a microphone captures audio from a source.

Polar patterns are complex shapes that vary depending on where you’re pointing the microphone, which is why there are so many different types of polar patterns for microphones.

A large portion of the microphone’s performance is determined by its polar pattern and how it responds when you change its orientation.



Unidirectional microphones have a single directionality – they can only pick up sound from one side of the mic, usually from the front. Unidirectional mics are useful for instruments like drums where you want to capture all of their sound equally well in only one direction (usually from behind).

Bidirectional microphones have two polar patterns – one on each side of the mic head/diaphragm – and can record sound equally well from both sides of it. Bids often come in handy when you want to get more depth on guitars and other instruments by using two different mics

What Is A Polar Pattern In Sound Recording?

 A polar pattern is a diagram that shows the direction of sound radiation from a loudspeaker when it is used in a specific application. It’s important to understand the polar pattern of sound recording equipment when recording sound for video and film, because it will help you determine whether your microphone will pick up your voice well enough for use in a particular situation.

Polar Patterns are often described as “vertical” and “horizontal,” but these terms can be misleading because they refer to the direction of sound radiation rather than its pattern. A microphone that has a vertical polar pattern is one that captures sound at 90 degrees to its front surface, while a horizontal microphone picks up sound at 90 degrees to its back surface.

The type of microphone you choose depends on how you want to use it, but there are also some general rules about how microphones work:

Microphones with wide polar patterns are best for capturing vocals in groups and small rooms because they can capture more sound than microphones with narrow polar patterns.


A wide-range condenser microphone such as Shure SM58 or Sennheiser MD421-II Microphone may be appropriate for recording live music events where many instruments are playing at once (such as jazz), while an omnidirectional condenser mic

Microphone Polar Patterns Characteristics

 Microphone polar patterns are the most important feature of a microphone. They determine how well a microphone will pick up sound from your voice or from a singing instrument.

A microphone’s polar pattern is the shape and spacing of its diaphragm, which is the part of the microphone that converts sound waves into an electrical signal. The different polar patterns affect how well you’ll be able to hear yourself, as well as how well you’ll be able to pick up other sounds in your environment, like traffic noise or background music.

When trying out different microphones, it’s helpful to understand these terms:

Cardioid: A cardioid polar pattern has a narrow pickup area and is best used on instruments such as drums or guitar amps where you want to isolate them from other instruments in the room. By putting distance between yourself and your subject, you can dramatically reduce feedback problems caused by loud sounds bouncing off walls or other surfaces.

Omnidirectional: An omnidirectional polar pattern picks up sounds equally well in front and behind the mic, so it’s best for things like vocals or ambient noises where nothing stands out too much from background noise (such as city traffic). It also works very well on drums because

Microphone Types And Polar Patterns

 Microphones have been around for a long time, but they have come a long way in the last few decades. They can now be used to record and play back sounds. In this lesson you will learn about microphone types and polar patterns.

Types of Microphones

There are many different types of microphones available today. Some of these include:

Condenser microphones: These are used when you want to record high-quality audio that is clear and accurate. They are also known as “open” microphones because they do not use any internal parts or circuitry to capture sound. Condenser microphones need an external power source to work, so they are not very portable devices.

Dynamic microphones: These work well when recording live music or other performances where there is background noise present. Dynamic microphones tend to pick up more sound than condenser microphones because they use an internal preamp for amplification.

This allows them to produce better quality recordings without having to be powered by an external power source like condenser mics require.

Phantom power: This is an external voltage supply that is needed by a microphone so it can operate properly. It is often supplied by a separate battery pack that attaches directly to the device’s body via a jack plug (also called XLR).

Mic Polar Patterns — Cardioid

 A cardioid is a somewhat generic term that describes a microphone’s polar pattern in which the response to the sound is most symmetrical about the axis of the microphone. Mic polar patterns are described by how many sides they have (mono, bi-directional, or bidirectional) and how many directions they are symmetrical about.

The most common type of cardioid microphone is one with a single cardioid side. This means that all of the sound coming from behind you will be picked up by your mic, while any other sounds that come from in front or behind you will not be picked up by your mic.

Another common type of cardioid mic is one with 2 cardioid sides. These mics will pick up sounds from both in front and behind you equally well.

The most common type of omnidirectional mic is one with 4 omni sides. These mics will pick up sounds from all directions equally well, but may not be as good at picking up distant sounds due to diffraction (see below).

Cardioid Polar Pattern

 The cardioid polar pattern is often used in condenser microphones, and it is a common type of microphone that you may encounter in studios.

The cardioid polar pattern is characterized by a single pickup at the front of the capsule, and this pickup can be activated or deactivated to create the desired amount of rejection.

This means that the cardioid polar pattern can be used to eliminate unwanted sounds from other directions, such as side spill or back-of-room noise. You can also use it to cancel out speech intelligibility problems caused by vocal fold oscillation.

Because there is no rear pickup on the cardioid microphone, you won’t need any additional processing after recording if you are using an analog recorder. However, if you are using computerized audio recording equipment, then you will need to apply some post-recording processing before exporting your audio files for sharing online or for archiving purposes.

Cardioid Vs. Hypercardioid

 Cardioid and hypercardioid microphones are two different types of directional microphone. Both have a characteristic sound that can be employed to improve your recording.

Cardioid is a more common type of microphone, but it does have some disadvantages. The main disadvantage is that it has a narrower frequency response than hypercardioid microphones. As a result, cardioid microphones tend to pick up more background noise than hypercardioid microphones do.

Hypercardioid microphones are more expensive than cardioids, but they come with a number of advantages that make them worth the extra money. One advantage is that they don’t pick up as much background noise as cardioids do.

Another advantage is that they can focus on sound sources near your mouth or face without picking up sounds from behind you or to your sides as well as they do with cardioids.

Super And Hypercardioid

 Super and hypercardioid microphones are available for most instruments, and they all have a different sound.

The supercardioid microphone is a large diaphragm that can pick up sound from a large area, such as the front of an orchestra. It has a wide frequency response and reduces feedback common in other types of microphones.

The supercardioid is great for recording instruments like drums or guitars, but it’s not suitable for vocals because it does not pick up sound from the lips or mouth very well.

The hypercardioid microphone has a small diaphragm and picks up sound from primarily one direction, typically toward you. It’s often used to record instruments with a lot of volume, like drums, but it can also be useful for vocalists who want to sing into the mic while holding their mouthpiece out of the way (so it doesn’t pick up their lips).

Both types of microphones offer great isolation between different instruments so you don’t get any feedback or bleed over other instruments when recording multiple tracks at once.

Mic Polar Patterns — Omnidirectional

 Omnidirectional polar patterns are the most commonly used type of microphone polar pattern. The mic is designed to pick up sound from all directions, and its omnidirectional pattern is the most common type of polar pattern.

Omnidirectional microphones are usually used in applications where the microphone must be able to pick up sounds from multiple directions at once, such as in an office environment where people speak at different distances from the mic. They can also be used for recording music or speech because they provide natural sound pickup without having to use directional mics.

Omnidirectional microphones don’t have any specific directionality, so they aren’t very useful for picking up sounds that are coming directly toward them or away from them — only sounds that are coming from all directions can be picked up with an omnidirectional microphone.

Omnidirectional Polar Pattern

 The omnidirectional polar pattern is the most common type of antenna pattern. It has a very high gain over a wide area, but can be affected by obstacles in its line of sight. It’s an ideal choice for satellite television, point-to-point radio links, and point-to-multipoint networking.

The omnidirectional antenna pattern has a very high gain over a wide area, but can be affected by obstacles in its line of sight. The antenna’s radiation pattern is not symmetric because it is not shaped like a sphere; instead, it is shaped like an hourglass, with half the area above and half below the horizon.

Most so-called “omnidirectional” antennas are actually dipole antennas that have been rotated in their mount so that their feed point is facing upward at all times. In this case the gain pattern will be a half-wave dipole with nulls at ±30° elevation angle (90° azimuth).

Omnidirectional Vs. Cardioid

 Omnidirectional microphones are designed to pick up sound from all around the microphone. They are used in applications such as talking through a loudspeaker, speech recognition and gaming. Cardioid microphones, on the other hand, have a narrower pickup pattern that focuses on one direction of sound. They are used for recording instruments like guitars or drums where you want to capture only their direct sound.

The main difference between these two types of microphones is that omnidirectional mics can pick up sounds coming from any direction whereas cardioid mics can only pick up sounds coming from one direction.

For example, if you’re recording someone speaking into an omnidirectional microphone while they’re standing in front of a speaker at your desk, it will capture all of their voice regardless of where they are in relation to the microphone.

If they walk away and turn around, you’ll still hear them through the loudspeaker because their voice is still being picked up by your mic! This makes it ideal for applications where you don’t want to miss any important sound that may be happening behind you or above/below you.

Mic Polar Patterns — Bidirectional

A bidirectional mic polar pattern is an auto-record or automatic talkback system that uses two microphones to record and amplify sound from two sources. It’s often used in some types of entertainment venues, such as movie theaters, where there are two speakers on either side of the audience.

The main feature of bidirectional mics is that they can record sound coming from any direction. In some cases, they can also be used as a means of controlling the volume level at which their audio is recorded.

The basic idea behind this type of mic is that it has two separate receivers and one transmitter. This enables it to pick up sounds coming from different directions at once, allowing you to control where each speaker is speaking relative to your location in the room.

Figure-8 Polar Pattern

 Figure-8 polar pattern is used when there are two antennas at the same distance from the transmitter. The signal is sent in a figure-8 pattern around the antenna.

This pattern can be used in wireless networks, where multiple devices are connected. If you want to connect multiple computers or other devices with each other, then this is one of the best ways to do so.

The figure-8 polar pattern is also known as a half-wave dipole and it’s used for transmitting radio signals. A dipole consists of two wires that are equally spaced apart from each other and they have equal length as well. It creates a capacitive coupling between them which makes them act like an antenna when they’re in use.

In this case, we will have an antenna that has two elements connected together at their ends and they’ll be separated by a gap (or gap). So what we’ll do here is make sure that these elements are perpendicular to each other so that we can receive radio waves efficiently without any interference or loss of signal strength.

What Are Microphone Polar Patterns

 Microphone polar patterns are what determine how a microphone will record sound. There are many different types of polar patterns, but they all have certain characteristics that make them unique. The best way to understand how each type of microphone works is to look at their polar pattern.

The most common polar pattern for a microphone is cardioid. It has the shape of an ellipse, with its longest dimension parallel to the axis of rotation.

A cardioid has a very high directivity, so it picks up sounds from all directions equally well. This is why it’s often used as a vocal microphone — singers tend not to move around much while they’re singing, so they’ll be heard through it just fine.

A second common type of polar pattern is hypercardioid (or supercardioid). This one is similar in shape to the cardioid except that its axis points away from the center rather than toward it. In addition, its directivity is much lower than that of a cardioid — it picks up sounds only from about 90 degrees away from itself at any given time!

A third type of microphone is omnidirectional (more commonly known as omni). All sound coming into this mic