Fluxus was a movement in the 1960s and 1970s that aimed to change how artists work. It combined a number of different techniques, including artists working together with ideas from many different disciplines such as philosophy and art history.

Its aim was to create a new type of art that would be both radical and accessible.


What is Fluxus

What is Fluxus?

Fluxus is an art movement that emerged in the 1950s, which sought to change contemporary art. It originated in Germany, and came to prominence in the United States. Fluxus artists played with words, sounds, objects and concepts.

The term fluxus more or less means “changeable.” In 1957, Willi Baumeister used it as a name for his new art movement.

Fluxus artists rejected traditional conceptions of beauty and tried to make their work seem spontaneous instead of planned or conventional.

They also thought that art should serve its audience directly rather than being used for propaganda purposes or other purposes outside its own proper context.



What Is Fluxus?

Fluxus was born in Germany in 1962 when some artists began to collaborate on projects that were not just about making art but also about experimenting with new ways of communicating and creating meaning.

Their aim was to create art that was personal and immediate, but also had a political dimension.

The first Fluxus exhibition took place at the Whitechapel Gallery in London in 1963 with artists including George Maciunas, Nam June Paik, and Marian Zazeela.

The show presented works that combined painting, sculpture, performance art, and music into one space. Some of these pieces featured images from comics or cartoons while others used objects such as rope or clothing as part of their work.

Fluxus Characteristics

 Fluxus was a group of artists, composers and performers who were active in New York City from the early 1960s to the mid-1970s. Formed by George Maciunas in the 1950s, it has been described as the first international art movement of the 20th century.

It is also known as “avant garde”, “dada”, or “New York Dada”.

Fluxus’s creators sought to expand traditional artistic media and to make works that were not bound to conventional aesthetic or intellectual constraints. Their work featured contrasts between familiar objects, styles and forms and ones that were considered outrageous or ridiculous by many people at the time.

The Fluxus founders wanted their art to be accessible to all people and for it to provoke conversation about their own lives. They also believed that art should be both functional and beautiful.

In order for Fluxus art to resonate with an audience, Fluxus artists often used common objects such as bottle caps, chewing gum, old sneakers, potato chips and even kitchen sponges as “found objects” in their work. These objects were used as models for other works that were created out of them by manipulating them in various ways – creating new forms out of them

Fluxus Art Movement

 The Fluxus Art Movement was an international art movement that began in the 1960s and lasted until the early 1970s. It was founded by artist George Maciunas, who sought to make art available to the public at large and rejected traditional notions of high and low art, as well as any distinction between fine art and craft.

The word “Fluxus” is derived from “Fluid” (i.e., liquid or liquidlike), as in “fluid living”, referring to the idea that an artwork should be able to change its shape or form in accordance with the viewer’s perception of it.

This is an important concept for Fluxus artists, who wanted their works to be experienced differently by each new viewer. Fluxus artists also did not consider themselves artists but rather as “creators”.

Fluxus was created by George Maciunas in Germany and then spread to America where he lived for several years before returning to Europe where he died in 1969. In America it grew out of a group of New York artists including John Cage, Yoko Ono, and Nam June Paik.

Fluxus Art Movement – Historical Context

 The Fluxus Art Movement was a group of artists, musicians, and designers who rejected the conventions of art in their time and instead pursued a new direction. The movement is known for its radical approach to artmaking, which they saw as an extension of everyday life.

The term Fluxus was coined by George Maciunas in 1961 to describe his idea of non-artistic creative activity that would take place in an environment other than the traditional gallery space. The movement sought to create a dialogue between artists, performers and audiences through the use of unconventional materials like food, clothing and everyday objects.

Fluxus artists believed that art should be accessible to everyone, not just those with money or access to galleries; this led them to work with many different media including sculpture, sound recording, photography and performance art.

These ideas influenced many later movements including Happenings and Happening-related works such as Performance Art Event Conceptual Art Land Art Land Art Movement Video Art Video Performance Video Performance Event Conceptual Art Movement Conceptual Art Land Art Land Art Movement Conceptualism Conceptualism Movement Conceptualism V

Fluxus Artists

 The Fluxus movement was a collection of artists, writers and musicians who used chance operations and unconventional methods in their work. It is characterized by the use of everyday materials in an experimental manner.

Fluxus artists include:

George Maciunas (1912 – 1961) – George Maciunas was a Lithuanian-American artist who lived in New York City from 1944 until his death in 1961. He was a founding member of Fluxus as well as an important figure in the development of conceptual art.

Wolf Vostell – Wolf Vostell was an artist who worked primarily with film and performance art during the 1960s. His work was often political or satirical and he has been described as one of the most important figures in 20th century German art.

Dick Higgins (1937 – ) – Dick Higgins’ early work explored themes such as entropy, entropy, entropy and entropy. In later years his artwork became more conceptual and his style more sculptural as he moved away from pure abstraction.

Notable Fluxus Figures

 The Fluxus movement was a late 20th-century art movement that arose in reaction against what its founders saw as the rigid and conservative artistic practices of the 1950s.

The Fluxus movement was an attempt to recapture some of the original vitality and freedom of Dada and Surrealism, while at the same time questioning their premises and methods. In particular it sought to develop a more personal approach to art, one which incorporated social and political concerns into its practice.

Fluxus artists were influenced by many other contemporary artists, including Marcel Duchamp (who coined the name Fluxus), John Cage, Yoko Ono, John Lennon, Dadaist Kurt Schwitters and Nam June Paik.

Fluxus artists were also influenced by German experimental filmmaker Hans Richter and his work Cinéma Pur (1925). Some critics see Fluxus as an extension of Dada or Surrealism; others see it as a self-consciously modernist movement that drew upon ideas from all over art history.

“Water Walk” – A Performance Piece By John Cage – Examples Of Fluxus Art

 John Cage’s composition “Water Walk” is an example of neo-traditionalist art. The music is a simple melody that repeats over and over, slowly becoming more complicated and complex. This piece is one of the earliest examples of experimental music and has been a part of the Fluxus movement since its inception.

The audience was given no instructions or directions when they entered the performance space, but were given a specific location on stage to stand at, which contained a water fountain.

They were then told they could walk anywhere they wanted within this zone, but not cross into another zone unless told to do so by an artist in the performance.

Cage used this area for improvisation, inviting the audience to explore their own sense of direction and freedom with their actions throughout the piece.


George: The Story Of George Maciunas And Fluxus  – Examples Of Fluxus Art

 George Maciunas is one of the most influential artists in the history of art. He was a pioneer who created new artistic ideas and concepts that were completely different from those used by other artists in the past. He was a member of a group called Fluxus, which stands for “Fluid Formations in Non-Aesthetic Art.”

This group was started by George’s wife, Marianne von Werefkin, and included many other talented artists such as Nam June Paik, Joseph Kosuth, John Cage and Yoko Ono.

George Maciunas was born on November 8th, 1917 in Poland. When he was young, his family moved to Germany where he lived with his grandparents until they died when he was 14 years old. Then he moved back to Poland where he attended school until his family moved again to America when he was 18 years old.

George’s mother died when he was 20 years old and his father remarried soon after that leaving George alone with his stepmother who gave him very little love or affection because she could not stand Polish people so she made sure that George never got any love or attention from her or anyone else for that matter.

A Performance Of John Cage’s 4’33  – Examples Of Fluxus Art

 John Cage’s 4’33  is a classic work of art that features the composer creating silence. The work was created in 1952, but it has since become a staple of modern art and music.

It has been performed in various forms by many different artists and musicians, including David Tudor, who created his own version of it for the 2015 Modern Art Oxford exhibition.

The piece is a series of instructions for performers to follow. There are no musical notes or sounds, only instructions on how to play their instruments and what not to do. The instructions are simple:

Stop playing completely for four minutes and 33 seconds

Play your instrument as if you were playing for an audience during this time period (or just listen to the sounds around you)

After four minutes and 33 seconds have passed, stop playing again

Cut Piece By Yoko Ono – Examples Of Fluxus Art

 Yoko Ono is one of the most important artists in the history of art. She is known for her work on Fluxus, which is a group of experimental artists in the 1960s. Although she has been a part of this group for many years, she only began to gain recognition after her husband John Lennon was shot and killed in 1980.

Yoko Ono’s work is known for its use of different mediums such as music, photography, textiles and performance art. She also did not always use these mediums together but rather used them separately to create something new.

In fact, some people consider her artwork to be more like performance art because it involves an audience that can participate by making noise or reacting to what they are seeing on stage.

Examples Of Fluxus Art

Although Yoko Ono may not have started out as an artist who would go on to create Fluxus art, she did start out as a painter before moving onto other forms of expression like performance art and music.

What Is Fluxus In Art – Wrap Up

 Fluxus is a group of artists and composers who created a new art form during the 1960s. They were influenced by Dadaism, but they also incorporated other ideas from the 1950s and 1960s.

Fluxus artists included George Maciunas, Nam June Paik, John Cage, Merce Cunningham and Allan Kaprow. Their work ranged from performance art to painting, sculpture, photography and film.

The Fluxus movement started in 1962 when George Maciunas invited Nam June Paik to participate in an exhibition at his Gallery Dada in Cologne. Nam June Paik was an artist who used electronic media such as television and film to create unusual images.

He believed that these new technologies would help him create new forms of art that were more interesting than traditional painting or sculpture.

George Maciunas invited Nam June Paik to participate in an exhibition at his Gallery Dada in Cologne. Nam June Paik was an artist who used electronic media such as television and film to create unusual images.

He believed that these new technologies would help him create new forms of art that were more interesting than traditional painting or sculpture.

George Maciunas invited Nam June Paik to participate in an exhibition at his Gallery Dada in