The Independent Group Art Movement was a group of artists who were interested in the ideas of modernism, but not necessarily the style.

They were interested in exploring new ways to express themselves and their art.

The origins of this movement can be traced back to Great Britain, where it first started during World War II when many artists were forced to leave London because of German bombings.

The artists moved out into rural areas where they could continue their work without being disturbed by war or other factors that would hinder their creativity.

The 1950s And The Formation Of The Independent Group

The 1950s were a time of great change in Britain.

The country had just emerged from World War II, and London was still rebuilding itself after being bombed by the Germans.

The political climate was also changing:

Winston Churchill stepped down as Prime Minister in 1955, and Queen Elizabeth II came to power two years later.

In this new era, many artists were looking to move beyond traditional ideas about art and explore new ways of creating it–and these artists formed what would become known as the Independent Group (IG).

The IG was founded by artists who wanted to explore contemporary issues through their work; they wanted their artworks not only to be aesthetically pleasing but also relevant and meaningful for people living in Britain at the time.

Many members were influenced by European movements like Fauvism and Cubism;

however, they felt that these movements didn’t go far enough in challenging traditional notions of how paintings should look like or how they should be made–so instead they created new styles themselves!

The Independent Group’s Impact On Modern Art

The IG’s impact on modern art was immense.

The group’s use of popular culture, its embrace of technology, and its rejection of traditional artistic materials all helped to shape the way that artists worked in the 20th century.

The Independent Group’s Impact On Pop Art

The IG’s impact on Pop Art was significant.

The IG used everyday objects in their work, which is a technique that would be taken up by pop artists.


They also incorporated consumer culture into their art, which is another way that the two movements were similar.

The IG’s Impact on the Conceptual Art Movement

The Independent Group played an important role in the development of conceptual art.

The IG was formed in 1949 and included artists such as Richard Hamilton, Lawrence Alloway and Eduardo Paolozzi.

They were interested in exploring ideas about what constitutes art, including its definition and whether it should be considered as an object or simply an idea.

They also examined how artists’ roles have changed over time – from being craftsmen producing objects for others to becoming more involved with society at large through their work.

The IG’s Impact on Performance Art

The IG’s focus on interactive works and its exploration of the relationship between art and the audience had a major impact on performance art.

Performance artists often use their own bodies as instruments to create their work, but they also engage with their audiences in other ways:

through games or rituals.

For example, or by inviting them to participate in some way (by dancing or painting).

The IG was interested in exploring these kinds of interactions as well.

The Independent Group’s Impact On Installation Art

The IG’s impact on Installation art can be seen in the use of interactive and immersive environments, as well as its exploration of the relationship between art and space.

These elements are present in many works by artists who were part of the Independent Group.

In his piece “Bubble City”, James Turrell created an immersive environment where participants could walk through a maze made up of small rooms filled with colored light that changed depending on where you stood inside it.


The experience was meant to make you feel like you were walking through an alien world filled with strange creatures who had no eyes but could still see you perfectly well because they used their ears instead (a phenomenon called echolocation).

This piece was meant to evoke feelings of uncertainty about your surroundings–you didn’t know what would happen next or if anything dangerous might be lurking behind those walls!

The Independent Group’s Impact On Postmodern Art

The IG’s impact on postmodern art was significant.

The group used irony and parody to challenge the accepted notion of what constituted “art,” and its exploration of the relationship between art and culture was groundbreaking.

In addition, many artists in this period were influenced by Duchamp’s readymades–objects that had been mass-produced but were designated as art by their creator (and sometimes even signed with his name).

This concept encouraged artists to question traditional definitions of what constitutes an object worthy of being considered as a work of art.

The Legacy of the Independent Group

The legacy of the Independent Group is still being felt today.


It has influenced contemporary art and its impact on the art world today.

The Independent Group was an important part of British culture in the 1940s, 1950s, and 1960s.

The group’s goal was to bring together artists from different disciplines who shared a common interest in breaking down traditional artistic boundaries between disciplines like painting and sculpture or between fine arts and crafts.

They wanted to create a new kind of art that reflected their time period by incorporating elements from everyday life into their work such as advertising posters or magazine pages cut up into collages on canvas boards instead of traditional paint brushes used by most painters at that time period

Independent Group – Wrap Up

The Independent Group was a group of artists and intellectuals who gathered together in order to discuss and debate the future of art.

They were influenced by the Bauhaus school, which had been closed down by the Nazis in 1933.

The group’s members included some of Britain’s most important artists, including Richard Hamilton (who coined the term “pop art”), Eduardo Paolozzi and William Coldstream.

They wanted to create an independent platform where artists could discuss their ideas about modernism without being constrained by traditional institutions such as galleries or museums.

The Independent Group held exhibitions throughout its existence from 1946-1956;

these featured works by many famous British artists such as David Hockney and Allen Jones but also lesser-known names such as Terry Frost