Mumblecore is a style of filmmaking that focuses on the mundane and unglamorous aspects of life. It is a movement in the American independent film scene, which started around 2004.

The mumblecore genre consists mainly of low-budget films with amateur actors who improvise their dialogue, as opposed to scripted dialogue.

 

MUMBLECORE

What Is Mumblecore?

Mumblecore is a cinema subgenre that focuses on low-budget, naturalistic films. Mumblecore movies are usually filmed in lo-fi digital video with improvised dialogue and plotlines.

The name “mumblecore” is derived from the word “murmur.” Murmurs or mumbles are the indistinct words and phrases used by actors in these types of movies to convey character emotions.

 

 

What Is Mumblecore?

Mumblecore is a genre of independent film that originated with the inclusion of films like “The Puffy Chair” in 2005.

These movies are character-driven and often intimate, while also usually being low budget.

They were made to give people an alternative to mainstream Hollywood cinema. The name comes from the term “mumbling” which means indistinct speech or nonsense words typically uttered by children.

Mumblecore films are a genre of independent film that typically emphasize naturalistic and low-budget filmmaking.

Typically, these movies have minimal production values with amateur actors, no major stars, limited sets, and crew.

The term mumblecore is sometimes used for this subgenre which often features violence in a realistic fashion with dialogue portrayed as realistically as possible without the use of voice-over or explanatory text.

These films are usually shot in either 16mm or digital video formats. These films usually do not contain major stars or plots; instead, they often feature small casts in familiar locations like apartments and coffee shops.

Mumblecore Definition

Mumblecore is a film genre characterized by low-budget, naturalistic acting styles, and dialogue. It typically features amateur actors and relies on improvised scenes that are shot with hand-held cameras.

The word “mumblecore” was coined in 2004 as an insult by film critic Nathan Rabin, who applied it to comedy films like those of the Duplass brothers but has subsequently been reclaimed by its proponents.

Mumblecore films are indie movies that typically have no more than a few characters in them, and they usually follow a day-in-the-life of someone.

These movies often don’t have captions or subtitles for dialogue, because the focus is on what’s happening rather than what people are saying.

The term was coined in 2004 by Michael Azerrad to describe low-budget American independent cinema which emulated these ideals.

One of the most popular subgenres of indie film, mumblecore is characterized by low-budget filmmaking techniques and a focus on personal stories.

Mumblecore films are generally shot in natural light with few professional actors and little dialogue. The movement was started in 2000 with Andrew Bujalski’s “Funny Ha Ha.”

Mumblecore Characteristics

The films are often dialogue-heavy, and due to their budget constraints, they don’t have any special effects or sound design.

Mumblecore is usually filmed with handheld cameras and natural lighting; hence these movies often feel more realistic and relatable than other genres like action or horror.

Mumblecore is a film genre that features low-budget filmmaking, improvised dialogue, and often naturalistic performances.

Mumblecore movies often feature non-professional actors and minimal production values.

These low-budget productions have been called “the cinema of loneliness.”

The Mumblecore Film Movement

This movement was pioneered by filmmakers like Andrew Bujalski, whose 2003 directorial debut Funny Ha-Ha is considered one of the first mumblecore films; as well as Greta Gerwig with her 2012 directorial debut Frances Ha.

In the last decade or so, independent film has been undergoing a major shift.

What was once seen as an art form for the few has now become accessible to many more, and in turn, there are new types of films that have emerged from this accessibility.

Mumblecore focuses on interpersonal relationships and everyday life experiences, which often go hand-in-hand with its budget constraints…

The Mumblecore Film Movement began in the early 2000s with a group of independent filmmakers.

The directors were largely white and male, and typically shot on digital video cameras.

Mumblecore films have been characterized as having an unprofessional appearance, low budgets, few props, limited camera movements, static shots that focus on dialogue between actors who are not professional actors; they could be seen as being similar to reality television because they lack many cinematic qualities such as high production values.

Mumblecore is a film movement that was most popular in the 2000s and 2010s.

Best Mumblecore Films

The name “mumblecore” comes from a combination of “mumble,” referring to nonverbal performances, and “hardcore.”

Filmmakers who have been associated with this genre include Andrew Bujalski, Joe Swanberg, Lynn Shelton, and Greta Gerwig.

Mumblecore filmmakers use a minimalist, naturalistic style and improvised dialogue to create movies with realistic plots about everyday people.

What are the best Mumblecore films? Who is behind this genre of film?

The following list is a ranking of some of the best mumblecore films ever made.

Red Flag (2012)

Directed by Alex Karpovsky, it is a hilarious road trip comedy, a newly single filmmaker (Alex Karpovsky, “Girls”) hits the road with an old friend to promote one of his films, but romantic chaos ensues when an adoring fan decides to come along for the ride.

   
Red Flag
  • Amazon Prime Video (Video on Demand)
  • Alex Karpovsky, Keith Poulson (Actors)
  • Alex Karpovsky (Director) - Alex Karpovsky (Writer) - Alex Karpovsky (Producer)
  • English (Playback Language)
  • English (Subtitle)

Frances Ha (2012)

Frances Ha is a 2012 comedy-drama film directed by Noah Baumbach and written by Baumbach and Greta Gerwig, who also stars in the lead role.

The film tells the story of Frances Halladay, a 27-year-old dancer who lives with her best friend Sophie (Mickey Sumner) in Brooklyn.

Frances Ha is a 2012 comedy-drama film written and directed by Noah Baumbach. The movie stars Greta Gerwig as Frances, who lives in New York City with her best friend Sophie, played by Mickey Sumner.

One day, after being fired from her job and deciding to break up with her boyfriend of six years (Benji), she decides not to look for another job or a new lover but rather pursue dance classes and focus on herself.

The movie follows Frances, an aspiring dancer who journeys through New York City as she tries to find herself and her home.

The film was released on May 17th, 2012, and stars Greta Gerwig in the titular role of Frances.

In the indie comedy/drama Frances Ha, a 27-year-old woman named Frances struggles with her identity and attempts to find happiness in New York City.

She’s constantly balancing relationships with friends and romantic partners but never seems to do anything truly meaningful for herself.

The film is meant to be an autobiographical portrayal of writer/director Noah Baumbach’s own life at age 27 as he wrote the script in 1991.

It follows Frances on a year-long journey through her failed relationships and career dreams while she tries to figure out what it means to live an authentic life.

The movie ends on a happy note when she eventually decides that living authentically is not about going after one single goal…

Frances Ha
  • Amazon Prime Video (Video on Demand)
  • Greta Gerwig, Mickey Sumner (Actors)
  • Noah Baumbach (Director) - Noah Baumbach (Writer) - Scott Rudin (Producer)
  • English (Playback Language)
  • English (Subtitle)

Slacker (1991)

Slacker is 1991 It is a comedy-drama film written, directed, and edited by Richard Linklater. It was filmed in Austin, Texas, and takes place over the course of one day.

The story follows an ensemble cast of characters whose lives intersect with each other as they go about their daily routines. It follows the story of various people who are not working and just living life without any ambition or drive.

The film depicts an aimless generation that is apathetic about the future, but some viewers may find it too easy to relate to and be drawn in by its realistic portrayal of what it’s like to be young, carefree, and broke with no prospects for the future.

The film is composed of loosely connected vignettes centered on common themes. It is an example of post-modernist cinema and has been called everything from “a polemic against work” to “an ode to laziness”.

The movie explores many themes including friendship, love, the meaning of life, marriage, and more.

Just like other movies from this time period (Pulp Fiction) it’s an indie movement type of movie with people just talking to each other which creates a “slacking” mood for the audience who watches it because there are no big action scenes or car chases throughout the whole movie.

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Slacker (The Criterion Collection) [Blu-ray]
  • Slacker (Criterion Collection) - Blu-ray Used Like New
  • Richard Linklater (Actor)
  • Richard Linklater (Director)
  • English (Subtitle)
  • English (Publication Language)

Mutual Appreciation (2005)

Mutual Appreciation is a 2005 independent film by Andrew Bujalski who previously directed Funny Ha Ha (2002).

The script is primarily dialogued between a group of young people as they try to determine where they fit in the world. It is considered part of the mumblecore movement.

The principal characters are Lawrence, Ellie, Alan, and Sara. Lawrence, a teaching assistant, and Ellie have been together for about a year.

Lawrence loves Ellie, and she outwardly reciprocates while masking her doubts about their relationship. Sara is a radio disc jockey.

She meets Alan, a former member of a band called The Bumblebees, at the radio station and invites him to her apartment.

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The Puffy Chair (2005)

The Puffy Chair is a 2005 road movie mumblecore film written and directed by Mark Duplass and Jay Duplass.

It stars Mark Duplass, Katie Aselton, and Rhett Wilkins.

The film had its world premiere at the Sundance Film Festival in January 2005 and went on to screen at South by Southwest in March 2005, winning the Audience Award.

The film concerns the relationships between men, women, brothers, mothers, fathers, and friends.

The protagonist discovers on eBay a replica of a lounge chair that was used by his father long ago.

The resulting road trip to pick up and deliver the chair as a birthday present for the father in Atlanta takes interesting twists.

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Hannah Takes the Stairs (2008)

Hannah Takes the Stairs is a 2007 American independent mumblecore film by Joe Swanberg

Hannah is a recent college graduate living in Chicago who works as an intern at a production office during the summer.

She falls for Matt and Paul, two screenwriters she works with. While coasting from relationship to relationship, Hannah attempts to find a direction for her life.

Less dazed and confused than mumbling and mundane, this drama focuses on social awkwardness and twentysomething blues.

Skipping aimlessly from scene to scene offers little observations and rewards low expectations.

Hannah Takes the Stairs
  • Amazon Prime Video (Video on Demand)
  • Mark Duplass, Greta Gerwig, Kent Osborne (Actors)
  • Joe Swanberg (Director) - Joe Swanberg (Writer) - Joe Swanberg (Producer)
  • English (Playback Language)
  • English (Subtitle)

Humpday (2009)

Humpday (2009) is a comedy about three friends who are so close they live together, love each other’s wives, and share girlfriends.

The film follows the trio of Ben, Pete, and Andrew as they embark on a quest to find out who has stolen their sperm for an unknown purpose.

This hilarious journey leads them to learn more about themselves than anyone should know in this lifetime.

Humpday, which premiered at the 2009 Sundance Film Festival, is a comedy film directed by Lynn Shelton.

The movie follows two friends who try to find meaning in their lives through an amateur porn contest.

Humpday is a film about 3 friends who decide to have sex with each other, but then they get too comfortable and realize that their friendship is more important than sex.

Humpday
  • Amazon Prime Video (Video on Demand)
  • Mark Duplass, Joshua Leonard, Alycia Delmore (Actors)
  • Lynn Shelton (Director) - Lynn Shelton (Writer) - Lynn Shelton (Producer)
  • English (Playback Language)
  • English (Subtitle)

The House of the Devil (2009)

The House of the Devil is a 2009 horror film written and directed by Ti West.

The story follows college student Samantha Hughes (Jocelin Donahue) who, in order to raise money for her car and tuition fees, agrees to babysit two young children at an isolated house on Halloween Night.

It’s not long before she realizes something unsettling is happening around her…

The plot follows college student, Samantha Hughes, who takes an unusual babysitting job to make some quick cash.

She soon realizes that there’s more than meets the eye when she finds out her new employer has ties to cults and Satanism.

 

This film has been recognized as one of the best horror films made during this decade because it captures all the elements of an old-fashioned classic scary movie.

In the tradition of horror, many films have made the devil a central theme. The House of the Devil is no exception as it takes place in 1979 and centers on college student Samantha Hughes.

While looking for an apartment to rent with her best friend, she learns about a house that’s just been vacated by its tenant – a professor who was doing research on witchcraft.

When Samantha sees all the work he did throughout his time there, she decides to take up where he left off and begins researching herself.

As she grows closer to the dark magic though, strange things start happening around her home like windows breaking or rats scurrying across her floorboards – but these are only minor issues compared to what happens when Satan himself comes knocking at your door!

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The House of the Devil [Blu-ray]
  • Factory sealed DVD
  • Jocelin Donahue, Tom Noonan, Mary Woronov (Actors)
  • English (Subtitle)
  • English (Publication Language)
  • Audience Rating: R (Restricted)

Tiny Furniture (2010)

Tiny Furniture is an indie comedy film directed by Lena Dunham and written by Dunham and her creative partner, Jenni Konner. The film stars Dunham as Aura who moves back in with her parents after graduating from college.

Her father (played by Judd Apatow) runs a small business on the side that she helps out with. The main theme of the movie is about family relationships during difficult times such as post-college life.

The film Tiny Furniture, directed by Lena Dunham, is an autobiographical comedy-drama about a recent college graduate (played by the director) who returns home to live with her artist mother and sculptor stepfather.

This movie has been described as “the best coming-of-age story since Clueless.” It depicts what it’s like for today’s 20-somethings to go from being independent adults in college to living under their parents’ roof again.

They have finally achieved independence but now they are faced with the reality of no jobs and no money.

The film follows the lives of Aura (played by Lena Dunham) and her friends Nadine (Thurman), Hannah (Dunham), Jessa (Kirke), and Marnie (Williams). These “kids are so young,” as noted on the cover art for the DVD release of Tiny Furniture.

Tiny Furniture
  • Amazon Prime Video (Video on Demand)
  • Lena Dunham, Laurie Simmons, Grace Dunham (Actors)
  • Lena Dunham (Director) - Lena Dunham (Writer) - Kyle Martin (Producer)
  • English (Subtitle)
  • Audience Rating: NR (Not Rated)

The Origins Of Mumblecore Cinema

The term “mumblecore” was coined in 2004 by Michael Azerrad for his book Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991 to describe these movies which he felt were like so many indie rock bands of the time – not on mainstream radio but still popular with its fans.

The term “mumblecore” was first used by New York indie filmmaker Andrew Bujalski about his 2002 movie Funny Ha Ha, which he filmed on a digital video camera for $3000.

Mumblecore cinema is a genre of filmmaking that captures the middle-class, mundane life in an artistic way while avoiding glamorized shots and Hollywood-esque overtones.

It has its roots in the early 2000s as a response to the commercialism of mainstream cinema and because filmmakers wanted to explore new, original storytelling techniques.

A mumblecore film typically features actors who are non-professional or semi-professional; they usually do not have any acting experience. The style of the movies focuses more on dialogue than plot, and at times there is little dialogue at all as the camera captures mundane moments such as people eating dinner or sitting around talking with friends. Most notably the films generally lack traditional

The Evolution Of Mumblecore

When the term “mumblecore” was first coined by a film critic in 2005, it didn’t have much meaning. It was simply an umbrella term for films that were low-budget and had non-professional actors.

However, over time, mumblecore has evolved into something more than just capturing realism on camera.

Mumblecore movies now often showcase awkward scenes of people talking to one another about their lives with no music or editing to mask any mistakes made in the footage.

These imperfections are what make mumblecore so special because they remind us that life is not always perfect but we can still find joy and humor in our daily struggles.

Mumblecore is a sub-genre of independent film that emerged in the United States during the early 2000s.

The term was coined by Eric Masunaga and Mark Duplass to describe their 2004 film “The Puffy Chair”.

Filmmakers associated with this genre include Andrew Bujalski, Joe Swanberg, and Lynn Shelton.

The term “mumblecore” was coined by Eric Campos in 2002 to describe the films of Joe Swanberg, Andrew Bujalski, and other filmmakers.

The films are generally shot on digital video cameras, often with no production value whatsoever. Mumblecore is typified by a low-budget aesthetic but does not always have to be filmed guerilla-style on location or without permits.

In the early 2000s, a new movement of the indie film began to emerge. It was dubbed “Mumblecore” by Eric Kohn in 2004 for its lack of production value and low-key acting styles.

The genre is best known for capturing mundane conversations about relationships or experiences that are not outlandishly dramatic but still meaningful or interesting in their own right.

The Future Of Mumblecore Filmmaking

It’s been a long time since the mumblecore movement began, but the genre of filmmaking is still alive and well.

Filmmakers are exploring new territories in this style of filmmaking that has only just begun to be defined.

The future of mumblecore looks bright with many filmmakers pushing boundaries and creating new cinematic experiences for viewers.

What is mumblecore filmmaking? Mumblecore films are low-budget, independent movies that are often made by first-time or unknown filmmakers.

These types of movies typically have minimal plots and a focus on the actors’ dialogue and performances. Oftentimes, these films were shot with handheld digital cameras.

The film industry is rapidly changing and directors have found new ways of capturing their stories.

The days of the big-budget blockbuster are numbered. Instead, we’re seeing more indie filmmakers take on the art form with a DIY attitude.

Mumblecore is a genre of film that has been around for over 10 years now.
 

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