Cinema da Boca do Lixo was a Brazilian film movement of the 1980s which included a number of directors and other artists.

Perhaps the most notable aspect of this movement was the method by which it was created.

The director Jorge Durán, who worked with the Municipal Theater in Rio de Janeiro, had access to the theater’s rehearsal rooms when they were not in use.

Thus, he and his friends were able to use these rooms to create their films.

This movement was very influential in Brazilian cinema and helped pave the way for a number of directors and actors including Walter Salles (Central Station) and José Padilha (Elite Squad).

Let’s take a look.


Cinema da Boca do Lixo

What Is Cinema da Boca do Lixo?

Cinema Da Boca Do Lixo is a type of Brazilian art house film from the 1980s. It is similar to the American exploitation films of the 1970s.

The name means “trash mouth cinema” in Portuguese.

The films are notable for their low budgets and for being highly violent. The most popular director of this genre was Jose Mojica Marins.

Similar to American exploitation and sleaze films of the 1970s, films of the Da Boca Do Lixo movement were exploitative and often considered B movies. They were also filled with lots of violence and erotic scenes.



What Is Cinema Da Boca Do Lixo?

The Portuguese phrase cinema da boca do lixo — literally, “mouth of the trash cinema” — refers to a genre of film that emerged in Brazil during the early 1960s. It was an era when the country’s government was run by military dictators, and the political climate was incredibly repressive.

Many of these films were incredibly cheap to make, as their titles suggest: O Desafio Das Mulheres [The Women’s Challenge], O Cafona [The Fool], Viva Maria! and so on.

Because they were made under such repressive conditions, they often had subversive themes.

The plots usually centered around women, who were often predatory figures or avenging angels. Frequently, women would band together to fight off evil men.

The Brazilian cinema has been subjected to many changes during its history, from a lack of access to film schools, to censorship.

The most recent change was the creation of the Cinematic Institute in 1992, which was created by President Fernando Collor de Mello and his government.

It was the first time in Brazilian history that the government had officially recognized these types of films and their importance for Brazilians.


History Of Cinema Da Boca Do Lixo

History of Cinema is an independent film collective based in Belo Horizonte, Minas Gerais, Brazil. The group was founded in 2004 by a group of six students from the Universidade Federal de Minas Gerais.

They began by documenting their independent film production and distribution efforts on a daily basis, giving rise to a YouTube channel called HistoryOfCinemaTV (now HistoryOfCinema). In 2008 they won the Short Film Palme d’Or at the Cannes Film Festival with their short film Criatura.

In 2009 they gave a TEDx talk about how digital technology was changing the way independent films were made.History Of Cinema is one of the most successful examples of an independent film collective in Brazil that has gained international notoriety.

The collective has produced dozens of feature films, hundreds of short films and music videos and more than 3,000 documentary episodes via its vlogs which can be viewed on YouTube or their own website.History Of Cinema has received worldwide recognition for their work as vloggers.

Their work has been featured in The New York Times, Wired Magazine, Variety Magazine and Rolling Stone Magazine among other publications. In addition to having coverage in international media outlets, History Of Cinema has also been invited to participate.

Essential Filmmakers Of Cinema Da Boca Do Lixo

The title of this post is quite the mouthful, but the film it references is just as difficult to say. If you haven’t seen Cinema da Boca do Lixo, a documentary that showed at the New York Film Festival in 2012, it’s worth seeking out.

The film focuses on a group of film students in Brazil who go by the name “Boca de Lixo” or “Mouth of Trash.” It shows their creative process and gives an overview of the contemporary film scene in Brazil.

Truly inspiring, especially for those of us who are just starting out with filming and editing. The following quote from Monica Ramos sums up why I’m so inspired by these artists:

“I think artivism has become really important for us because we’re living in a kind of dictatorship of numbers and figures these days… That’s why I think it’s so important to have artistic practices that can make people see beyond that. People can ask themselves how artists are making work today, and how they are able to express themselves.”

Before they came together as a group, each student worked individually. Mônica Ramos made a documentary about a morgue worker who was burned on the job and was unable to afford plastic surgery as a result.

Essential Films Of Cinema Da Boca Do Lixo

The Cinema da Boca do Lixo festival was first held in 2005. This event is held every two years and brings together the best of Brazilian independent film.

It is the largest in Latin America, the third in the world, after the festivals of Sundance and Berlin.

The festival is a forum for debating issues related to culture and citizenship, in particular from the popular culture point of view. The Cinema da Boca do Lixo has the character of a movement that seeks to reclaim public space for those who have been excluded from it.

It is an endeavor for the emergence of new audiences, new ways of interpreting and experiencing cinema, new forms of distribution, promotion and exhibition. In this sense, it can be considered a laboratory for socio-cultural innovation through cinema.

To promote new directors, producers and distributors linked to social movements and alternative cultural practices, the Cinema da Boca do Lixo offers an annual award to its participants.The award is called “Amostra Golden Garbage” (the name comes from one of Fellini’s films) and consists in a distribution of 100 thousand reals (about 50 thousand dollars).

This prize has been given since 2003 to another director every two years.

Importance Of Cinema Da Boca Do Lixo

Convincing customers to buy a product is crucial for any business. However, it’s not easy to convince them if the sales process is too long and complicated. It’s more likely that they’ll get bored and eventually leave.

Besides, there are many alternatives to your products, so what will make them decide on your business? This will prevent customers from buying your products.Cinema da boca do lixo (mouth of the trash cinema) is a kind of entertainment that has become very popular in Brazil lately.

It consists on showing people doing things related to trash or that are ridiculous or stupid in some way. In this way, you can attract the attention of viewers by using humor, which will make them feel more comfortable with their environment and finally help you achieve your goal: getting them interested in your product.

The origins of cinema da boca do lixo are found in demonstrations of contempt towards people who don’t behave properly or who are considered stupid by others.The term itself was used first by street vendors in Rio de Janeiro, but was later adapted by journalists and marketing agents looking for new ways to promote their brands and products.

As such, cinema da boca do lixo became a trending form of entertainment for internet users around.

Cinema Da Boca Do Lixo Theory

Cinema da Boca do Lixo is a Brazilian film movement that emerged in the late 1970s, led by Glauber Rocha. The films of this movement were known for their political and social messages and also because they were made with very low budgets, often with non-professional actors.

In Brazil, Cinema da Boca do Lixo was mainly known as Cine Marginal (Marginal Cinema). The movement had its heyday in the 1960s to 1980s.

The films of Cinema Da Boca Do Lixo have a great deal in common with Italian Neorealism. They are usually shot with non-professional actors and contain social or political themes.

Many are set in marginal neighborhoods of cities or rural areas.Rocha’s theory of marginality was meant to describe a social condition, not an artistic style.

The filmmaker defended the use of amateur actors, who he felt had personalities that hadn’t been corrupted by society, as well as natural settings to be able to capture real life. He felt that the film should reflect the realities of Latin America; poverty, violence, inequality and injustice.

The style of Cinema da Boca do Lixo is characterized by the documentary-style filming techniques which were used in most movies.

The End Of Cinema Da Boca Do Lixo

The End Of Cinema Da Boca Do Lixo, First, I want to thank for your patience. Today, I will finally discuss a subject that has been on my mind and that I announced in the previous post.

The subject is Cinema da Boca do Lixo (Garbage Mouth Cinema), which is a Brazilian independent cinema movement created in the late 1990s by a group of filmmakers who wanted to take advantage of the new possibilities offered by the digital revolution.

The movement was born with the intention of making films out of what we call “pós-modern garbage” (pós-modern garbage = the material that comes out of an empty head). That is, things that others consider useless or refuse material such as images and sounds that are not used for advertising, TV programs, etc..

A lot of people think about garbage as being something ugly and disgusting but for us it´s exactly the opposite: we think that garbage can be beautiful if you take it out from its context and from what people usually do with it.The first time someone called our work garbage cinema was during the screening of our first film Kinky Geri in 2001 at a festival in Caxias do Sul called FESTIVAL DO JEITO QUE.

Cinema Da Boca Do Lixo – Wrapping Up

A few months back I wrote an article on Cinema da Boca do Lixo (Cinema from the mouth of the trash) in Vila Madalena, a neighborhood in São Paulo. The neighborhood lives off its own trash, recycling everything and turning it into art.

Described by many as a paradise for artists, musicians and bohemian types, Vila Madalena is one of the most popular neighborhoods in the city of São Paulo. It is also one of the hippest places to live and visit in Brazil.

With its old-fashioned charm, characteristic bars and restaurants, vintage shops, street art and street performers; Vila Madalena is a must-see district in São Paulo.

This weekend I explored some of the last parts of the neighborhood that still have not been gentrified or developed. What I found was an area near the metrô (subway station) that was completely full of garbage piling up on itself day after day with no action being taken to clean it up.

I decided to see what I could find there and stumbled upon a few gems: old movie posters, newspapers, magazines and records all mixed together with plastic bottles, paper boxes and other garbage. 

Ready to learn about some other Film Movements or Film History?