Neo-Dada is an art movement that emerged in the 1950s and 1960s.

The term “neo-Dada” was first used by Marcel Duchamp to describe his own work in 1954, but it wasn’t until 1962 that it became widely used to describe artists who were inspired by Dadaism but wanted to move beyond its limitations.

The movement grew out of a desire for change within the art world, which had become stagnant after World War II.

Artists wanted new ideas and ways of thinking about their work – they wanted their art to be more than just pretty pictures on canvas or sculptures made out of metal or stone; they wanted it to be meaningful too!

Origins of Neo-Dada

Neo-Dada is a movement that began in the 1950s, and it’s still going strong today.

It grew out of Dadaism, which was an earlier art movement that focused on challenging conventional thinking and creating new ways of looking at things.

The history of Neo-Dada begins with Marcel Duchamp (1887-1968), who was one of the most influential artists in 20th century art history.

He was born in France but moved to New York City when he was 30 years old;

there he became part of an artistic community called The Armory Show that included many other famous painters like Pablo Picasso and Henri Matisse.

In 1917 he created his most famous piece:

Fountain – a porcelain urinal signed “R Mutt.

” This piecee shocked people because it didn’t look like anything they’d ever seen before!

But even though some people loved it while others hated it, everyone agreed that this wasn’t just any ordinary toilet bowl–it was art!

Neo-Dada In Contemporary Art

Neo-Dada emerged as a reaction to the repetitive nature of Minimalism, which was becoming increasingly popular in America during the 1960s.

It was also a response to Pop Art’s focus on consumer culture, and Abstract Expressionism’s emphasis on personal expression.

The movement borrowed elements from Dada but also incorporated aspects of Surrealism and Pop Art into its work.


Neo-Dada artists often used found objects or everyday materials such as newspapers, magazines and cardboard boxes in their work because they were interested in exploring how these materials could be transformed into artworks through their use of chance operations (methods used by Dadaists) or repetition (a technique favored by Minimalists).

They also borrowed ideas from other movements such as Surrealism by using dream imagery in their paintings;

this allowed them freedom when creating pieces since there were no rules governing what could be represented within them!

Neo-Dada Art – Wrap Up

Neo-Dada is a movement that began in the 1950s and continues today.

It’s characterized by an emphasis on chance, spontaneity, and improvisation.

The movement was influenced by Dadaism and Surrealism, but it also drew inspiration from Abstract Expressionism and Pop Art.

Neo-Dada artists include Jasper Johns (who created “Flag” in 1954), Robert Rauschenberg (who produced “Erased De Kooning Drawing” in 1953) and Andy Warhol (who made “Campbell’s Soup Cans” in 1962).

These artists all used everyday objects as their subject matter–for example:

flags; erased drawings; soup cans–and combined them with traditional painting techniques such as collage or brushwork to create works that were both humorous yet thought-provoking at the same time.

The impact of Neo-Dada has been felt throughout history since its inception; however there remains debate over whether its influence will continue into future generations of artists who may choose not follow these methods when creating their own pieces of art.”