King Vidor was a prominent American film director and producer whose career spanned from the silent film era to the early 1960s.

He was known for his innovative techniques, powerful storytelling, and ability to capture the human condition on film. Here are some of his best-known films:

“The Big Parade” (1925): Considered one of the greatest war films ever made, “The Big Parade” tells the story of a young American soldier who is sent to fight in World War I.

The film features groundbreaking battle scenes and powerful performances from its cast, and it was a massive critical and commercial success.

“Hallelujah” (1929): A groundbreaking film that explored African-American culture and music, “Hallelujah” was one of the first Hollywood films to feature a predominantly black cast.

The film tells the story of a struggling farmer who becomes a preacher and faces temptation and betrayal.

“Stella Dallas” (1937): Based on the novel by Olive Higgins Prouty, “Stella Dallas” is a melodramatic tale of a working-class mother’s sacrifices for her daughter’s happiness.

The film features a standout performance from Barbara Stanwyck and explores themes of social class, sacrifice, and motherhood.

“The Citadel” (1938): A social drama about a young doctor’s struggle to establish a medical practice in a small Welsh mining town, “The Citadel” was one of Vidor’s most successful films.

The film was praised for its realistic depiction of working-class life and the corrupt medical establishment.

“Duel in the Sun” (1946): A steamy western romance, “Duel in the Sun” stars Jennifer Jones as a half-Native American woman caught in a love triangle with two brothers.

The film was criticized for its controversial themes and over-the-top melodrama, but it remains a landmark in the history of Hollywood westerns.

Best King Vidor Films

Let’s take a look at the top King Vidor movies.

1. The Crowd (1928)

“The Crowd” is a 1928 American silent film directed by King Vidor and starring James Murray and Eleanor Boardman.

The film follows the life of a young man named John Sims, who dreams of making it big in the city and marries his sweetheart, Mary.

   

However, his dreams are shattered as he struggles to find success and provide for his family, leading to a downward spiral into depression and despair.

One of the key characteristics of “The Crowd” is its use of innovative and experimental techniques in cinematography and storytelling.

Vidor used a combination of documentary-style footage and highly stylized visuals to create a realistic yet emotionally charged portrayal of life in the city.

The film also explores themes of the individual vs. society, the American Dream, and the impact of urbanization on the human experience.

“The Crowd” was a critical and commercial success upon its release, and has since become a landmark of American cinema.

It was one of the first films to realistically depict the struggles of everyday life, and its powerful portrayal of the human condition has resonated with audiences for nearly a century.

Overall, “The Crowd” is a powerful and innovative film that explores the struggles of the individual in the face of an uncaring society.

Its groundbreaking use of cinematography and its realistic depiction of life in the city make it a must-see for fans of classic cinema and those interested in the history of American filmmaking.

King Vidor's THE CROWD: The Making of a Silent Classic (Past Times Film Close-Up Series)
  • Young, Jordan R. (Author)
  • English (Publication Language)
  • 138 Pages - 08/19/2014 (Publication Date) - Past Times Publishing Company (Publisher)

2. Show People (1928)

“Show People” is a 1928 American silent comedy film directed by King Vidor and starring Marion Davies.

The film tells the story of a young woman named Peggy Pepper who dreams of becoming a successful Hollywood actress.

It features a satirical look at the film industry and its excesses, as well as a romantic storyline.

Here are three characteristics of “Show People” and the silent film era in general:

Physical comedy: “Show People” and other silent films often relied on physical comedy to tell their stories, as they did not have the benefit of synchronized sound.

Marion Davies, who was known for her comedic talent, performs a number of humorous stunts and pratfalls in the film that showcase her physical abilities.

Hollywood satire: “Show People” takes a humorous and satirical look at the Hollywood film industry, including its stars, producers, and various eccentricities.

The film pokes fun at the glamor and excess of Hollywood, while also showcasing the hard work and determination required to make it in the industry.

Artistic experimentation: The silent film era was a time of great experimentation and innovation in the world of cinema.

“Show People” is an example of this, as it features several innovative techniques, such as intertitles that comment on the action and a sequence that shows Peggy’s transition from a naive country girl to a sophisticated Hollywood star using montage.

Overall, “Show People” is a charming and entertaining film that provides a glimpse into the world of early Hollywood and the silent film era.

It is a great example of the creativity and innovation that characterized this important period in film history.

Show People
  • Factory sealed DVD
  • Marion Davies, William Haines (Actors)
  • King Vidor (Director)
  • English (Publication Language)
  • Audience Rating: NR (Not Rated)

3. The Big Parade (1925)

“The Big Parade” is a 1925 silent war film directed by King Vidor and starring John Gilbert, Renée Adorée, and Hobart Bosworth.

   

The film follows the story of Jim Apperson, a wealthy young man who enlists in the army during World War I and experiences the horrors of war firsthand.

Here are a few key points about the film:

Realistic portrayal of war: “The Big Parade” is known for its realistic portrayal of the horrors of war, including trench warfare, gas attacks, and the loss of life on both sides of the conflict.

The film’s depiction of the war was groundbreaking for its time and helped to establish a new standard for war films in Hollywood.

Romantic subplot: In addition to its portrayal of war, the film also features a romantic subplot between Jim and a French woman named Melisande.

Their relationship provides a poignant contrast to the violence and chaos of the war, and adds an emotional depth to the film.

Critical and commercial success: “The Big Parade” was a critical and commercial success upon its release, and is now considered a classic of the silent era.

The film’s realistic depiction of war and its emotional depth made it a favorite among audiences and critics alike, and helped to establish John Gilbert as one of the most popular leading men of the time.

Overall, “The Big Parade” is a landmark film that helped to establish a new standard for war films in Hollywood. Its realistic portrayal of war, emotional depth, and strong performances have helped to cement its status as a classic of the silent era.

The Big Parade (1925)
  • Amazon Prime Video (Video on Demand)
  • John Gilbert, Renée Adorée, Hobart Bosworth (Actors)
  • King Vidor (Director) - Harry Behn (Writer) - King Vidor (Producer)
  • English (Playback Language)
  • English (Subtitle)

4. Hallelujah (1929)

“Hallelujah” is a musical drama film directed by King Vidor and released in 1929. The film is notable for being one of the first Hollywood films to feature an all-black cast.

It tells the story of a young, religiously devout sharecropper named Zeke who falls in love with a seductive dance-hall performer named Chick.

The film explores themes of faith, temptation, and redemption, and features lively musical numbers and dynamic dance sequences.

The film was controversial at the time of its release due to its depiction of African American characters, but it has since been recognized as a groundbreaking work that paved the way for more diverse representation in American cinema.

“Hallelujah” is a visually striking and emotionally powerful film that showcases King Vidor’s ability to capture the beauty and complexity of human experience on screen.

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Hallelujah [DVD]
  • Daniel L. Haynes, Nina Mae McKinney, Fayard Nicholas (Actors)
  • King Vidor (Director) - A. Dorian Otvos (Writer)
  • English, Spanish, French (Subtitles)
  • Audience Rating: Unrated (Not Rated)

5. The Patsy (1928)

“The Patsy” is a 1928 American silent comedy film directed by King Vidor and starring Marion Davies, who also produced the film.

The story follows a young woman named Patricia Harrington, who is treated poorly by her family and longs to be seen as more than just the “patsy” or fool of the household.

With the help of a handsome young man, she sets out to transform herself into a sophisticated woman and win the attention of the man she loves.

One of the key characteristics of “The Patsy” is its use of slapstick comedy and physical humor, which were popular elements of silent film.

The film also features some innovative and experimental techniques in cinematography and editing, which helped to create a visually engaging and dynamic viewing experience.

“The Patsy” was a critical and commercial success upon its release, and is considered one of the best silent comedies of the era.

It was particularly notable for Marion Davies’ comedic performance, which was widely praised by critics and audiences alike.

Overall, “The Patsy” is a classic silent comedy that showcases the talents of its star, Marion Davies, and the innovative techniques of director King Vidor.

Its humor and visual style have stood the test of time, and it remains a beloved film among fans of classic cinema and those interested in the history of American filmmaking.

The Patsy
  • Factory sealed DVD
  • Marion Davies, Orville Caldwell, Marie Dressler (Actors)
  • King Vidor (Director)
  • English (Publication Language)
  • Audience Rating: NR (Not Rated)

6. Stella Dallas (1937)

“Stella Dallas” is a 1937 American drama film directed by King Vidor and starring Barbara Stanwyck. The film tells the story of a working-class woman named Stella who sacrifices her own happiness for the sake of her daughter, Laurel, who is ashamed of her mother’s low social status.

Here are three characteristics of “Stella Dallas” and King Vidor’s films in general:

Social commentary: “Stella Dallas” is a powerful social commentary on class and gender roles in America.

It explores the societal pressures faced by women and the sacrifices they are often forced to make for their families, as well as the negative effects of social class on personal relationships.

Strong female characters: Vidor’s films often feature strong, complex female characters who challenge traditional gender roles and societal expectations.

In “Stella Dallas,” Barbara Stanwyck gives a memorable and nuanced performance as a woman torn between her love for her daughter and her desire for independence.

Emotional realism: Vidor is known for his ability to create emotionally resonant and realistic portrayals of human relationships and experiences.

“Stella Dallas” is no exception, with its complex and nuanced portrayal of the relationship between Stella and Laurel, and the sacrifices and misunderstandings that define their interactions.

Overall, “Stella Dallas” is a powerful and poignant drama that tackles important social issues and features strong performances from its cast.

It is a great example of Vidor’s ability to blend social commentary and emotional realism into a compelling and memorable cinematic experience.

Stella Dallas (1937)
  • Amazon Prime Video (Video on Demand)
  • Barbara Stanwyck, John Boles, Anne Shirley (Actors)
  • King Vidor (Director) - Sarah Y. Mason (Writer) - Samuel Goldwyn (Producer)
  • English (Playback Language)
  • English (Subtitle)

7. Street Scene (1931)

“Street Scene” is a play by Elmer Rice that was first performed in 1929. In 1931, it was adapted into a film directed by King Vidor.

The film takes place in a single day on a New York City street and focuses on the lives of the various residents, who are a diverse mix of ethnicities and social classes.

The characters include immigrants, factory workers, wealthy families, and struggling artists, all of whom are trying to navigate their way through life.

The film is notable for its use of naturalistic acting and location shooting, which gives the movie a documentary-like feel.

The dialogue is also very realistic and often overlaps, creating a sense of chaos and energy on the street.

The film explores themes of social class, identity, and the American Dream, and it offers a snapshot of life in New York City during the early 20th century.

“Street Scene” was well received by critics and was nominated for three Academy Awards, including Best Picture. Today, it is considered a classic of early American cinema and a significant example of the socially conscious films of the time.

Street Scene
  • Walter Miller, Sylvia Sidney, William Collier Jr. (Actors)
  • King Vidor (Director)
  • Audience Rating: NR (Not Rated)

8. Our Daily Bread (1934)

“Our Daily Bread” is a 1934 film directed by King Vidor.

The film follows a couple named John and Mary who inherit a farm, but struggle to make it profitable.

They decide to start a cooperative farm with a group of unemployed people, and together they work to build a self-sufficient community.

Here are a few key characteristics of “Our Daily Bread”:

Depiction of the Great Depression: “Our Daily Bread” was made during the Great Depression, and it depicts the struggles of ordinary people during this difficult time.

The film highlights the impact of poverty, unemployment, and the lack of social safety nets, as well as the potential for collective action and cooperation to address these challenges.

Emphasis on Collective Action: The film emphasizes the importance of collective action and working together to achieve common goals.

The cooperative farm represents a utopian vision of a society where people work together to meet their basic needs, rather than relying on individual competition and self-interest.

Naturalistic Style: King Vidor’s direction emphasizes a naturalistic style, with many scenes filmed outdoors and featuring non-professional actors.

This gives the film a sense of authenticity and helps to create a connection between the audience and the characters.

Overall, “Our Daily Bread” is a powerful social commentary that highlights the struggles of everyday people during the Great Depression, and emphasizes the importance of collective action and cooperation in addressing these challenges.

The film remains a classic example of Depression-era cinema and a testament to the enduring appeal of utopian ideals.

3 Characteristics of King Vidor Films

King Vidor was a prolific American film director known for his versatile style, which encompassed a wide range of genres and subjects. Here are three characteristics of his films:

Humanism: King Vidor’s films often feature a strong humanistic element, with an emphasis on the struggles, triumphs, and complexities of ordinary people.

His characters are often portrayed with empathy and nuance, and their personal journeys form the core of the narrative.

Visual storytelling: Vidor was known for his skillful use of visual storytelling techniques, such as creative camera angles, naturalistic lighting, and evocative mise-en-scene.

His films often feature striking and memorable images that help to convey the story and its themes in a powerful way.

Exploration of social issues: Many of Vidor’s films explore important social issues of the time, such as poverty, class inequality, and racial discrimination.

He was known for his willingness to take on controversial topics and to depict the struggles of marginalized communities in a sensitive and nuanced way.

Overall, King Vidor’s films are characterized by their humanistic approach, skillful visual storytelling, and exploration of important social issues. His legacy as a director has had a lasting impact on the art of cinema, and his films continue to be celebrated and studied by filmmakers and film enthusiasts alike.

3 Reasons Why You Should Watch King Vidor Films

Here are three reasons why you should watch films by King Vidor:

Innovative storytelling: King Vidor was a pioneering filmmaker who experimented with innovative storytelling techniques throughout his career.

From the groundbreaking use of an all-black cast in “Hallelujah” to the use of experimental sound and editing techniques in “The Crowd” and “Our Daily Bread,” Vidor was constantly pushing the boundaries of what was possible in cinema.

Compelling characters: Vidor was known for his ability to create complex, multidimensional characters that felt like real people.

Whether it was the struggling farmers in “Our Daily Bread,” the ambitious young couple in “The Crowd,” or the conflicted cowboy in “Duel in the Sun,” Vidor’s characters were always richly drawn and emotionally compelling.

Visual beauty: Vidor was also a master of visual storytelling, and his films are filled with stunning images and breathtaking cinematography.

From the sweeping landscapes of the American West in “The Big Parade” to the urban vistas of New York City in “The Crowd,” Vidor’s films are a feast for the eyes, and they showcase the beauty and power of the cinematic art form.

Best King Vidor Films – Wrapping Up

King Vidor was a prolific and influential American director, known for his innovative use of cinematography and his ability to capture the struggles and triumphs of ordinary people. Here are some of his best films:

“The Crowd” (1928): A groundbreaking and innovative film that realistically depicts the struggles of everyday life in the city.

“Hallelujah” (1929): A musical drama that explores the lives of African Americans in the rural South, and was one of the first films to feature an all-black cast.

“Our Daily Bread” (1934): A socially conscious drama that follows a group of unemployed workers as they band together to start a cooperative farm.

“The Champ” (1931): A classic boxing drama that features a powerful performance by Wallace Beery as a washed-up fighter trying to make a comeback.

“War and Peace” (1956): A sweeping epic that adapts Leo Tolstoy’s classic novel of the same name, and features stunning battle sequences and lavish period costumes.

These films, among others, showcase Vidor’s talent for creating compelling and emotionally charged stories that resonate with audiences. Whether exploring themes of social justice, the struggles of the human condition, or the triumph