The Bloomsbury Group was a group of English writers, intellectuals and artists who lived in the Bloomsbury area of London.
The group formed around University College London (UCL), where they were based at Gower Street.
They were known for their liberal views on sexuality and gender roles, as well as their support for women’s suffrage.
The members included:
Virginia Woolf, an author and publisher,
John Maynard Keynes, an economist,
Lytton Strachey, an essayist and biographer,
Dora Carrington (1893-1932), an artist who married Lytton Strachey after being his mistress for many years,
Duncan Grant (1885-1978), painter and designer who became Dora Carrington’s lover after her marriage ended in divorce.
The Bloomsbury Group’s Early Beginnings
The Bloomsbury Group began in London, England in the early 1900s and continued until World War II.
The group was made up of artists, writers, and intellectuals who shared a common interest in social reform and progressive politics.
Initially, their goal was to create a new kind of art that would reflect modern life rather than traditional artistic conventions.
Over time, however, their focus shifted toward creating an alternative way of living that rejected traditional social norms such as marriage or religion–what we now call bohemianism.
The Bloomsbury Group’s Influence on Art
The Bloomsbury Group’s influence on art is evident in many ways.
The artists of this movement were influenced by Impressionism, which was a style that emphasized natural light and color.
They also drew inspiration from Post-Impressionism, which used more realistic painting techniques to depict everyday life.
The major influences on the Bloomsbury Group’s art includes John Singer Sargent (1856-1925). Sargent was an American painter known for his portraits of society figures and scenes from European life.
He was also one of America’s first modernist painters because he experimented with new styles such as impressionism and post-impressionism before returning to realism later in his career.
The Bloomsbury Group’s Legacy
The Bloomsbury Group’s legacy is one of influence and inspiration.
Though their art movement was short-lived, it had a lasting impact on the world of art.
The lessons we can learn from this group are many:
Be open to new ideas and ways of thinking,
Take risks in your work and life,
Don’t be afraid to stand out from the crowd.
The Bloomsbury Group’s Impact on Literature
The Bloomsbury Group’s impact on literature was enormous, and it can be seen in the works of many modern writers.
In fact, many have noted that the group’s influence can be seen in much of 20th century literature.
The major literary works of the Bloomsbury Group include:
Virginia Woolf’s novel A Room of One’s Own (1929),
E.M. Forster’s novels Howards End (1910) and A Passage to India (1924),
Lytton Strachey’s biographies Elizabeth and Essex: A Tragic History (1928), Queen Victoria:
A Portrait (1921),
Thomas Arnold – Headmaster Of Rugby School And His Sons Matthew Arnold And William Butler Yeats Who were influenced by him in their early years at Rugby school.
The Bloomsbury Group’s Influence on Society
The Bloomsbury Group was a social and artistic movement that emerged in the early 20th century.
It was centered around a group of intellectuals who lived in London’s Bloomsbury neighborhood, including Virginia Woolf and E. M. Forster.
The movement had a major impact on British culture, influencing everything from art to politics to literature–and continues to influence us today!
The major political issue facing Britain at this time was World War I (1914-1918).
Many members of the Bloomsbury Group were pacifists who opposed war;
some even went so far as joining the Socialist Party or founding their own publications (like Woolf’s Hogarth Press).
Their views helped inspire future generations’ opposition toward war and imperialism–for example:
Martin Luther King Jr.
‘s nonviolent protest tactics were inspired by Mohandas Gandhi’s use of nonviolence against British rule during India’s struggle for independence
The Bloomsbury Group’s Impact on the Arts
The Bloomsbury Group was a collection of writers and artists who lived in London during the first half of the 20th century.
They were known for their progressive views on sexuality, politics and art.
The group included Virginia Woolf, E M Forster and John Maynard Keynes among others.
The Bloomsbury Group’s major contribution to modern art was through its members’ writings about culture as well as their own work which challenged traditional ideas about painting and sculpture.
Some members also worked in other media such as photography or film making which helped spread their influence far beyond literary circles alone!
The Bloomsbury Group’s Influence on Philosophy
The Bloomsbury Group’s influence on philosophy was significant.
The group’s ideas were largely informed by the work of G.E. Moore, who argued that some things are simply good or bad, without regard for their consequences or any other factors.
This idea – that there is an objective moral standard – was an important step toward modern ethical theory.
The Bloomsbury Group also influenced later generations through its focus on art and literature as sources of meaning in life, rather than religion or science (or both).
This trend has continued into our own time:
many contemporary philosophers have argued that we should be less concerned with scientific facts and more focused on human experience as a whole
Bloomsbury Group Artists – Wrap Up
The Bloomsbury Group is a collection of artists who came together in London in the early 1900s. They were interested in art and literature, but also had a strong social conscience.
Their work was influenced by the Romanticism movement that had come before them, which focused on nature and emotion rather than reason or logic.
The artists of this group were known for their innovative approaches to both painting and writing;
they often used unusual materials like sandpaper or wax to create texture on canvas, while also experimenting with different types of media such as photography or collage.
The movement also helped establish some modernist trends that we still see today–for example, it was during this era when artists began using abstract shapes instead of realistic images (i.e., Picasso’s cubism).