Vorticism was an art movement that flourished in England between 1914 and 1918, which rejected the past and celebrated modernity.

The term “vorticism” was coined by Ezra Pound in his 1913 poem “Vortex”.

The Vorticists were influenced by Cubism, Futurism, Expressionism and Imagism.

They wanted to create a new type of art that would capture all of life’s energy in one moment in time through bold lines and vibrant colours.

They worked together as a group on several projects including exhibitions at the Dorchester Hotel (1914), The Sackville Gallery (1915) and The Grafton Galleries (1916).

Their most famous work includes:

  • Paintings by Wyndham Lewis called Totes Meer (Dead Sea) which depicts an apocalyptic scene with people drowning in water while being attacked by sharks,
  • Jacob Epstein’s Rock Drill which shows workers drilling into rock,
  • William Roberts’ paintings showing steelworkers at work,
  • David Bomberg’s paintings of dockers loading cargo onto ships – these works are now displayed at Tate Britain gallery.

History of Vorticism

Vorticism was an artistic movement that originated in Britain and flourished between 1914 and 1918.

It was a reaction against Cubism, Futurism and other contemporary movements, which were seen as too abstract or intellectualized.

The word “vorticism” comes from the Latin word “vortex”, meaning whirlpool or vortex;

thus the name implies that these artists were attempting to create paintings that resembled swirling currents of water rather than static forms like cubes or spheres.

Vorticism was an international movement with its center being located in London but also including artists working in Paris (France), New York City (USA) and Berlin (Germany).

Vorticist Aesthetics

Vorticism was a short-lived art movement that flourished in England between 1914 and 1918. The word “vorticism” comes from the Latin word for vortex, which refers to a whirling mass of water or air.

It was coined by Ezra Pound and Wyndham Lewis, two of its main proponents who believed that art should imitate life by capturing its energy, dynamism and power through bold shapes and lines.

Vorticist aesthetics focused on abstracting objects into their basic geometric forms while also portraying them as dynamic forces in motion–something you can see clearly in paintings such as Jacob Epstein’s Rock Drill (1914) or David Bomberg’s The Mud Bath (1915).

Major Works of Vorticism

Vorticism is a modernist movement that emerged in England in the early 20th century.

It was inspired by Cubism, Futurism and Expressionism and sought to achieve a more dynamic style of art than what had been produced during the Victorian era.

The movement’s most famous works include paintings by Wyndham Lewis and sculptures by Jacob Epstein;

however, there are also many drawings associated with vorticism that were created by artists such as David Bomberg and Helen Saunders.

Vorticism and the Avant-Garde

Vorticism was an experimental art movement that emerged in Britain at the beginning of World War I.

It was part of what is called the Avant-Garde, which means “advance guard,” or those who are ahead of their time.
Vorticism was influenced by Cubism, Futurism and Expressionism.

The main idea behind Vorticism was to use geometric shapes to create abstract paintings with bold colors that reflected speed and movement.

Artists such as Henri Gaudier-Brzeska, Jacob Epstein and David Bomberg were all involved in this movement because they wanted their work to reflect modern life rather than traditional art forms like portraits or landscapes

The Decline of Vorticism

Vorticism was a short-lived art movement that lasted from 1914 to 1918.

It was founded by Ezra Pound, who wrote the Vorticist manifesto and edited its journal Blast.

He was joined by artists like Wyndham Lewis and Henri Gaudier-Brzeska.

The movement was based on the idea of creating an idealized version of reality through abstraction, which they called “vortex.”
The decline of Vorticism began when Wyndham Lewis left England for France with his new wife in 1920;

he never returned to England again after this point and so could no longer participate in British artistic life as he had before (he also stopped writing).

Henri Gaudier-Brzeska died during World War I;

without him there were no more male members left in the group besides Pound himself and even though he continued working on projects related to vorticism after these deaths occurred (such as editing another issue of Blast).

Vorticism in Popular Culture

Vorticism was an art movement that flourished from 1914 to 1918, led by the poet/art critic Ezra Pound and painter/writer Wyndham Lewis.

It had a strong influence on modernism in literature and visual art, as well as on music and film.
The term Vorticism was coined by Pound in July 1914, when he wrote an article for Harriet Monroe’s Chicago magazine Poetry entitled “A Retrospect” (meaning “a look back”).

In this article, he used the word “vortex”–meaning whirlpool or maelstrom–to describe what he saw as a new movement in art that would revolutionize society:

“Let us find out what it is that moves us; let us see how we feel when we are really alive…Let us discover our own rhythm.”

Notable Vorticists

Vorticism was a British art movement that flourished from 1914 to 1918. It was founded by the poet and critic Ezra Pound, who published an anthology called Blast: A Review of the Great English Vortex in 1914.

The movement’s name comes from the Greek word “vortex,” which means whirlpool or spiral.
Vorticism had two main phases: prewar and postwar.

The prewar phase lasted until 1915, when it began to fall apart due to internal conflicts within its ranks – this group is sometimes referred to as “Early Vorticists.

The postwar phase lasted until 1919 and featured more fluidity than its predecessor;

this group is known as “Later Vorticists.

Vorticism and Modern Art

Vorticism was a short-lived, but influential art movement.


It began in England in 1914, when a group of artists who called themselves Vorticists formed an association and published a journal called BLAST (British Vorticist).

The word “vortex” refers to the whirling motion of water or wind around an axis (like the center of a tornado), which they used as an analogy for their own swirling style of painting and sculpture.

The group’s goal was to create an entirely new kind of art that would express the dynamism and energy of modern life;

they wanted to break away from what they saw as old-fashioned traditions like realism or naturalism.

Vorticism had its heyday during World War I – after that time interest in it faded until it was revived by critics such as Lawrence Alloway in 1952, who helped bring about a resurgence in interest among artists working during this period